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Heil, Heil dem größten Sohne

Author: J. F. Bahnmaier Appears in 3 hymnals

[Heil, heil dem grössten Sohne]

Appears in 1 hymnal Composer and/or Arranger: Albert B. Mehnert Incipit: 13515 31343 21756 Used With Text: Heil, heil dem grössten Sohne

MISSIONARY

Appears in 762 hymnals Composer and/or Arranger: Lowell Mason Incipit: 13556 53171 43321 Used With Text: Heil, Heil dem größten Sohne

Instances

Published text-tune combinations (hymns) from specific hymnals

Heil, heil dem grössten Sohne

Author: Dr. Bahnmaier Hymnal: Jugendharfe #170 (1894) Languages: German Tune Title: [Heil, heil dem grössten Sohne]

Heil, Heil dem größten Sohne

Author: J. Fr. Bahnmaier Hymnal: Frohe Lieder und Brüder-Harfe #412 (1898) Languages: German Tune Title: MISSIONARY

Das Reich des Messias

Hymnal: Liederlust und Psalter mit Anhang #274 (1884) First Line: Heil, Heil dem größten Sohne Languages: German

1792 - 1872 Composer of "MISSIONARY" in Frohe Lieder und Brüder-Harfe Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

J. F. Bahnmaier

1774 - 1841 Person Name: J. Fr. Bahnmaier Author of "Heil, Heil dem größten Sohne" in Frohe Lieder und Brüder-Harfe Bahnmaier, Jonathan Friedrich, son of J. G. Bahnmaier, Town Preacher at Oberstenfeld, near Bottwar, Württemberg, was born at Oberstenfeld, July 12, 1774. After completing his studies at Tübingen, his first appointment was, in 1798, as assistant to his father. He became Diaconus at Marbach on the Neckar in 1806, and at Ludwigsburg in 1810, where he was for a time the head of a young ladies' school. In 1815 he was appointed Professor of Education and Homiletics at Tübingen, but in the troublous times that followed had to resign his post. He received in 1819 the appointment of Decan and Town Preacher at Kirchheim-unter-Teck, where he continued as a faithful, unwearied, and successful worker for 21 years. He was distinguished as a preacher, and greatly interested in the causes of education, of missions, and of Bible societies. He was also one of the principal members of the committee which compiled the Württemberg Gesang-Buch of 1842. He preached his last sermon at Kirchheim, on the 10th Sunday after Trinity, Aug. 15, 1841. Two days later he held a visitation at Owen. While inspecting the school at the adjacent village of Brucker, he was struck by paralysis, and being conveyed back to Owen, died there, Aug. 18, 1841 (Koch vii. 81-84; Allgemeine Deutsche Biographie, i. 766-767). Of his hymns two have been translated into English: i. Jesu als du wiederkehrtest. [Schools.] First published in his Christliche Blätter aus Tübingen, pts. 9-12 for 1819, p. 85, in 2 stanzas of 8 lines, entitled "Prayer after School"; as one of 7 metrical prayers for Children, and for the School and House. Included as No. 2947 in Knapp's Evanglischer Lieder-Schatz, 1837 (1865, No. 2614), and No. 513 in the Württemberg Gesang-Buch, 1842. The only translation in common use is: Jesu, when Thou once returnest. In full by Miss Winkworth in her Chorale Book for England, 1863, No. 178. ii. Walte, fürder, nah und fern. [Missions.] According to Koch, vii. 84, first printed separately 1827. Included as No. 97 in the Kern des deutschen Ziederschatzes, Nürnberg, 1828, and as No. 260, beginning,"Walte, walte, nah und fern" in Bunsen's Versuch, 1833, in 7 stanzas of 4 line, and since in the Württemberg Gesang-Buch, 1842, and other recent collections. One of the best and most useful of hymns for Foreign Missions. The translations in common use are: 1. Far and near, Almighty Word. A good and full translation by Miss Cox in her Sacred Hymns, Boston, U.S., 1853, and Dean Alford's Year of Praise, 1867, stanza i. was omitted and the hymn thus began, "Word by God the Father sent." 2. Spread thy triumph far and nigh, by H. J. Buckoll. By omitting stanzas ii., iv. as No. 65 in the Rugby School Hymn Book, 1850 (in the Rugby School Hymn Book, 1870, No. 175, the translation is complete). The translations of stanzas iii., v.-vii. altered and beginning "Word of Him whose sovereign will", were included in the Marylebone Collection, 1851, and Burgess and Money's Psalms and Hymns, 1857. The Wellington College Hymn Book, 1863, begins with the translations of stanza v., "Word of life, so pure and free." 3. Spread, oh spread, thou mighty Word. A full and very good translation by Miss Winkworth in her Lyra Germanica, 2nd Series, 1858, p. 60, repeated in her Chorale Book for England, 1863, No. 176. Since included in Kennedy, People's Hymnal, 1867, Horder's Congregational Hymns, 1884, and others; and in America in the Pennsylvania Lutheran Church Book, 1868, Hymns and Songs of Praise, N. Y., 1874, Evangelical Hymnal, and others. In Longfellow and Johnson's Hymns of the Spirit, Boston, 1864, it begins with st. v., "Word of life, most pure, most strong." Other translations are: (1) "Go forth, thou mighty word of grace", by Lady E, Fortescue, 1343 (ed. 1847, p. 31). (2) "0 Word of God, reign everywhere," by Dr. G. Walker, 1860, p. 85. (3) "Word of God! with glory crown'd", in L. Rehfuess's Ch. at Sea, 1868, p. 109. [Rev. James Mearns, M. A.] -- John Julian, Dictionary of Hymnology (1907)