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Anonymous
Author of "Great God! as seasons disappear" in A Collection of Hymns, for the Christian Church and Home In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Edmund Butcher
1757 - 1822 Person Name: E. Butcher Author of "Great God, as seasons disappear" in Cân a Mawl Butcher, Edmund, born at Colchester, Essex, in 1757, and brought up as a linen-draper. After undergoing a preliminary training for the Unitarian Ministry, he was appointed to the charge of Leather Lane Chapel, Holborn, in 1789. From thence he removed to Sidbury Vale, Sidmouth, in 1798. Died April 14, 1822. Memoir in the Christian Moderator, 1827. His works include Picture of Sidmouth; Tour through various parts of England; Sermons, to which are added suitable Hymns, 1798; and the Substance of the Holy Scriptures Methodized, 1801. His hymns were given in the two latter works, in the Protestant Dissenters’ Magazine (of which he was some time editor); in Kippis's Collection, 1795; the Christian Guardian, 1802-1808; Aspland's Selection, 1810; and from his manuscript in Howse's Selection of Hymns and Psalms, 1837. They number 116 in all; but few, however, have attained to any position in modern hymnals. These include the following:
1. Blest is the man that [who] fears the Lord. Ps. cxii. Published in the Exeter Unitarian Collection, 1812, in 5 stanzas of 4 lines. It is in common use in Great Britain and America.
2. Father of all, where shall we find? Divine Worship. In Dr. Martineau's Hymns, 1840, &c.
3. Great God, as seasons disappear. Harvest. This is the most popular of his hymns. It is annotated under its first line.
4. Hosanna! let us join to sing. Resurrection. Contributed to Aspland's Selection, 1810, No. 290; and repeated in Dr. Martineau's Hymns, 1840, &c.
5. With deepest reverence at Thy throne. God's Unsearchableness. This is in American common use as in Laudes Domini, 1884, No. 248. It was contributed to Aspland's Selection, 1810, No. 146.
-- John Julian, Dictionary of Hymnology (1907)
Edmund Butcher
George Frideric Handel
1685 - 1759 Person Name: Handel. Composer of "SAMSON" in Cân a Mawl George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Henry J. Gauntlett
1805 - 1876 Person Name: Henry John Gauntlett, 1805-1876 Composer of "LUX MUNDI" in The Cyber Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Israel Holdroyd
1690 - 1753 Composer of "WELLS" in The Brethren Hymnal Holdroyd was both a composer and publisher of psalmody; his chief collection:
Spiritual Man's Companion, 1746
--www.hymntime.com/tch
Israel Holdroyd
