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Author: Juan A. Espinosa, n. 1940 Appears in 5 hymnals First Line: A tu nombre daremos gracias Refrain First Line: Te damos gracias, Señor Topics: Acción de Gracias; Amor de Dios; Confianza; Salvación; La Liturgia de las Horas Vísperas Scripture: Psalm 138 Used With Tune: [A tu nombre daremos gracias]

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[A tu nombre daremos gracias]

Appears in 4 hymnals Composer and/or Arranger: Juan A. Espinosa, n. 1940 Tune Key: D Major Incipit: 55111 22313 45566 Used With Text: Te Damos Gracias

Instances

Published text-tune combinations (hymns) from specific hymnals

Te Damos Gracias

Author: Juan A. Espinosa, n. 1940 Hymnal: Flor Y Canto (2nd ed.) #645 (2001) First Line: A tu nombre daremos gracias Refrain First Line: Te damos gracias, Señor Topics: Acción de Gracias; Amor de Dios; Confianza; Salvación; La Liturgia de las Horas Vísperas Scripture: Psalm 138 Languages: Spanish Tune Title: [A tu nombre daremos gracias]

Ta Damos Gracias, Señor

Hymnal: Cantemos al Señor #148 (1986) First Line: A tu nombre daremos gracias Refrain First Line: Te damos gracias, Señor, de todo corazón Scripture: Psalm 137 Languages: Spanish Tune Title: [A tu nombre daremos gracias]

Te Damos Gracias

Author: Juan A. Espinosa Hymnal: Flor y Canto #437 (1989) First Line: A tu nombre daremos gracias Refrain First Line: Te damos gracias, Señor Topics: Alabanza y Acción de Gracias Languages: Spanish Tune Title: [A tu nombre daremos gracias]

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People

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Juan A. Espinosa

b. 1940 Person Name: Juan A. Espinosa, n. 1940 Author of "Te Damos Gracias" in Flor Y Canto (2nd ed.) Born: 1940, Badajoz, Spain. Internationally recognized as one of the leading composers of Spanish liturgical music, Juan Antonio Espinosa composes songs that emphasize hope for the oppressed, social justice, and the power of faith. Currently, he directs the Association for the Promotion of Religious Music (APROMUR) in Spain and serves as a liturgical musician at San Estanislao Parish in Madrid. After living for a time in Peru, Juan published music reflecting the Andes style and Latin American social realities. Hispanic assemblies in the U.S. are familiar with Juan's uplifting music through his songs in the OCP collections Pescador de Hombres and Resucitó, and in Cánticos, Segunda Edición, Misal Del Día, Unidos En Cristo Música and Flor y Canto, Segunda Edición. His first collection for OCP was Al Señor del Nuevo Siglo. --www.ocp.org/artists/358