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Con las nubes viene Cristo

Author: John Cennick; Esteban Sywulka B.; Charles Wesley Meter: 8.7.8.7.8.7 Appears in 2 hymnals First Line: Con las nubes viene Cristo, El que en la cruz murió

ST. THOMAS

Appears in 191 hymnals Composer and/or Arranger: Samuel Webbe Tune Key: E Major Incipit: 12312 34365 43221 Used With Text: Con las nubes viene Cristo

REGENT SQUARE

Meter: 8.7.8.7.8.7 Appears in 878 hymnals Composer and/or Arranger: Henry T. Smart Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: Con las nubes viene Cristo

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: Charles Wesley; Esteban Sywulka B.; John Cennick Hymnal: Celebremos Su Gloria #550 (1992) Meter: 8.7.8.7.8.7 Lyrics: 1 Con las nubes viene Cristo, el que en la cruz murió; Santos miles le alaban, quien la muerte conquistó. ¡Aleluya! ¡Aleluya! Sobre todo ya triunfó. 2 Todos le verán, glorioso, ataviado en majestad, Y los que le rechazaron en su incredulidad Con gran llanto, con gran llanto al Mesías mirarán. 3 En su cuerpo ya glorioso las heridas llevará, Que su excelso sacrificio en la cruz recordarán, Y con gozo, y con gozo su Iglesia las verá. 4 Toda la creación se postre a tus pies para adorer; De poder, domino y gloria, Cristo, eres digno ya. ¡Aleluya! ¡Aleluya! ¡Oh, ven pronto a reinar! Topics: Creación; Creation; Cristo Su Reinado; Christ His Reign; Iglesia Triunfante; Church Triumphant; Segunda Venida de Cristo; Second Coming of Christ Scripture: Revelation 1:1-8 Languages: Spanish Tune Title: REGENT SQUARE

Con las nubes viene Cristo

Author: John Cennick; Esteban Sywulka B. Hymnal: Himnos de la Iglesia #159 (1995) Languages: Spanish Tune Title: ST. THOMAS

People

Authors, composers, editors, etc.

Samuel Webbe

1740 - 1816 Composer of "ST. THOMAS" in Himnos de la Iglesia Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

Esteban Sywulka B.

b. 1942 Translator of "Con las nubes viene Cristo" in Celebremos Su Gloria

Henry Thomas Smart

1813 - 1879 Person Name: Henry T. Smart Composer of "REGENT SQUARE" in Celebremos Su Gloria Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman