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Scripture:Philippians 4:4-9

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Rejoice, the Lord Is King

Author: Charles Wesley Meter: 6.6.6.6.8.8 Appears in 738 hymnals Scripture: Philippians 4:9 Lyrics: 1 Rejoice, the Lord is King! Your Lord and King adore. Rejoice, give thanks and sing and triumph evermore. Lift up your heart, lift up your voice. Rejoice, again I say, rejoice! 2 His kingdom cannot fail; he rules o'er earth and heaven; the keys of death and hell to Christ the Lord are given. Lift up your heart, lift up your voice. Rejoice, again I say, rejoice! 3 He sits at God's right hand till all his foes submit, bow down at his command, and fall beneath his feet. Lift up your heart, lift up your voice. Rejoice, again I say, rejoice! 4 Rejoice in glorious hope; for Christ, the Judge, shall come to gather all his saints to their eternal home. We soon shall hear the archangel's voice; the trump of God shall sound, rejoice! Topics: Ascension & Reign of Christ; Judge, God/Christ as; King, God/Christ as; Return of Christ; Ascension & Reign of Christ; Assurance; Joy; Judge, God/Christ as; King, God/Christ as; Kingdom; Return of Christ Used With Tune: DARWALL'S 148TH
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What a Friend We Have in Jesus

Author: Joseph M. Scriven Meter: 8.7.8.7 D Appears in 1,689 hymnals Scripture: Philippians 4:9 Lyrics: 1 What a friend we have in Jesus, all our sins and griefs to bear! What a privilege to carry everything to God in prayer! Oh, what peace we often forfeit, oh, what needless pain we bear, all because we do not carry everything to God in prayer. 2 Have we trials and temptations? Is there trouble anywhere? We should never be discouraged; take it to the Lord in prayer. Can we find a friend so faithful, who will all our sorrows share? Jesus knows our every weakness; take it to the Lord in prayer. 3 Are we weak and heavy laden, cumbered with a load of care? Precious Savior, still our refuge! Take it to the Lord in prayer. Do your friends despise, forsake you? Take it to the Lord in prayer! In his arms he'll take and shield you; you will find a solace there. Topics: Brevity & Frailty of Life; Temptation & Trial; Songs for Children Hymns; Walk with God; Afflictions; Assurance; Brevity & Frailty of Life; Prayer; Promises; Walk with God Used With Tune: BEACH SPRING
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Rejoice, O Pure in Heart

Author: Edward H. Plumptre Meter: 6.6.8.6 Appears in 424 hymnals Scripture: Philippians 4:4 Refrain First Line: Rejoice, rejoice Lyrics: 1 Rejoice, O pure in heart, rejoice, give thanks, and sing; your festal banner wave on high, the cross of Christ your King. Refrain: Rejoice, rejoice, rejoice, give thanks, and sing! 2 Bright youth and snow-crowned age, both men and women, raise on high your free, exulting song, declare God's wondrous praise. Refrain 3 Still lift your standard high, still chanting as you go, from youth to age, by night and day, in gladness and in woe. Refrain 4 At last the march shall end; the wearied ones shall rest, the pilgrims reach their home at last, Jerusalem the blest. Refrain 5 Praise God, who reigns on high, the Lord whom we adore: the Father, Son, and Holy Ghost, one God forevermore. Refrain Topics: Doxologies; Biblical Names & Places Jerusalem; Cross of Christ; Family; Praise & Adoration; Walk with God; Biblical Names & Places Jerusalem; Cross of Christ; Doxologies; Family; Joy; Kingdom; Opening of Worship; Praise & Adoration; Rest; Salvation; Trinity; Walk with God Used With Tune: MARION

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DARWALL'S 148TH

Meter: 6.6.6.6.8.8 Appears in 483 hymnals Composer and/or Arranger: John Darwall; Sydney H. Nicholson, 1875-1947 Scripture: Philippians 4:9 Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Rejoice, the Lord Is King
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WHAT A FRIEND

Meter: 8.7.8.7 D Appears in 872 hymnals Composer and/or Arranger: Charles C. Converse Scripture: Philippians 4:6 Tune Key: F Major Incipit: 55653 11651 31532 Used With Text: What a Friend We Have in Jesus
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MARION

Meter: 6.6.8.6 Appears in 244 hymnals Composer and/or Arranger: Arthur H. Messiter Scripture: Philippians 4:4 Tune Key: G Major Incipit: 15321 23331 23455 Used With Text: Rejoice, O Pure in Heart

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Finally, brethren, whatever is true, whatever is honorable,

Hymnal: Seventh-day Adventist Hymnal #916 (1985) Scripture: Philippians 4:8 Topics: Benedictions
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O Happy Day

Author: Philip Doddridge, 1702-1751 Hymnal: African American Heritage Hymnal #359 (2001) Meter: 8.8.8.8 with refrain Scripture: Philippians 4:4 First Line: O happy day that fixed my choice Refrain First Line: Happy day, happy day Lyrics: 1 O happy day that fixed my choice On Thee, my Savior and my God! Well may this glowing heart rejoice And tell its raptures all abroad. Refrain: Happy day, happy day, When Jesus washed my sins away! He taught me how to watch and pray And live rejoicing ev'ry day; Happy day, happy day, When Jesus washed my sins away! 2 O happy bond that seals my vows To Him who merits all my love! Let cheerful anthems fill His house, While to that sacred shrine I move. [Refrain] 3 'Tis done, the great transaction's done– I am my Lord's and He is mine; He drew me, and I followed on, Charmed to confess the voice divine. [Refrain] 4 Now rest, my long-divided heart, Fixed on this blissful center, rest; Nor ever from my Lord depart, With Him of ev'ry good possessed. [Refrain] Topics: Serenity; Worship and Adoration Languages: English Tune Title: HAPPY DAY
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O Happy Day

Author: Philip Doddridge, 1702-1751 Hymnal: Total Praise #359 (2011) Meter: 8.8.8.8 with refrain Scripture: Philippians 4:4 First Line: O happy day that fixed my choice Refrain First Line: Happy day, happy day Lyrics: 1 O happy day that fixed my choice On Thee, my Savior and my God! Well may this glowing heart rejoice And tell its raptures all abroad. Refrain: Happy day, happy day, When Jesus washed my sins away! He taught me how to watch and pray And live rejoicing ev'ry day; Happy day, happy day, When Jesus washed my sins away! 2 O happy bond that seals my vows To Him who merits all my love! Let cheerful anthems fill His house, While to that sacred shrine I move. [Refrain] 3 'Tis done, the great transaction's done– I am my Lord's and He is mine; He drew me, and I followed on, Charmed to confess the voice divine. [Refrain] 4 Now rest, my long-divided heart, Fixed on this blissful center, rest; Nor ever from my Lord depart, With Him of ev'ry good possessed. [Refrain] Topics: Cleansing; Commitment and Submission; Discipleship; Guidance; Joy; Prayer and Intercession; Refuge; Sanctification; Serenity; Sin; Worship and Adoration Languages: English Tune Title: HAPPY DAY

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Charles Wesley

1707 - 1788 Scripture: Philippians 4:9 Author of "Rejoice, the Lord Is King" in Psalter Hymnal (Gray) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

John Darwall

1732 - 1789 Scripture: Philippians 4:9 Composer of "DARWALL'S 148TH" in Psalter Hymnal (Gray) John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman

Joseph Medlicott Scriven

1819 - 1886 Person Name: Joseph M. Scriven Scripture: Philippians 4:9 Author of "What a Friend We Have in Jesus" in Psalter Hymnal (Gray) Joseph M. Scriven (b. Seapatrick, County Down, Ireland, 1819; d. Bewdley, Rice Lake, ON, Canada, 1886), an Irish immigrant to Canada, wrote this text near Port Hope, Ontario, in 1855. Because his life was filled with grief and trials, Scriven often needed the solace of the Lord as described in his famous hymn. Educated at Trinity College, Dublin, Ireland, he enrolled in a military college to prepare for an army career. However, poor health forced him to give up that ambition. Soon after came a second blow—his fiancée died in a drowning accident on the eve of their wedding in 1844. Later that year he moved to Ontario, where he taught school in Woodstock and Brantford. His plans for marriage were dashed again when his new bride-to-be died after a short illness in 1855. Following this calamity Scriven seldom had a regular income, and he was forced to live in the homes of others. He also experienced mistrust from neighbors who did not appreciate his eccentricities or his work with the underprivileged. A member of the Plymouth Brethren, he tried to live according to the Sermon on the Mount as literally as possible, giving and sharing all he had and often doing menial tasks for the poor and physically disabled. Because Scriven suffered from depression, no one knew if his death by drowning in Rice Lake was suicide or an accident. Bert Polman ================ Scriven, Joseph. Mr. Sankey, in his My Life and Sacred Songs, 1906, p. 279, says that Scriven was b. in Dublin in 1820, was a graduate of Trinity College, Dublin, and went to Canada when he was 25, and died there at Port Hope, on Lake Ontario, in 1886. His hymn:— What a Friend we have in Jesus. [Jesus our Friend] was, according to Mr. Sankey, discovered to be his in the following manner: "A neighbour, sitting up with him in his illness, happened upon a manuscript of 'What a Friend we have in Jesus.' Reading it with great delight, and questioning Mr. Scriven about it, he said he had composed it for his mother, to comfort her in a time of special sorrow, not intending any one else should see it." We find the hymn in H. 1... Hastings's Social Hymns, Original and Selected, 1865, No. 242; and his Song of Pilgrimage, 1886, No. 1291, where it is attributed to "Joseph Scriven, cir. 1855." It is found in many modern collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)