Search Results

Text Identifier:"^in_the_dark_and_silent_night_blessed$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

In the dark and silent night

Appears in 5 hymnals Matching Instances: 5 Used With Tune: CAPETOWN

Tunes

tune icon
Tune authorities

[In the dark and silent night]

Appears in 3 hymnals Matching Instances: 1 Tune Sources: French Folk Song Tune Key: A Major Incipit: 11554 53321 23217 Used With Text: In the Dark and Silent Night
Page scans

ELMSTONE

Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: H. Harford Battley Used With Text: In the dark and silent night
Audio

CAPETOWN

Appears in 128 hymnals Matching Instances: 1 Composer and/or Arranger: Friedrich Filitz Incipit: 53654 43171 54325 Used With Text: In the dark and silent night

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

In the dark and silent night

Hymnal: Hymns for the Children of the Church #191 (1907) Languages: English Tune Title: ELMSTONE
Page scan

In the dark and silent night

Author: Jane E. Leeson (1807-1882) Hymnal: The Concord Hymnal #86 (1923) Languages: English Tune Title: [In the dark and silent night]
Text

In the Dark and Silent Night

Author: Jane E. Leeson, 1807-82 Hymnal: The Children's Hymnbook #62 (1962) Lyrics: 1 In the dark and silent night, Blessed Lord, be Thou my light; So shall nothing me affright. Hallelujah! 2 Safely shadowed 'neat Thy wing, Help Thy little one to sing Glory to the heavenly King. Hallelujah! 3 Angels sing, and so would I, While upon my bed I lie, Praise my Father silently. Hallelujah! Topics: Praying to God Languages: English Tune Title: [In the dark and silent night]

People

person icon
Authors, composers, editors, etc.

Jane Eliza Leeson

1807 - 1882 Person Name: Jane E. Leeson, 1807-82 Author of "In the Dark and Silent Night" in The Children's Hymnbook Leeson, Jane E.. The earliest work by Miss Leeson with which we are acquainted is her Infant Hymnings. Then followed Hymns and Scenes of Childhood, or A Sponsor's Gift (London, James Burns; Nottingham, Dearden), 1842, in which the Infant Hymnings were incorporated. Concerning Pt. ii. of the Hymns and Scenes, &c, Miss Leeson says, "For the best of the Poems in the second part, the Writer is indebted to a friend." In the Rev. Henry Formby's Catholic Hymns arranged in order for the principal Festivals, Feasts of Saints, and other occasions of Devotion throughout the Year, London, Burns and Lambert, N.D. [1851], "Imprimatur, N. Cardinalis Wiseman, May 3rd, 1853," her translation of Victimae Paschali (“Christ the Lord is risen to-day"), and her "Loving Shepherd of Thy Sheep" (also in Hymns & Scenes, 1842), were given under the signature "M. L." Her Paraphrases and Hymns for Congregational Singing (most of " which were re-written from the Scottish Translations and Paraphrases (q.v.), 1781) were published by Wertheimer & Co., London, in 1853. In the Irvingite Hymns for the Use of the Churches, 1864, there are five of her original hymns and four of her translations from the Latin under the signature of "J. E. L.; "and most of these were repeated in the 2nd edition, 1871. In addition Miss Leeson is the author of several other works, including The Christian Child's Book, 1848, The Child's Book of Ballads, 1849, Songs of Christian Chivalry, 1848, Margaret, a Poem, 1850, The Seven Spiritual Works of Mercy, and others. Her hymns in common use include:— 1. A little child may know. God's love of little Children. In Hymns & Scenes of Childhood, 1842, No. 20, in 5 stanzas of 4 lines. 2. Dear Saviour, to Thy little lambs. For Purity. In Hymns & Scenes of Childhood, 1842, No. 19, in 4 stanzas of 8 lines. 3. Father, I [we] love Thy house of prayer. Public Worship. In Hymns & Scenes of Childhood, 1842, No. 76, in 3 stanzas of 12 lines. It is usually abbreviated. 4. Have ye counted the cost? Soldiers of the Cross . In Songs of Christian Chivalry, 1848, p. 8, in 10 stanzas of 9 lines. Usually abbreviated as in the Enlarged London Hymn Book, 1873. 5. In the dark and silent night. Confidence. In The Christian Child's Book, 1848, in 3 stanzas of 3 lines, with the refrain, "Hallelujah." It is in the Irish Church Hymnal , 1873, and other collections. 6. Jesus Christ, my Lord and King. Child's Praise of Christ. In Hymns & Scenes of Childhood, 1842, No. 18, in 6 stanzas of 4 lines. 7. King of Saints and King of glory. All Saints . In her Paraphrases & Hymns, 1853, p. 84, in 2 stanzas of 8 lines. 8. Saviour, teach me day by day. Obedience. In Hymns & Scenes of Childhood, 1842, No. 49, in 4 stanzas of 8 lines. In several hymn-books in Great Britain and America. 9. Songs of glory fill the sky. Christmas. In the Irvingite Hymns for the Use of the Churches, 1864, No. 21, in 3 stanzas of 8 lines, with the refrain "Hail! Lord Jesu." 10. Stand we prepared to see and hear. Advent. In the Irvingite Hymns for the Use of the Churches, 1864, No. 173, in 4 stanzas of 8 lines. Written in 1800. 11. Sweet the lesson Jesus taught. Christ blessing little Children. In Hymns & Scenes of Childhood, 1842, No. 1, in 5 stanzas of 4 lines. 12. Wake the song, 0 Zion's daughter. A cento of much excellence, which see. 13. Wake, ye saints, the song of triumph. Ascension . Written in 1861, and published in the Irvingite Hymns for the Use of the Churches, 1864, No. 60, in 4 stanzas of 6 lines, with the refrain "Hallelujah." In stanza ii., lines 3, 4, and 6 are from C. Wesley's "Hail the day that sees Him rise." Miss Leeson's most popular hymn, “Loving Shepherd of Thy Sheep," and her translations from the Latin are noted elsewhere in this work. Of Miss Leeson's personal history we can gather nothing. Born 1807; died 1882. --John Julian, Dictionary of Hymnology (1907)

H. Harford Battley

Composer of "ELMSTONE" in Hymns for the Children of the Church

Friedrich Filitz

1804 - 1876 Composer of "CAPETOWN" in Children's Hymnal Friedrich Filitz PhD Germany 1804-1876. Born at Arnstadt. Thuringia, he was a German composer and musicologist. He collected church music. He also studied philosophy. In 1833 he worked in Berlin as a music critic and at other employment. He was also a music historian. With Ludwig Erck, he published a collection of 15th & 17th Century chorales in 1845. He moved to Munich and published a chorale book in 1847. His legacy of vauable church music was donated to the Bavarian State Library, where it has made many forgotten works available once again. He died in Bonn, Germany. John Perry