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Father, I know that all my life

Author: Anna Letitia Waring Meter: 8.6.8.6.8.6 Appears in 231 hymnals

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ARABIA

Meter: 8.6.8.6.8.6 Appears in 14 hymnals Composer and/or Arranger: W. Wilson Tune Key: E Flat Major Incipit: 51234 65435 65433 Used With Text: Father, I know that all my life
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WARING

Appears in 33 hymnals Composer and/or Arranger: Louis Spohr Tune Key: E Flat Major Incipit: 53511 17654 34562 Used With Text: Father, I know that all my life
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CONTENTMENT

Appears in 2 hymnals Composer and/or Arranger: Sidney Victor Hays Incipit: 34551 76543 33364 Used With Text: Father, I Know

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Father, I know that all my life

Author: A. L. Waring Hymnal: Hymns and Meditations #1 (1873) Meter: 8.6.8.6.8.6 Lyrics: Father, I know that all my life Is portioned out for me, And the changes that are sure to come, I do not fear to see; But I ask Thee for a present mind Intent on pleasing Thee. I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself, To soothe and sympathize. I would not have the restless will That hurries to and fro, Seeking for some great thing to do, Or secret thing to know; I would be treated as a child, And guided where I go. Wherever in the world I am, In whatsoe'er estate, I have a fellowship with hearts To keep and cultivate; And a work of lowly love to do For the Lord on whom I wait. So I ask Thee for the daily strength, To none that ask denied, And a mind to blend with outward life While keeping at Thy side; Content to fill a little space, If Thou be glorified. And if some things I do not ask, In my cup of blessing be, I would have my spirit filled the more With grateful love to Thee — More careful — not to serve Thee much, But to please Thee perfectly. There are briers besetting every path, That call for patient care; There is a cross in every lot, And an earnest need for prayer; But a lowly heart that leans on Thee Is happy anywhere. In a service which Thy will appoints, There are no bonds for me; For my inmost heart is taught “the truth” That makes Thy children “free;” And a life of self–renouncing love, Is a life of liberty. Scripture: Psalm 31:15 Languages: English
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Father, I Know That All My Life

Author: Anna Laetitia Waring Hymnal: Trinity Hymnal (Rev. ed.) #559 (1990) Meter: 8.6.8.6.8.6 Lyrics: 1 Father, I know that all my life is portioned out for me; the changes that are sure to come, I do not fear to see: I ask thee for a present mind, intent on pleasing thee. 2 I would not have the restless will that hurries to and fro, seeking for some great thing to do, or secret thing to know; I would be treated as a child, and guided where I go. 3 I ask thee for the daily strength, to none that ask denied, a mind to blend with outward life, while keeping at thy side, content to fill a little space, if thou be glorified. 4 In service which thy will appoints there are no bonds for me; my secret heart is taught the truth that makes thy children free; a life of self-renouncing love is one of liberty. Topics: The Christian Life Obedience; Cheerfulness; Christian Service; Contentment; Daily Living; Decrees of God; Faith Living by; Life Sacredness of; Patience of Christians Scripture: Philippians 4:11 Languages: English Tune Title: MORWELLHAM
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Father, I Know That All My Life

Author: Anna Waring Hymnal: The Cyber Hymnal #1476 Meter: 8.6.8.6.8.6 Lyrics: 1. Father, I know that all my life Is portioned out for me, And the changes that are sure to come I do not fear to see; But I ask Thee for a present mind Intent on pleasing Thee. 2. I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself, To soothe and sympathize. 3. I would not have the restless will That hurries to and fro, Seeking for some great thing to do Or secret thing to know; I would be treated as a child, And guided where I go. 4. Wherever in the world I am, In whatsoe’er estate, I have a fellowship with hearts To keep and cultivate; And a work of lowly love to do For the Lord on whom I wait. 5. So I ask Thee for daily strength, To none that ask denied, And a mind to blend with outward life While keeping at Thy side; Content to fill a little space, If Thou be glorified. 6. And if some things I do not ask In my cup of blessing be, I would have my spirit filled the more With grateful love to Thee, More careful, not to serve Thee much, But to please Thee perfectly. 7. There are briers besetting every path That call for patient care; There is a cross in every lot, And an earnest need for prayer; But a lowly heart that leans on Thee Is happy anywhere. 8. In a service which Thy will appoints There are no bonds for me; For my inmost heart is taught the truth That makes Thy children free. And a life of self renouncing love Is a life of liberty. Languages: English Tune Title: MORWELLHAM

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James Turle

1802 - 1882 Composer of "BETHSAIDA" in Church Hymnal TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral. Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer. His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer. --en.wikisource.org/

Anna Letitia Waring

1823 - 1910 Person Name: Anna L. Waring Author of "Father, I know that all my life" in The Hymnal See also in: Hymn Writers of the Church ================ Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:— 1. Dear Saviour of a dying world. Resurrection. (1854.) 2. In heavenly love abiding. Safety in God. (1850.) 3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.) 4. Lord, a happy child of Thine. Evening. (1850.) 5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately. 6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.) 7. O Thou Lord of heaven above. The Resurrection. 8. Source of my life's refreshing springs. Rest in God. (1850.) 9. Sunlight of the heavenly day. New Year (1854.) 10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.) 11. Tender mercies on my way. Praise of Divine Mercies. (1850.) 12. Thanksgiving and the voice of melody. New Year (1854). 13. Though some good things of lower worth. Love of God in Christ, (1860.) These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848: 1. Father, I know that all my life, p. 367, ii. 2. Sweet is the solace of Thy love, p. 1233, ii. 10. 3. Though some good things of, &c., p. 1233, ii. 13. The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "SLINGSBY" in The Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman