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Text Identifier:"^lord_speak_to_me_that_i_may_speak$"

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Lord, Speak to Me That I May Speak

Author: Frances Ridley Havergal Meter: 8.8.8.8 Appears in 454 hymnals First Line: Lord, speak to me, that I may speak Topics: Benevolence; Dedication of Life; Education Christian; Intercession; Prayer Hymns of; Schools; Stewardship of Life and Talents; Teaching; liturgical Songs of Response

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CANONBURY

Meter: 8.8.8.8 Appears in 590 hymnals Composer and/or Arranger: Robert Schumann Tune Key: F Major Incipit: 53334 32123 56712 Used With Text: Lord, Speak to Me, That I May Speak
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WINDHAM

Meter: 8.8.8.8 Appears in 209 hymnals Composer and/or Arranger: Daniel Read Tune Sources: The American Singing Book (1785) Tune Key: d minor Incipit: 13455 32113 23543 Used With Text: Lord, Speak to Me
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WINSCOTT

Meter: 8.8.8.8 Appears in 31 hymnals Composer and/or Arranger: Samuel Sebastian Wesley, 1810 - 1876 Tune Key: F Major Incipit: 33216 54334 32171 Used With Text: Lord, Speak To Me

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lord, speak to me, that I may speak

Author: Frances R. Havergal Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #586 (1894) Meter: 8.8.8.8 Lyrics: 1 Lord, speak to me, that I may speak In living echoes of Thy tone; As Thou hast sought, so let me seek, Thy erring children lost and lone. 2 Oh, lead me, Lord, that I may lead The wandering and the wavering feet; Oh, feed me, Lord, that I may feed Thy hungering ones with manna sweet. 3 Oh, strengthen me, that while I stand Firm on the Rock, and strong in Thee, I may stretch out a loving hand To wrestlers with the troubled sea. 4 Oh, teach me, Lord, that I may teach The precious things Thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. 5 Oh, give Thine own sweet rest to me, That I may speak with soothing power A word in season, as from Thee, To weary ones in needful hour. 6 Oh, fill me with Thy fullness, Lord, Until my very heart o'erflow In kindling thought and glowing word, Thy love to tell, Thy praise to show. 7 Oh, use me, Lord, use even me Just as Thou wilt, and when, and where; Until Thy blessèd face I see, Thy rest, Thy joy, Thy glory share. Amen. Topics: Lay Helpers; Love to Man Languages: English Tune Title: [Lord, speak to me, that I may speak]
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A Worker's Prayer

Author: Frances R. Havergal Hymnal: Triumphant Songs No.1 #84 (1887) First Line: Lord, speak to me, that I may speak Refrain First Line: O lead me, Lord, that I may lead Lyrics: 1 Lord, speak to me, that I may speak, In living echoes of thy tone; As thou hast sought, so let me seek, Thy erring children, lost and lone. Refrain: O lead me, Lord, that I may lead The wand’ring and the wav’ring feet; O feed me, Lord, that I may feed Thy hung’ring ones with manna sweet. 2 O strengthen me, that while I stand, Firm on the rock, and strong in thee, I may stretch out a loving hand, To wrestlers in the troubled sea. [Refrain] 3 O teach me, Lord, that I may teach, The precious things thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. [Refrain] 4 O give thine own sweet rest to me, That I may speak with soothing power, A word in season, as from thee, To weary ones in needful hour. [Refrain] 5 O fill me with thy fullness Lord, Until my very heart o’erflow, In kindling tho’t, and glowing word, Thy love to tell, thy praise to show. [Refrain] 6 O use me Lord, use even me, Just as thou wilt, and when and where; Until thy blessed face I see, Thy rest, the joy thy glory share. [Refrain] Languages: English Tune Title: [Lord, speak to me, that I may speak]
Text

Lord, Speak to Me, That I May Speak

Author: Frances R. Havergal Hymnal: Hymns of Faith #103 (1980) Lyrics: 1 Lord, speak to me that I may speak In living echoes of Thy tone; As Thou hast sought, so let me seek Thy erring children lost and lone. 2 O teach me, Lord, that I may teach The precious things Thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. 3 O fill me with Thy fullness, Lord, Until my very heart o'erflow In kindling thought and glowing word Thy love to tell, Thy praise to show. 4 O use me, Lord, use even me, Just as Thou wilt and when and where; Until Thy blessed face I see, Thy rest, Thy joy, Thy glory share. Amen. Topics: Christ Teacher; Prayer Hymns of; Christ Teacher; Prayer Hymns of Scripture: John 13:15 Languages: English Tune Title: [Lord, speak to me, that I may speak]

People

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Authors, composers, editors, etc.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk (1823-89) Composer of "ST. BERNARD (MONK)" in A Missionary Hymn Book William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810-1876 Composer of "WINSCOTT" in The Hymnary of the United Church of Canada Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

George Frideric Handel

1685 - 1759 Person Name: Händel Composer of "SAMSON" in The New Laudes Domini George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman