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All that I Was, My Sin, My Guilt
Author: Horatius Bonar Meter: 8.6.8.6 Appears in 120 hymnals Hymnal Title: The Lutheran Hymnal Lyrics: 1 All that I was, my sin, my guilt,
My death, was all mine own;
All that I am I owe to Thee,
My gracious God, alone.
2 The evil of my former state
Was mine, and only mine;
The good in which I now rejoice
Is Thine, and only Thine.
3 The darkness of my former state,
The bondage, all was mine;
The light of life in which I walk,
The liberty, is Thine.
4 Thy Word first made me feel my sin,
It taught me to believe;
Then, in believing, peace I found,
And now I live, I live!
5 All that I am, e'en here on earth,
All that I hope to be,
When Jesus comes and glory dawns,
I owe it, Lord, to Thee.
Amen. Topics: Faith and Justification Scripture: 1 Corinthians 15:10 Used With Tune: ST. BERNARD
All that I Was, My Sin, My Guilt
CHRISTOPHER
Appears in 97 hymnals Composer and/or Arranger: Nicholaus Hermann Hymnal Title: Christian Chorals Incipit: 11532 11234 35432 Used With Text: All that I was,--my sin, my guilt
CHRISTOPHER
All that I was, my sin, my guilt
Author: Horatius Bonar Hymnal: A Manual of Devotion and Hymns for the House of Refuge, City of New York #281 (1869) Hymnal Title: A Manual of Devotion and Hymns for the House of Refuge, City of New York Languages: English
All that I was, my sin, my guilt
All that I was, my sin, my guilt
Hymnal: A Pastor's Selection of Hymns and Tunes #411 (1859) Hymnal Title: A Pastor's Selection of Hymns and Tunes Languages: English
All that I was, my sin, my guilt
All that I was–my sin, my guilt
Hymnal: Believers Hymn Book #8 (2008) Meter: 8.6.8.6 Hymnal Title: Believers Hymn Book Languages: English
All that I was–my sin, my guilt
William Vincent Wallace
1812 - 1865 Person Name: William V. Wallace Hymnal Title: Book of Worship with Hymns and Tunes Composer of "SERENITY" in Book of Worship with Hymns and Tunes
William Vincent Wallace
Samuel R. Brown
1810 - 1880 Person Name: S. R. Brown Hymnal Title: Book of Worship Composer of "MONSON" in Book of Worship Samuel Robbins Brown (16 June 1810-20 June 1880) was an American missionary to China and Japan with the Dutch Reformed Church.
Brown was born in Connecticut, graduated from Yale in 1832, studied theology in Columbia, South Carolina, and taught for four years (1834–38) in the New York Institution for the Deaf and Dumb.
In 1838 he went to Guangzhou and opened, for the Morrison Education Society, the first Protestant School in the Chinese Empire—a school in which were taught Yung Wing and other pupils who afterward came to the United States. The several annual reports on this school were published in The Chinese Repository for 1840 to 1846, to which he contributed some of his papers on Chinese subjects.
After nine years' service, his wife's health failing, Brown returned to the United States and became a pastor at Sand Beach Church and teacher of boys at Owasco Outlet, near Auburn (1851–59). He worked for the formation of a college for women, which was situated first in Auburn and then in Elmira, New York and now known as Elmira College. Brown was responsible for sponsoring Yung Wing (1828-1912); the first Chinese student to graduate from a U.S. university, graduating from Yale College in 1854.
When by the Townsend Harris treaty of 1858, Yokohama and Nagasaki in Japan were opened to trade and residence, Brown sailed for the former port and opened a school in which hundreds of young men, afterwards leaders in various walks of life, were educated. He translated the New Testament, and taught and preached for 20 years. He was one of the founders of the Asiatic Society of Japan and in many ways one of the most prominent makers of the new Japan. He returned to the United States in 1867 following a fire that destroyed his home, library, manuscripts, and notes.
Brown died during his sleep, while visiting an old friend in Stockbridge, Massachusetts, and is buried at Monson, Massachusetts, his boyhood home.
--en.wikipedia.org/wiki/
Samuel R. Brown
Nikolaus Herman
1500 - 1561 Person Name: Nicholaus Hermann Hymnal Title: Christian Chorals Composer of "CHRISTOPHER" in Christian Chorals Herman, Nicolaus, is always associated with Joachimsthal in Bohemia, just over the mountains from Saxony. The town was not of importance till the mines began to be extensively worked about 1516. Whether Herman was a native of this place is not known, but he was apparently there in 1518, and was certainly in office there in 1524. For many years he held the post of Master in the Latin School, and Cantor or Organist and Choirmaster in the church. Towards the end of his life he suffered greatly from gout, and had to resign even his post as Cantor a number of years before his death. He died at Joachimsthal, May 3, 1561. (Koch, i. 390-398; Allgemeine Deutsche Biographie, xii. 186-188, &c.)
He was a great friend and helper of J. Mathesius (q.v.) (who in 1532 became rector of the school, but in 1541 diaconus and in 1545 pastor of the church), and it was said that whenever Mathesius preached a specially good sermon Herman straightway embodied its leading ideas in a hymn. His hymns, however, were not primarily written for use in church, but were intended for the boys and girls in the schools, to supplant profane songs in the mouths of the young men and women, or for the daily life of the “housefathers and housemothers" in Joachimsthal, at home, and in their work in the mines. He is a poet of the people, homely, earnest, and picturesque in style; by his naiveté reminding us of Hans Sachs. He was an ardent lover of music and a very good organist. The chorales which he published with his hymns are apparently all of his own composition, and are among the best of the Reformation period.
Many of Herman's hymns soon passed into Church use in Germany, and a number are found in almost all books in present use. About 190 in all, they appeared principally in:—
(1) Die Sontags Evangelia uber des gantze Jar, in Gesenge verfasset, für die Kinder und christlichen Haussvetter, &c, Wittenberg, 1560 (dedication by Herman dated Trinity Sunday, 1559), with 101 hymns and 17 melodies. The best are those interspersed specially meant for children and not directly founded on the Gospel for the day. (2) Die Historien von der Sindfludt, Joseph, Mose, Helia, Elisa und der Susanna, sampt etlichen Historien aus den Evangelisten, &c., Wittenberg, 1562 (preface by Herman dated St. Bartholomew's Day, 1560), with 73 hymns and 20 melodies. In this case also the general hymns are the best. A selection of 60 (really 61) of his hymns, with a memoir by K. F. Ledderhose, was published at Halle, 1855.
One of Herman's hymns is noted under “Wenn mein Stündlein vorhanden ist." The others which have passed into English are:—
i. Bescher uns, Herr, das täglioh Brod. Grace before Meat. 1562, as above, and thence in Wackernagel, iii. p. 1228, in 6 stanzas of 4 lines; in Ledderhose, p. 70; and in the Berlin Geistliche Lieder, ed. 1863, No. 1133. Translated as:—
1. Thou art our Father and our God. This, by P. H. Molther, a translation of stanza vi., as No. 180 in the Moravian Hymn Book, 1789 (1849, No. 220, st. v.).
2. As children we are owned by Thee, a translation of stanza vi., as st. iii. of No. 191 in the Moravian Hymn Book, 1801 (1849, No. 220, stanza iii.).
ii. Die helle Sonn leucht jetzt herfür. Morning. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines, in Ledderhose, p. 87; and in the Unverfälschter Liedersegen, 1851, No. 450. Translated as:—
The morning beam revives our eyes, a good and full translation by. A. T. Russell, as No. 71 in the Dalston Hospital Hymn Book 1848.
iii. Erschienen ist der herrliche Tag. Easter. 1560, as above, in 14 stanzas of 4 lines, entitled, "A new Spiritual Song of the Joyful Resurrection of our Saviour Jesus Christ; for the maidens of the girls' school in Joachimsthal”; and thence in Wackernagel, iii. p. 1175; in Ledderhose p. 23, and Unverfälschter Liedersegen, 1851, No. 134. It has reminiscences of the "Erstanden ist der heil'ge Christ". Translated as:—
The day hath dawn'd—-the day of days, a good translation by A. T. Russell of stanzas i., ii., xiii., xiv., as No. 113 in his Psalms & Hymns, 1851.
Another tr. is, "At length appears the glorious day," by Dr. G. Walker, 1860, p. 28.
iv. Hinunter ist der Sonnen Schein. Evening. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines; in Ledderhose, p. 88; and in the Unverfälschter Liedersegen1851, No. 523. Some of the phrases may have been suggested by the "Christe qui lux es et dies" (q. v.). Translated as:—
1. Sunk is the sun's last beam of light, a full and good translation by Miss Cox in her Sacred Hymns from the German, 1841, p. 57. Included in Alford's Psalms & Hymns, 1844, and Tear of Praise, 1867; in Dale's English Hymn Book, 1875; in the Pennsylvania Lutheran Church Book, 1868, and others. It is also given considerably altered and beginning, "Sunk is the Sun! the daylight gone," in W. J. Blew's Church Hymn and Tune Book, 1851-55.
2. The happy sunshine all is gone, in full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 225; repeated in her Chorale Book for England, 1863, and the Ohio Lutheran Hymnal, 1880.
Other translations are: (1) "Did I perhaps Thee somewhat grieve," a translation of stanza iii. in the Moravian Hymn Book, 1789, No. 756. In the 1801 and later eds. (1886, No. 1181, st. iii.), it begins, "Where'er I Thee this day did grieve." (2) "The sun’s fair sheen is past and gone," by H. J. Buckoll, 1842, p. 68. (3) "The sun hath run his daily race," by Lady E. Fortescue, 1843, p. 14.
v. Lobt Gott, ihr Christen alle gleich. Christmas. Written c. 1554, but first published 1560 as above, as the first of "Three Spiritual Christmas Songs of the new-born child Jesus, for the children in Joachimsthal." Thence in Wackernagel iii. p. 1169, in 8 stanzas of 4 lines; in Ledderhose, p. 1; and in the Unverfälschter Liedersegen, 1851, No. 47. It is one of the most popular German Christmas hymns. The melody set to it in 1560 is also by Herman; in 1554 to his "Kommt her ihr liebsten Schwesterlein" [in the Hymnal Companioncalled "St. George's (old)"]. Translated as :—
1. Let all together praise our God, a good translation of stanzas i., iii., vi., viii., by A. T. Russell, as No. 52 in his Psalms & Hymns, 1851. Repeated in Kennedy, 1863, adding a translation of st. ii., and beginning, "Let all creation praise our God."
2. Praise ye the Lord, ye Christians I yea, in full, by E. Cronenwett, as No. 31 in the Ohio Lutheran Hymnal 1880.
Other translations are: (1) "A wondrous change He with us makes," a tr. of stanza viii., ix. as No. 438 in pt. i. of the Moravian Hymn Book, 1754, repeated 1789-1826. (2) "Come, brethren, lets the song arise," by Dr. G. Walker, 1860, p. 26. (3) "Praise God, now Christians, all alike," by Miss Manington, 1864, p. 9. (4) "Praise God, upon His throne on high," in the Sunday Magazine, 1874, p. 384, signed "P. J." The hymn “Shepherds rejoice, lift up your eyes," given by J. C. Jacobi in his Psalmodia Germanica, 1722, p. 8, to Herman's melody (which was first published 1554) is, as stated in his Preface, taken from Bk. i. of Isaac Watts's Horse Lyricae
vi. So wahr ich leb, spricht Gott der Herr. Absolution. 1560, as above, in 11 stanzas of 4 lines, entitled "A hymn on the power of the keys and the virtue of holy absolution; for the children in Joachimsthal." Thence in Wackernagel, iii. p. 1183; in Ledderhose, p. 47; and the Unverfälschter Liedersegen, 1851, No. 429. It probably suggested the better known hymn, "So wahr ich lebe," q. v., by Johann Heermann. Translated as:—
Yea, as I live, Jehovah saith, I do not wish the sinner's death, in full, by Dr. M. Loy, as No. 245, in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Nikolaus Herman
