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Children of Jerusalem
Author: John Henley Meter: 7.7.7.7 with refrain Appears in 108 hymnals First Line: Children of Jerusalem Sang the praise of Jesus' Name Refrain First Line: Hark, hark, hark, while infant voices sing
Children of Jerusalem
HEATHLANDS
Meter: 7.7.7.7 with refrain Appears in 83 hymnals Composer and/or Arranger: Henry Thomas Smart, 1813-1879 Tune Key: E Flat Major Incipit: 51756 65423 45432 Used With Text: Hark! While infant voices sing
HEATHLANDS
[Children of Jerusalem (Ti moun yo nan Jéruzalèm)]
Appears in 46 hymnals Tune Key: E Major Incipit: 11332 42171 33553 Used With Text: Hark! While infant voices sing (Kouté byin, ti moun yo ap chanté)
[Children of Jerusalem (Ti moun yo nan Jéruzalèm)]
[Children of Jerusalem]
Appears in 1 hymnal Composer and/or Arranger: W. P. M. Incipit: 35221 23465 32223 Used With Text: Children's Praise
[Children of Jerusalem]
Children of Jerusalem Sang the Praise
Author: John Henley, 1800-1842 Hymnal: The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America #404 (1940) Refrain First Line: Hark, hark, hark! while infant voices sing Tune Title: INFANT PRAISE
Children of Jerusalem Sang the Praise
Children of Jerusalem
Author: John Henley Hymnal: Select Songs No. 2 #72 (1893) First Line: Children of Jerusalem Sang the praise of Jesus' name Refrain First Line: Hark! hark! while infant voices sing Languages: English Tune Title: [Children of Jerusalem Sang the praise of Jesus' name]
Children of Jerusalem
Children of Jerusalem Sang the Praise of Jesus' Name
Author: John Henley Hymnal: Hymns for Schools, with Supplement #10 (1942) First Line: Children of Jerusalem Refrain First Line: Hark! hark! hark! while infant voices sing Languages: English Tune Title: INFANT PRAISES
Children of Jerusalem Sang the Praise of Jesus' Name
Henry Thomas Smart
1813 - 1879 Person Name: Henry Thomas Smart, 1813-1879 Composer of "HEATHLANDS" in The Irish Presbyterian Hymnbook Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Anonymous
Person Name: Unknown Composer of "INFANT PRAISE" in African Methodist Episcopal Church Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
William Henry Monk
1823 - 1889 Person Name: W. H. Monk, 1823-1889 Harmonizer of "INFANT PRAISE" in Hymnal and Liturgies of the Moravian Church William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
