My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
I'm Glad Salvation's Free
Appears in 17 hymnals First Line: How vast, how full, how free Refrain First Line: I'm glad salvation's free! Used With Tune: DUNBAR
I'm Glad Salvation's Free
How Vast, How Full, How Free
Author: Albert Midlane Hymnal: Hymns of Grace and Truth #195 (1903) Refrain First Line: Blessed, blessed news, Mercy e'en for thee Topics: The Gospel The Father's Gift Languages: English Tune Title: PLEROMA
How Vast, How Full, How Free
Blessed, Blessed News
Author: A. Midlane Hymnal: Wonder Hymns of Faith #139 (1923) First Line: How vast, how full, how free Languages: English Tune Title: [How vast, how full, how free]
Blessed, Blessed News
Blessed News
Author: Albert Midlane Hymnal: The Stirling Three Hundred #178 (1950) First Line: How vast, how full, how free Refrain First Line: O blessed news! O blessed news! Languages: English Tune Title: [How vast, how full, how free]
Blessed News
Talmage J. Bittikofer
1892 - 1986 Person Name: T. J. Bittikofer Composer of "[How vast, how full, how free]" in The Stirling Three Hundred
Talmage J. Bittikofer
Anonymous
Person Name: Anon. Author of "How vast, how full, how free" in The Evangelical Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
William B. Bradbury
1816 - 1868 Person Name: W. B. Bradbury Composer of "BRADEN" in Messages of Love Hymn Book William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
