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He is gone! we heard him say
Author: Stanley Appears in 54 hymnals Used With Tune: REDHEAD
He is gone! we heard him say
ST. PATRICK
Appears in 17 hymnals Composer and/or Arranger: Arthur S. Sullivan Incipit: 11135 56532 11712 Used With Text: He is gone, a cloud of light
ST. PATRICK
He Is Gone, a Cloud of Light
Author: Arthur P. Stanley Hymnal: The Cyber Hymnal #2278 Meter: 7.7.7.7 D First Line: He is gone--a cloud of light Lyrics: 1. He is gone—a cloud of light
Has received Him from our sight;
High in Heav’n, where eye of men
Follows not, nor angels’ ken;
Through the veils of time and space,
Passed into the holiest place;
All the toil, the sorrow done,
All the battle fought and won.
2. He is gone—and we remain
In this world of sin and pain:
In the void which He has left
On this earth, of Him bereft.
We have still His work to do,
We can still His path pursue;
Seek Him both in friend and foe,
In ourselves His image show.
3. He is gone—we heard Him say,
Good that I should go away,
Gone is that dear form and face,
But not gone His present grace;
Though Himself no more we see,
Comfortless we cannot be:
No, His Spirit still is ours,
Quickening, freshening all ours powers.
4. He is gone—towards their goal
World and church must onward roll;
Far behind we leave the past;
Forward are our glances cast:
Still His words before us range
Through the ages as they change:
Wheresoe’er the truth shall lead,
He will give whate’er we need.
5. He is gone—but we once more
Shall behold Him as before;
In the heaven of heavens the same,
As on earth He went and came;
In the many mansions there,
Place for us He will prepare;
In that world unseen, unknown,
He and we shall yet be one.
6. He is gone—but not in vain,
Wait until He comes again:
He is risen, He is not here,
Far above this earthly sphere;
Evermore in heart and mind
There our peace in Him we find:
To our own eternal Friend,
Thitherward let us ascend. Languages: English Tune Title: STANLEY
He Is Gone, a Cloud of Light
He Is Gone
Author: A. P. Stanley Hymnal: Songs of the Covenant #132 (1892) First Line: He is gone, a cloud of light Languages: English Tune Title: [He is gone, a cloud of light]
He Is Gone
He is gone: a cloud of light
Author: A. P. Stanley Hymnal: In Excelsis #a307 (1900) Languages: English
He is gone: a cloud of light
Richard Redhead
1820 - 1901 Person Name: Redhead Composer of "REDHEAD" in New Manual of Praise Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
Arthur Sullivan
1842 - 1900 Composer of "ST. PATRICK" in The Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Joseph Barnby
1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Composer of "STANLEY" in The Cyber Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
