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Text Identifier:"^in_the_morning_i_will_raise$"

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In the morning I will raise

Author: William H. Furness, 1802-1896 Appears in 16 hymnals Used With Tune: UNIVERSITY COLLEGE

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[In the morning I will raise]

Appears in 2 hymnals Composer and/or Arranger: Eric Werner Tune Key: F Major Incipit: 12315 32345 3165 Used With Text: In the Morning I Will Raise
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[PALMS OF GLORY]

Meter: 7.7.7.7 Appears in 16 hymnals Composer and/or Arranger: William D. MacLagan Tune Key: E Flat Major Incipit: 55121 71232 17654 Used With Text: In the morning I will raise
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UNIVERSITY COLLEGE

Appears in 166 hymnals Composer and/or Arranger: Henry J. Gauntlett, 1805-1876 Incipit: 31654 32315 55453 Used With Text: In the morning I will raise

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Published text-tune combinations (hymns) from specific hymnals

In the Morning I Will Raise

Author: William H. Furness Hymnal: Union Songster #7 (1960) Topics: General Hymns and Songs Tune Title: [In the morning I will raise]
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In the Morning I Will Raise

Author: William H. Furness Hymnal: The Cyber Hymnal #3113 Meter: 7.7.7.7 Lyrics: 1. In the morning I will raise To my God the voice of praise; With His kind protection blest, Sweet and deep has been my rest. 2. In the morning I will pray For His blessing on the day; What this day shall be my lot, Light or darkness, I know not. 3. Should it be with clouds o’ercast, Clouds of sorrow gathering fast, Thou, who givest light divine, Shine with me, Lord, O shine. 4. Show me, if I tempted be, How to find all strength in Thee, And a perfect triumph win Over every bosom sin. 5. Keep my feet from secret snares, Keep my eyes, O God, from tears, Every step Thy grace attend, And my soul from death defend. 6. Then when fall the shades of night, All within shall still be light; Thou wilt peace around diffuse, Gently as the evening dews. Languages: English Tune Title: FERRIER
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In the morning I will raise

Author: W. H. Furness Hymnal: The Concord Hymnal #80 (1923) Languages: English Tune Title: [In the morning I will raise]

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Henry J. Gauntlett

1805 - 1876 Person Name: Henry J. Gauntlett, 1805-1876 Composer of "UNIVERSITY COLLEGE" in Hymns for Schools and Colleges Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Eric Werner

1901 - 1988 Composer of "[In the morning I will raise]" in Union Songster Werner, Eric; b. Aug. 1, 1901, Lundenberg, near Vienna, d. July 28, 1988, New York; Austrian-American musicologist

John Bacchus Dykes

1823 - 1876 Composer of "FERRIER" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman