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Text Identifier:"^but_i_in_thee_with_confidence$"

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The Aged Saint and His God

Appears in 6 hymnals First Line: But I in thee with confidence Topics: Adoration; Afflictions Many and sore; Afflictions Purpose of; Children instructed; Christ Glorying in; Christ Righteousness of; Christians Christ the Life of; Christians Evangelists; Faith Blessedness of; Faith Confession of; Faith Confidence of; God Adored and Exalted; God Attributes of; God Righteous; Gospel Fullness of; Gospel Gracious Fruit of; Gospel Preaching of; Grace Growth in; Hope in God; Old Age; Perseverance; Praise To God; Prayer Pleas in; The Redeemed; Revival; Salvation Thanksgiving for; Steadfastness; Trust in God Expressed Scripture: Psalm 71:11-21 Used With Tune: [But I in thee with confidence]

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BETHLEHEM

Appears in 240 hymnals Incipit: 51176 56556 21715 Used With Text: But I in Thee with confidence
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ST LEONARD

Meter: 8.6.8.6 Appears in 44 hymnals Composer and/or Arranger: Henry Thomas Smart, 1813-1879 Tune Key: C Major Incipit: 55365 67123 17652 Used With Text: But as for me, with confidence

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But as for me, with confidence

Hymnal: The Irish Presbyterian Hymnbook #P71b (2004) Meter: 8.6.8.6 Lyrics: 14 But as for me, with confidence still hope in thee will I; and yet with praises more and more I will thee magnify. 15 Thy justice and thy saving help my mouth abroad shall show, even all the day; for I thereof the numbers do not know. 16 And I will constantly go on in strength of God the Lord; and thine own righteousness, even thine alone, I will record. 17 For even from my youth, O God, by thee I have been taught; and hitherto I have declared the wonders thou hast wrought. 18 Forsake me not, O God, when I old and gray-headed grow: till to this age thy strength, thy power to all to come, I show. 19 And thy most perfect righteousness O Lord, is very high, who hast so great things done: O God, who is like unto thee? 20 Thou, Lord, who great adversities, and sore, to me didst show, shalt me revive, and bring again from depths of earth below. 21 My greatness and my power thou wilt increase, and far extend: on every side against all grief thou wilt me comfort send. 22 Thee, even thy truth, I’ll also praise, my God, with psaltery: thou Holy One of Israel, with harp I’ll sing to thee. 23 My lips shall much rejoice in thee, when I thy praises sound; my soul, which thou redeemed hast, in joy shall much abound. 24 My tongue thy justice shall proclaim, continuing all day long; for they confounded are, and shamed, that seek to do me wrong. Scripture: Psalm 71:14-24 Languages: English Tune Title: ST LEONARD
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The Aged Saint and His God

Hymnal: Bible Songs #143 (1901) First Line: But I in thee with confidence Topics: Adoration; Afflictions Many and sore; Afflictions Purpose of; Children instructed; Christ Glorying in; Christ Righteousness of; Christians Christ the Life of; Christians Evangelists; Faith Blessedness of; Faith Confession of; Faith Confidence of; God Adored and Exalted; God Attributes of; God Righteous; Gospel Fullness of; Gospel Gracious Fruit of; Gospel Preaching of; Grace Growth in; Hope in God; Old Age; Perseverance; Praise To God; Prayer Pleas in; The Redeemed; Revival; Salvation Thanksgiving for; Steadfastness; Trust in God Expressed Scripture: Psalm 71:11-21 Languages: English Tune Title: [But I in thee with confidence]

But I in thee with confidence

Hymnal: The Book of Psalms Rendered in Metre and Set to Music #ad27 (1950)

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Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Arranger of "[But I in thee with confidence]" in Bible Songs Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: Henry Thomas Smart, 1813-1879 Composer of "ST LEONARD" in The Irish Presbyterian Hymnbook Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman