Search Results

Text Identifier:"^god_is_love_let_heaven_adore_him$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

God is Love, Let Heaven Adore Him

Author: Timothy Rees Meter: 8.7.8.7 D Appears in 33 hymnals Hymnal Title: Calvin Hymnary Project

Tunes

tune icon
Tune authorities

ECCE, DEUS

Meter: 8.7.8.7 D Appears in 4 hymnals Composer and/or Arranger: Alfred Victor Fedak (b. 1953) Hymnal Title: Church Hymnary (4th ed.) Tune Key: e minor Incipit: 51171 23432 15543 Used With Text: God is Love, let heaven adore him
Page scansAudio

ALLELUIA

Meter: 8.7.8.7 D Appears in 46 hymnals Composer and/or Arranger: Samuel Sebastian Wesley, 1810-1876 Hymnal Title: Complete Anglican Hymns Old and New Tune Key: F Major Incipit: 11716 56712 35665 Used With Text: God is love: let heaven adore him

RODLAND

Meter: 8.7.8.7 D Appears in 1 hymnal Composer and/or Arranger: Gene Traas Hymnal Title: Rejoice in the Lord Tune Key: g minor Used With Text: God Is Love: Let Heaven Adore Him

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

God is Love: let heav'n adore him

Author: Timothy Rees (1874-1939) Hymnal: Ancient and Modern #644 (2013) Meter: 8.7.8.7 D Hymnal Title: Ancient and Modern Lyrics: 1 God is Love: let heav'n adore him; God is Love: let earth rejoice; let creation sing before him, and exalt him with one voice. He who laid the earth's foundation, he who spread the heav'ns above, he who breathes through all creation, he is Love, eternal Love. 2 God is Love: and he enfoldeth all the world in one embrace; with unfailing grasp he holdeth every child of every race. And when human hearts are breaking under sorrow's iron rod, then they find that selfsame aching deep within the heart of God. 3 God is Love: and though with blindness sin afflicts the souls of all, God's eternal loving-kindness holds and guides us when we fall. Sin and death and hell shall never o'er us final triumph gain; God is Love, so Love for ever o'er the universe must reign. Topics: Assurance; Creation; God Love of; Proper 12 Year A; Proper 13 Year C; Proper 14 Year B; Proper 21 Year C; Sin; Sorrow; The Third Sunday before Lent Year B Scripture: John 3:16 Languages: English Tune Title: ABBOT'S LEIGH

God is love: let heav'n adore him

Author: Timothy Rees Hymnal: Anglican Hymns Old and New (Rev. and Enl.) #243 (2008) Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Languages: English Tune Title: ALLELUIA

God is Love: let heaven adore him

Hymnal: Australian Hymn Book #93 (1977) Meter: 8.7.8.7 D Hymnal Title: Australian Hymn Book Languages: English

People

person icon
Authors, composers, editors, etc.

Samuel Wesley

1691 - 1739 Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Composer of "ALLELUIA" in Anglican Hymns Old and New (Rev. and Enl.) Samuel Wesley, M.A., the younger, was the eldest child of Samuel and Susanna Wesley, and was born in or near London in 1691. He received his early education from his mother, who always took a special interest in him as her firstborn. In 1704 he went to Westminster School, where he was elected King's Scholar in 1707. Westminster had, under the mastership of Dr. Busby for 55 years, attained the highest reputation for scholarship, and Samuel Wesley, as a classical scholar, was not unworthy of his school. In 1709, Dr. Spratt, Bishop of Rochester, patronised the young scholar, and frequently invited him to Bromley. In 1711 he went with a Westminster studentship to Christ Church, Oxford, and having taken his degree, returned to Westminster as an Usher. He then received Holy Orders and became an intimate friend of Bishop Atterbury, who was then Dean of Westminster. His intimacy with this prelate was a bar to his advancement, and he was bitterly disappointed at not being appointed undermaster at Westminster when that post was vacant. But he was faithful to his friend in his adversity, and the banished prelate warmly appreciated his attachment. In 1732 he was invited, without solicitation, to accept the headmastership of the Free School at Tiverton, and here he spent the remainder of his life. He strongly disapproved of John and Charles Wesley's proceedings; but though the brothers expressed their opinions to one another with characteristic frankness, the disagreement did not cause any interruption in the friendly relations between them. Samuel Wesley was universally acknowledged to be an honest, conscientious and deeply religious man. He was a most uncompromising High Churchman both in the political and the theological sense of that term; and there is no doubt that he was the mainstay of the Wesley family at Epworth. His kindness to his father and mother was unbounded, and he acted like a father to his younger brothers and sisters. He also took a great interest in works of charity, and was one of the first promoters of the Westminster Infirmary. He died at Tiverton in the 49th year of his age, Nov. 6, 1739. His epitaph in Tiverton Churchyard does not exaggerate his merits, when it describes him as— "a man for his uncommon wit and learning, For the benevolence of his temper, and simplicity of manner, Deservedly loved and esteemed by all: An excellent Preacher; But whose best sermon Was the constant example of an edifying life: So continually and zealously employed In acts of beneficence and charity, That he truly followed His blessed Master's example In going about doing good; Of such scrupulous integrity, That he declined occasions of advancement in the world, Through fear of being involved in dangerous compliances; And avoided the usual ways to preferment As studiously as many others seek them." Samuel Wesley published in 1736 A Collection of Poems on several occasions, some of which are full of a rather coarse humour, but all of a good moral and religious tendency. This work was reprinted in 1743, and again by W. Nichols in 1862. Dr. Adam Clarke specifies eight hymns of S. Wesley's composition which were in use among the Methodists of that time (1823). The Wesleyan Hymn Book of the present day contains five, the best-known of which is "The Lord of Sabbath let us praise." Six of his hymns are in common use, and are annotated as follows:— 1. From whence these dire portents around. 2. Hail, Father, Whose creating call. 3. Hail, God the Son in glory crowned. 4. Hail, Holy Ghost, Jehovah, Third. 5. The Lord of Sabbath, let ns praise. 6. The morning flowers display their sweets. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Alfred V. Fedak

b. 1953 Person Name: Alfred Victor Fedak (b. 1953) Hymnal Title: Church Hymnary (4th ed.) Composer of "ECCE, DEUS" in Church Hymnary (4th ed.) Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge. As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.) Laura de Jong

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley, 1810-1876 Hymnal Title: Common Praise Composer of "ALLELUIA" in Common Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman