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Alza tu canto, ¡oh lengua mía!
Appears in 3 hymnals Used With Tune: NAAMAN
Alza tu canto, ¡oh lengua mía!
[Alza tu canto, ¡oh lengua mía!]
Appears in 370 hymnals Composer and/or Arranger: F. Mendelssohn-Bartholdy Tune Key: E Flat Major Incipit: 32154 43217 13222 Used With Text: Alza tu canto
[Alza tu canto, ¡oh lengua mía!]
Alza tu canto
Author: H. M. Hymnal: Himnario Adventista #16 (1962) First Line: Alza tu canto, ¡oh lengua mía! Languages: Spanish Tune Title: [Alza tu canto, ¡oh lengua mía!]
Alza tu canto
Alza tu canto, ¡oh lengua mía!
Hymnal: El Nuevo Himnario Evangelico para el uso de las Iglesias Evangelicas de Habla Espanol en Todo el Mundo #307 (1914) Languages: Spanish
Alza tu canto, ¡oh lengua mía!
Alza tu canto, ¡oh lengua mía!
Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #350 (1931) Languages: Spanish Tune Title: NAAMAN
Alza tu canto, ¡oh lengua mía!
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: F. Mendelssohn-Bartholdy Composer of "[Alza tu canto, ¡oh lengua mía!]" in Himnario Adventista Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Michael Costa
1808 - 1884 Person Name: M. Costa Composer of "NAAMAN" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo [Michaele Andrea Agniello Costa]
Born: February 14, 1808, Naples, Italy.
Died: 1884, Hove, East Sussex, England.
Buried: Kensal Green Cemetery, London, England.
Costa learned the rudiments of music from his maternal grandfather, Giacomo Tritto; he was placed at the Real Collegio di Musica in Naples, and after a public exam received a scholarship from Ferdinand I, King of the Two Sicilies. He composed his first cantata at age 15, and went on to write symphonies, oratorios, operas, and quartets. He eventually moved to London, where he was knighted in 1869. In 1871, he became "director of the music, composer, and conductor" at Her Majesty’s opera.
--www.hymntime.com/tch/
Michael Costa
