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Text Identifier:"^come_thou_desire_of_all_thy_saints$"

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Come, thou Desire of all thy saints

Author: Anne Steele Meter: 8.6.8.6 Appears in 195 hymnals Used With Tune: WARWICK

Tunes

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DALEHURST

Appears in 198 hymnals Composer and/or Arranger: A. Cottman Incipit: 32143 32112 34442 Used With Text: Come, thou Desire of all thy saints
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ABRIDGE

Appears in 168 hymnals Composer and/or Arranger: Smith Incipit: 15117 65433 23655 Used With Text: Come, O thou King of all thy saints
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MANOAH

Appears in 651 hymnals Composer and/or Arranger: Francis J. Haydn Tune Key: A Flat Major Incipit: 12321 77662 34321 Used With Text: Come, thou Desire of all thy saints!

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come, Thou Desire of All the Saints

Author: Anne Steele, 1716-1786 Hymnal: African Methodist Episcopal Church Hymnal #104 (2011) Meter: 8.6.8.6 First Line: Come, Thou desire of all Thy saints Lyrics: 1 Come, Thou Desire of all Thy saints, Our humble strains attend, While with our praises and complaints, Low at Thy feet we bend. 2 How should our songs, like those above, With warm devotion rise? How should our souls, on wings of love, Mount upward to the skies? 3 Come Lord, Thy love alone can raise In us the heavenly flame; Then shall our lips resound Thy praise, Our hearts adore Thy name! 4 Now, Savior, let Thy glory shine, And fill Thy dwellings here Till life, and love, and joy divine, A heaven on earth appear. 5 When shall our hearts, enraptured, say "Come, great Redeemer, come, And bring the bright, the glorious day That calls Thy children home?" Amen. Topics: Jesus Christ Advent and Nativity; Jesus Advent and Nativity; Jesus His Coming in Glory Scripture: Haggai 2:7 Languages: English Tune Title: WARWICK
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Come, Thou Desire of All Thy Saints

Author: Anne Steele Hymnal: The Cyber Hymnal #1116 Meter: 8.6.8.6 Lyrics: 1. Come, Thou desire of all Thy saints! Our humble strains attend, While with our praises and complaints, Low at Thy feet we bend. 2. How should our songs, like those above, With warm devotion rise! How should our souls, on wings of love, Mount upward to the skies! 3. Come Lord! Thy love alone can raise In us the heavenly flame; Then shall our lips resound Thy praise Our hearts adore Thy name. 4. Dear Savior, let Thy glory shine, And fill Thy dwellings here, Till life, and love, and joy divine A Heaven on earth appear. 5. Then shall our hearts enraptured say, Come, great Redeemer! come, And bring the bright, the glorious day, That calls Thy children home. Languages: English Tune Title: DALEHURST
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Come, thou Desire of all thy saints!

Author: Anne Steele Hymnal: The Seventh-Day Adventist Hymn and Tune Book #9 (1886) Lyrics: 1 Come, thou Desire of all thy saints! Our humble strains attend, While with our praises and complaints, Low at thy feet we bend. 2 Dear Saviour, let thy glory shine, And fill thy dwellings here, Till life, and love, and joy divine, A heaven on earth appear. 3 Show us some token of thy love, Our fainting hopes to raise; And pour thy blessing from above, To aid our feeble praise. 4 Then shall our hearts enraptured say, "Come, great Redeemer! come, And bring the bright, the glorious day, That calls thy children home." Topics: Hymns Opening Hymns Tune Title: MANOAH

People

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Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: Handel Composer of "MESSIAH" in Songs for the Lord's House George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Michael Haydn

1737 - 1806 Person Name: M. Haydn Composer of "SALZBURGH" in The National Baptist Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Joseph Haydn

1732 - 1809 Person Name: Francis J. Haydn Composer of "MANOAH" in The Seventh-Day Adventist Hymn and Tune Book Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman