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Text Identifier:"^among_assembled_men_of_might$"

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Among Assembled Men of Might

Meter: 8.6.8.6 Appears in 9 hymnals Scripture: Psalm 82 Used With Tune: ST. AGNES

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ST. AGNES

Meter: 8.6.8.6 Appears in 1,057 hymnals Composer and/or Arranger: Rev. John Bacchus Dykes Tune Key: G Major Incipit: 33323 47155 53225 Used With Text: Among assembled men of might
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ARISE, O GOD

Appears in 2 hymnals Incipit: 55534 56661 31615 Used With Text: Arise, O God, assert thy right
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[Among assembled men of might]

Appears in 149 hymnals Composer and/or Arranger: A. S. Sullivan Tune Sources: Old English Carol Incipit: 12321 23432 5534 Used With Text: The Responsibility of Civil Officers

Instances

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Published text-tune combinations (hymns) from specific hymnals

Among Assembled Men of Might

Hymnal: A. M. E. C. Hymnal #330 (1954) Meter: 8.6.8.6 Scripture: Psalm 82 Languages: English Tune Title: ST. AGNES

Among assembled men of might

Hymnal: A.M.E. Hymnal #d20 (1946) Languages: English

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes Composer of "ST. AGNES" in A. M. E. C. Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Arranger of "[Among assembled men of might]" in Bible Songs Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman