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J. W. Elliott
1833 - 1915 Person Name: James William Elliott Composer of "CHURCH TRIUMPHANT" in The Cyber Hymnal J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher.
His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915.
--www.nursery-songs.com/
J. W. Elliott
Jacob Kimball
1761 - 1826 Person Name: Jacob Kimball, Jr. (1761-1826) Composer of "GEORGIA" in An American Christmas Harp Kimball, Jacob. (Topsfield, Massachusetts, February 15, 1761--July 24, 1826, Topsfield). He graduated from Harvard in 1780, studied law, taught school, and tried to make a living at various other occupations, with small success except in the field of music where he was regarded as an outstanding singer, teacher, and composer of his period. He edited Rural Harmony (Boston, 1793) which he followed with Essex Harmony (1800), and Essex Harmony, Part II (1802), which included the only tunes of his own composition which can now be identified as his, except those in the popular Village Harmony (1795) the later editions of which, down to 1821, were probably edited by him. There is evidence that he also wrote poetry, including a number of hymns, some of them perhaps anonymous ones, otherwise unknown, included in the above-mentioned song books. The one hymn which can be attributed to him with assurance is his excellent metrical version of Psalm 65 which Jeremy Belknap included in his Sacred Psalmody (1795), entitled "A New Version" and beginning "Thy praise, O God, in Zion waits." The only other hymn by an American author in Belknap's collection is Mather Byles' "When wild confusion wrecks the air," republished in 1760.
See: Jacob Kimball: A Pioneer American Musician, Essex Institution Historical Collections, XCII, no. 4.
--Henry Wilder Foote, DNAH Archives
Jacob Kimball
