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A mourning class, a vacant seat
Author: Anon. Appears in 45 hymnals Used With Tune: [A mourning class, a vacant seat]
A mourning class, a vacant seat
[A mourning class, a vacant seat]
Appears in 1,902 hymnals Composer and/or Arranger: L. Bourgeois Incipit: 11765 12333 32143 Used With Text: A mourning class, a vacant seat
[A mourning class, a vacant seat]
A MOURNING CLASS
Appears in 1 hymnal Composer and/or Arranger: Wm. B. Bradbury Incipit: 55451 12322 17661 Used With Text: A mourning class
A MOURNING CLASS
A mourning class, a vacant seat
Author: Anon. Hymnal: Hosanna for the Sunday School #192 (1898) Languages: English Tune Title: [A mourning class, a vacant seat]
A mourning class, a vacant seat
A mourning class, a vacant seat
Hymnal: Hymns for the Use of the Methodist Episcopal Church. Rev. ed. #S70 (1849) Languages: English
A mourning class, a vacant seat
A mourning class, a vacant seat
Hymnal: American Sunday School Hymn Book. 2nd ed. #a305 (1860) Languages: English
A mourning class, a vacant seat
Anonymous
Person Name: Anon. Author of "A mourning class, a vacant seat" in Hosanna for the Sunday School In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Louis Bourgeois
1510 - 1561 Person Name: L. Bourgeois Composer of "[A mourning class, a vacant seat]" in Hosanna for the Sunday School Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation.
The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholarly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciated by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life.
Bert Polman
Louis Bourgeois
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Composer of "A MOURNING CLASS" in The Young Choir William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
