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Author: Juan Marron Appears in 2 hymnals Hymnal Title: Himnario Adventista First Line: Jesús, te necesito, pues soy tan pobre y vil Used With Tune: [Jesús, te necesito, pues soy tan pobre y vil]

Tunes

Tune authorities

[Jesús, te necesito, pues soy tan pobre y vil]

Appears in 250 hymnals Composer and/or Arranger: Chretien D'Urhan Hymnal Title: Himnario Adventista Tune Key: F Major Incipit: 33322 11144 34225 Used With Text: Jesús, te necesito

Instances

Published text-tune combinations (hymns) from specific hymnals

Jesús, te necesito

Author: Frederick Whitfield (1829-1904); Walton J. Brown (1913-2001) Hymnal: Himnario Adventista del Séptimo Día #441 (2010) Hymnal Title: Himnario Adventista del Séptimo Día Topics: La Vida Christian Petición y anhelo; The Christian Life Request and longing Scripture: John 6:68 Languages: Spanish Tune Title: RUTHERFORD

Jesús, te necesito

Author: Juan Marron Hymnal: Himnario Adventista #345 (1962) Hymnal Title: Himnario Adventista First Line: Jesús, te necesito, pues soy tan pobre y vil Languages: Spanish Tune Title: [Jesús, te necesito, pues soy tan pobre y vil]

People

Authors, composers, editors, etc.

Frederick Whitfield

1829 - 1904 Person Name: Frederick Whitfield (1829-1904) Hymnal Title: Himnario Adventista del Séptimo Día Author of "Jesús, te necesito" in Himnario Adventista del Séptimo Día Whitfield, Frederick, B.A., son of H. Whitfield, was born at Threapwood, Shropshire, Jan. 7, 1829, and educated at Trinity College, Dublin, where he took his B.A. in 1859. On taking Holy Orders, he was successively curate of Otley, vicar of Kirby-Ravensworth, senior curate of Greenwich, and Vicar of Stanza John's, Bexley. In 1875 he was preferred to St. Mary's, Hastings. Mr. Whitfield's works in prose and verse number upwards of thirty, including Spiritual unfolding from the Word of Life; Voices from the Valley Testifying of Jesus; The Word Unveiled; Gleanings from Scripture, &c. Several of his hymns appeared in his Sacred Poems and Prose, 1861, 2nd Series, 1864; The Casket, and Quiet Hours in the Sanctuary. The hymn by which he is most widely known is I need Thee, precious Jesu.” Other hymns by him in common use include:~ 1. I have a Great High Priest above. Christ the High Priest. 2. I saw the Cross of Jesus. The Cross. 3. In spirit, Lord, we meet Thee now. Missions. This was written at the request of the Committee of the Irish Church Missions for one of their annual meetings in London. 4. Jesus, Thou Name of magic power. The Name of Jesus. Sometimes given as "Jesus, Thou Name of power divine." 5. The sprinkled blood is speaking. The Blood of Christ. 6. There is a day I long to see. Heaven Anticipated. 7. There is a Name I love to hear. The Name of Jesus. Published in 1855 in hymnsheets and leaflets in various languages. From this the hymn “Jesus, the Name I love so well" is taken. 8. There's naught on earth to rest upon. God Unchangeable. 9. When dead in sin and far from God. Redemption. All these hymns, with the exception of No. 3, are in his Sacred Poems and Prose, 1861, and several of them have been printed as leaflets, and set to special music. The Sacred Poems, &c, contains 26 hymns, some of which are of considerable merit. -- John Julian, Dictionary of Hymnology (1907)

Walton J. Brown

1913 - 2001 Person Name: Walton J. Brown (1913-2001) Hymnal Title: Himnario Adventista del Séptimo Día Vers. esp. of "Jesús, te necesito" in Himnario Adventista del Séptimo Día Used pseudonym Juan Marrón. Walton John Brown was the education director of the Seventh-day Adventist Church worldwide. He worked in the United States, Argentina, Brazil and Cuba. Dianne Shapiro from obituary

Edward F. Rimbault

1816 - 1876 Person Name: Edward F. Rimbault (1816-1876) Hymnal Title: Himnario Adventista del Séptimo Día Arranger of "RUTHERFORD" in Himnario Adventista del Séptimo Día Edward Francis Rimbault PhD LLD United Kingdom 1816-1876. Born in Soho, London, England, son of an organist and composer of French descent, he was taught music by his father., Samuel Wesley, and Wiliam Crotch. At age 16 he became organist of the Swiss Church in Soho. He later became organist at various churches, including St Peter’s, Vere Street, and St John’s Wood Presbyterian Church. He edited many collections of music, journals, and publications of music, and arranged music compositions. In addition to editing or arranging contemporary operas, he had a strong interest in editing or arranging earlier English music. He studied the musical treatises in the library of Archbishop Tenison, one of the oldest public libraries in London. In 1838, At age 22 he began lecturing about the history of English music, and was in much demand due to the interest aroused. He did editorial work for the Percy Society, the Camden Society, the Motet Society, and the Handel Society. For the latter he edited the “Messiah”, “Saul”, and “Samson” He was elected a Fellow of the Society of Antiquaries, and was granted membership in the Academy of Music in Stockholm, Sweden. Gottingen University also conferred upon him a PhD. His reputation was such that he was offered a teaching position at Harvard University in the U.S., which he turned down. In 1848 he was given an honorary degree by the University of Oxford. In 1849 he published a collection of English nursery rhymes and the tunes to which they were sung. Rimbault authored 76 books, a few named here include : “Bibliotheca madrigaliana” (1847); “The pianoforte” (1860); “Early English organ builders and their works” (1865). In 1855 he co-authored “The organ- its history and construction” with John Hopkins. He did a small amount of composing as well. He wrote an operetta in 1838, and a musical drama. He also composed a large number of pianoforte scores for operas by others. He was an admirable harmonium player. Traveling to various auctions for years, he accumulated a rare collection of books. After his death his extensive collection was auctioned off in 1877, with many items going to the British Library. About 300 items were sold to an individual, and upon his death in 1888, the ‘Drexel collection’ was bequeathed to the Lenox Library (precursor of the New York Public Library). Today, the collection is part of the Music Division of the NY Public Library for the Performing Arts. He was an author, editor, arranger, composer, lithographer, translator, scribe, adapter, and bookseller. He died at London, England. No information found regarding a family. John Perry