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Text Identifier:"^hail_thou_once_despised_jesus$"

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Hail, Thou once-despisèd Jesus!

Author: John Bakewell; Augustus Toplady Meter: 8.7.8.7 D Appears in 625 hymnals First Line: Hail, Thou once-despised Jesus! Topics: Adoration; Christ Advocate; Christ Passion; Christ Sacrifice; Passion; Sacrifice; Worship

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IN BABILONE

Meter: 8.7.8.7 D Appears in 190 hymnals Composer and/or Arranger: Roy F. Kehl (1935-2011) Tune Sources: Melody from Oude en Nieuwe Hollantse Boerenlities en Contradansen, c. 1710 Tune Key: G Major Incipit: 17651 21231 43232 Used With Text: Hail, thou once despisèd Jesus!
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HYFRYDOL

Meter: 8.7.8.7 D Appears in 548 hymnals Composer and/or Arranger: Rowland Hugh Pritchard, 1811-1887 Tune Key: F Major Incipit: 12123 43212 54332 Used With Text: Hail, Thou once-despised Jesus!
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[Hail, Thou once despised Jesus]

Appears in 462 hymnals Composer and/or Arranger: Louis von Esch Tune Key: A Flat Major Incipit: 12321 65312 32352 Used With Text: Hail, Thou Once Despised

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Hail Thou Once Despised Jesus

Author: John Bakewell Hymnal: Hymns for Today #116 (1920) First Line: Hail, thou once despised Jesus Refrain First Line: Hail! Master, hail! Lyrics: 1 Hail, Thou once despised Jesus! Hail, Thou Galilean King! Thou didst suffer to release us, Thou didst free salvation bring. Chorus: Hail! Master, hail! Master, hail! We own Thee, Christ, our King, all hail! Master hail! Master, hail! To Thee we worship bring, O Thou mighty man of Galilee, Who from death hath set Thy people free; Thine the kingdom, pow’r and glory be, Forevermore, Forevermore. 2 Jesus, hail! enthroned in glory, There forever to abide; All the heav’nly hosts adore Thee, Seated at Thy Father’s side. [Chorus] 3 Worship, honor, pow’r and blessing, Thou art worthy to receive; Loudest praises without ceasing, Meet it is for us to give. [Chorus] Languages: English Tune Title: [Hail, Thou once despised Jesus]
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Hail, Thou Once Despised Jesus!

Author: John Bakewell Hymnal: Lutherförbundets Sångbok #E90 (1913) Meter: 8.7.8.7 D Lyrics: 1 Hail, Thou once despised Jesus! Hail, Thou Galilean King! Thou didst suffer to release us; Thou didst free salvation bring. Hail! Thou agonizing Saviour, Bearer of our sin and shame! By Thy merits we find favor; Life is given thro' Thy Name. 2 Paschal Lamb, by God appointed, All our sins on Thee were laid; By almighty love anointed, Thou hast full atonement made. All Thy people are forgiven, Thro' the virtue of Thy blood: Opened is the gate of heaven; Peace is made 'twixt man and God. 3 Jesus, hail, enthroned in glory, There forever to abide! All the heav'nly hosts adore Thee, Seated at Thy Father's side: There for sinners Thou art pleading, There Thou dost our place prepare, Ever for us interceding, Till in glory we appear. 4 Worship, honor pow'r, and blessing, Thou art worthy to receive; Loudest praises, without ceasing, Meet it is for us to give. Help, ye bright angelic spirits, Bring your sweetest, noblest lays, Help to sing our Saviour's merits, Help to chant Immanuel's praise. Topics: Ascension Languages: English Tune Title: LAMMETS FOLK OCH SIONS FRÄNDER
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Hail, Thou Once Despiséd Jesus

Author: John Bakewell, 1721-1819 Hymnal: Hymnal and Order of Service #98 (1901) Meter: 8.7.8.7 D First Line: Hail Thou once despiséd Jesus! Lyrics: 1 Hail, Thou once despiséd Jesus! Hail, Thou Galilean King! Thou didst suffer to release us; Thou didst free salvation bring. Hail, Thou universal Saviour, Bearer of our sin and shame! By Thy merit we find favor; Life is given through Thy Name. 2 Paschal Lamb, by God appointed, All our sins on Thee were laid; By almighty love anointed, Thou hast full atonement made. All Thy people are forgiven, Through the virtue of Thy blood; Opened is the gate of heaven: Peace is made 'twixt man and God. 3 Jesus, hail, enthroned in glory, There forever to abide! All the heavenly host adore Thee, Seated at Thy Father's side: There for sinners Thou art pleading, There Thou dost our place prepare, Ever for us interceding Till in glory we appear. 4 Worship, honor, power, and blessing, Thou art worthy to receive; Loudest praises, without ceasing, Meet it is for us to give. Help, ye bright angelic spirits, Bring your sweetest, noblest lays, Help to sing our Saviour's merits, Help to chant Immanuel's praise. Amen. Topics: Ascension Languages: English Tune Title: LAMMETS FOLK OCH SIONS FRÄNDER

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Martin Madan

1726 - 1790 Alterer of "Hail, Thou Once Despised Jesus!" in Trinity Hymnal (Rev. ed.) Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760. This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful. -- John Julian, Dictionary of Hymnology (1907) ============================

Anonymous

Person Name: Unknown Author of "Hail, Thou Once Despised jesus" in The Lutheran Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan, 1842-1900 Composer of "LUX EOI" in Complete Anglican Hymns Old and New Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman