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Text Identifier:"^god_of_our_life_through_all_the_circling$"

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God of Our Life, Through All the Circling Years

Author: Hugh Thomson Kerr Meter: 10.4.10.4.10.10 Appears in 51 hymnals Matching Instances: 50

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SANDON

Meter: 10.4.10.4.10.10 Appears in 172 hymnals Matching Instances: 31 Composer and/or Arranger: Charles Henry Purday; John Weaver Tune Key: F Major Incipit: 33343 32123 12713 Used With Text: God of Our Life
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YATTENDON 11

Appears in 5 hymnals Matching Instances: 1 Composer and/or Arranger: H. Ellis Wooldridge Tune Key: f sharp minor Incipit: 33332 21443 55455 Used With Text: God of our life
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ALBERTA

Meter: 10.4.10.4.10.10 Appears in 12 hymnals Matching Instances: 1 Composer and/or Arranger: W. H. Harris Tune Key: C Major Incipit: 11232 43216 51231 Used With Text: God of Our Life

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God of Our Life

Author: Hugh T. Kerr Hymnal: The Cyber Hymnal #1943 Meter: 10.4.10.4.10.10 First Line: God of our life, through all the circling years Languages: English Tune Title: SANDON

Psalm 20

Author: Hugh T. Kerr Hymnal: The Covenant Hymnal #789 (1996) First Line: God of our life, through all the circling years Tune Title: [God of our life, through all the circling years]
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God of Our Life

Author: Hugh T. Kerr Hymnal: Chalice Hymnal #713 (1995) Meter: 10.4.10.4.10.10 First Line: God of our life, through all the circling years Lyrics: 1 God of our life, through all the circling years, we trust in you; in all the past, through all our hopes and fears, your hand we view. With each new day, when morning lifts the veil, we own your mercies, Lord, which never fail. 2 God of the past, our times are in your hand; with us abide. Lead us by faith to hope's true Promised Land; be now our guide. With you to bless, the darkness shines as light, and faith's fair vision changes into sight. 3 God of the coming years, through paths unknown we follow you; when we are strong, Lord, leave us not alone; our faith renew. Be now for us in life our daily bread, our heart's true home when all our years have sped. Topics: Times and Seasons New Year; God's World Times and Seasons: New Year; Aging; Eternal Life; God: Faithfulness; New Year; Trust Languages: English Tune Title: SANDON

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Hugh Thomson Kerr

1871 - 1950 Author of "God of Our Life" in The Presbyterian Hymnal Hugh Thomson Kerr (1872-1950) Born: Feb­ru­a­ry 11, 1872, Elo­ra, Ca­na­da. Died: June 27, 1950, Pitts­burgh, Penn­syl­van­ia. Buried: Home­wood Cem­e­te­ry, Pitts­burgh, Penn­syl­van­ia. Kerr at­tend­ed the Un­i­ver­si­ty of To­ron­to and West­ern The­o­lo­gic­al Sem­in­ary, Pitts­burgh, Penn­syl­van­ia. Or­dained a Pres­by­ter­i­an min­is­ter, he pas­tored in Kan­sas and Il­li­nois, and at the Sha­dy­side Pres­by­ter­i­an Church, Pitts­burgh (1913-1946). A pi­o­neer in re­li­gious broad­cast­ing, his 1922 Christ­mas Day ser­mon was broad­cast to the North and South Poles by ra­dio sta­tion KDKA. He served as Mod­er­a­tor of the Gen­er­al As­sem­bly of the Pres­by­ter­i­an Church in the USA in 1930, helped com­pile the Pres­by­ter­i­an Hymn­al in 1933, the Pres­by­ter­i­an Book of Com­mon Wor­ship, and helped found World­wide Com­mun­ion Sun­day. --cyberhymnal.org/bio/k/e/kerr_ht.htm

Charles H. Purday

1799 - 1885 Person Name: Charles Henry Purday Composer of "SANDON" in The Presbyterian Hymnal Charles H. Purday (1799-1885) A publisher, composer, lecturer, and writer, Purday had a special interest in church music. He published Crown Court Psalmody (1854), Church and Home Metrical Psalter and Hymnal (1860), which included SANDON, and, with Frances Havergal, Songs of Peace and Joy (1879). A precentor in the Scottish Church in Crown Court, London, Purday sang at the coronation of Queen Victoria. In the publishing field he is known as a strong proponent of better copyright laws to protect the works of authors and publishers. Bert Polman

John Weaver

b. 1937 Harmonizer of "SANDON" in The Presbyterian Hymnal Dr. John Weaver Organist/Music Director, Emeritus John Weaver retired at the end of May 2005, after 35 years of ministry as Director of Music and Organist at Madison Avenue Presbyterian Church in New York City. During his tenure here, he also served as Head of the Organ Department at the Curtis Institute of Music in Philadelphia from 1972 to 2003 and Chair of the Organ Department at the Juilliard School from 1987 to 2004. The American Organist named him among the 101 most notable organists of the 20th century. Weaver traces his love for the "King of Instruments" back to his childhood. Born in the Eastern Pennsylvania town of Mauch Chunk (now called Jim Thorpe), his first introduction to music was through the organ at the First Presbyterian Church where his father was the pastor. His formal musical studies began at the age of six in Baltimore's Peabody Conservatory when it was discovered that he had perfect pitch. Shortly thereafter he acquired an old harmonium that stimulated his desire to learn to play the organ. At the age of fourteen he began organ study with Richard Ross and George Markey, and the same year he also became organist of a Baltimore church and played his first organ recital. In 1989 John Weaver was honored by The Peabody Conservatory when he was presented with Peabody's Distinguished Alumni Award. He has received honorary Doctor of Music degrees from Westminster College, New Wilmington PA, and The Curtis Institute of Music. He was also elected a member of the North American Academy of Liturgy. John Weaver's undergraduate study was at The Curtis Institute from which he graduated in 1959 as a student of Alexander McCurdy. That year he was appointed Director of Music at Holy Trinity Lutheran Church in New York City, a post he held for eleven years. During this time he spent two years in the Army as organist/choir-director of the Post Chapel at the United States Military Academy at West Point, and earned a Master of Sacred Music degree from Union Theological Seminary, studying with Robert Baker. In 1968 he founded a highly successful Bach Cantata Series at Holy Trinity, conducting his choir and orchestra in two seasons of these works. At these services he also played most of the major organ works of Bach and numerous chorale-preludes. At the Madison Avenue Presbyterian Church he annually conducts a large concert choir, The St. Andrew Chorale, in several major works with orchestra. In addition to his teaching at The Curtis Institute and The Juilliard School, he has served Westminster Choir College, Union Theological seminary and the Manhattan School of Music. He has written numerous articles for organ and church music magazines and has served as President of the Presbyterian Association of Musicians. Dr. Weaver has been active as a concert organist since coming under management in 1959. He has played throughout the USA, Canada, Western Europe, the United Kingdom, and Brazil. Each year finds him in many different parts of the country playing recital programs drawn from his large repertoire of memorized works from every important era and national school of organ literature. His wife, Marianne, an excellent flutist whose teachers include Kincaid and Rampal, frequently adds an extra and very special stop to the organ by appearing on these programs. John Weaver has performed on national television and radio network programs in the US and Germany. He has made recordings for Aeolian-Skinner, The Wicks Organ Company, the Klais Orgelbau of Germany, a CD on Gothic Records for the Schantz Organ Company, and a recent recording on the Pro Organo label on the new Reuter organ at University Presbyterian Church in Seattle. His published compositions for organ, chorus/organ and flute/organ are widely performed. Weaver has made several concerto appearances with the Portland, Maine Symphony, the Musica Sacra Orchestra and the Harrisburg Symphony. He has played solo recitals at numerous regional and national conventions of the American Guild of Organists as well as the 1987 Internationalhttp://www.mapc.com Congress of Organists in Cambridge, England. He has been guest artist with the Chamber Music Society of Lincoln Center at Alice Tully Hall and Washington's Kennedy Center, and has played solo recitals at Boston Symphony Hall, Alice Tully Hall, Philadelphia's Academy of Music, Chicago's Orchestra Hall, Cleveland's Orchestra Hall, as well as colleges, cathedrals and churches throughout the US. -- http://www.mapc.com