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Scripture:Matthew 16:13-20

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Onward, Christian Soldiers

Author: Sabine Baring-Gould Meter: 6.5.6.5 D with refrain Appears in 1,798 hymnals Scripture: Matthew 16:18 Lyrics: 1 Onward, Christian soldiers, marching as to war, with the cross of Jesus going on before. Christ, the royal master, leads against the foe; forward into battle see his banners go! Refrain: Onward, Christian soldiers, marching as to war, with the cross of Jesus going on before. 2 Like a mighty army moves the church of God; let us boldly follow where the saints have trod. We are not divided; all one body we one in hope and doctrine, one in charity. Refrain 3 Crowns and thrones may perish, kingdoms rise and wane, but the church of Jesus constant will remain; gates of hell can never 'gainst that church prevail. We have Christ's own promise, and that cannot fail. Refrain 4 Onward, then, O people, join our happy throng: blend with ours your voices in the triumph song. Glory, laud, and honor unto Christ the King, we through countless ages with the angels sing. Refrain Topics: Cross of Christ; Reformation; Warfare, Spiritual; Songs for Children Hymns; Church and Mission; Church; Cross of Christ; Kingdom; Missions; Reformation; Warfare, Spiritual Used With Tune: ST. GERTRUDE
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The Church's One Foundation

Author: Samuel J. Stone Meter: 7.6.7.6 D Appears in 861 hymnals Scripture: Matthew 16:18 Lyrics: 1 The Church’s one foundation is Jesus Christ her Lord; she is his new creation, by water and the word: from heaven he came and sought her to be his holy bride; with his own blood he bought her, and for her life he died. 2 Elect from every nation, yet one o’er all the earth, her charter of salvation; one Lord, one faith, one birth; one holy name she blesses, partakes one holy food, and to one hope she presses with every grace endued. 3 'Though with a scornful wonder we see her sore oppressed, by schisms rent asunder, by heresies distressed: yet saints their watch are keeping, their cry goes up, “How long?” and soon the night of weeping shall be the morn of song. 4 ’Mid toil and tribulation, and tumult of her war, she waits the consummation of peace forevermore, till with the vision glorious her longing eyes are blest, and the great Church victorious shall be the Church at rest. 5 Yet she on earth hath union with God, the Three in One, and mystic sweet communion with those whose rest is won: O happy ones and holy! Lord, give us grace that we like them, the meek and lowly, on high may dwell with thee. Topics: Church Fellowship; Church Fellowship; Church Heritage; Church Nature; Church Unity; Church Final Victory; Eternal Life; Jesus Christ Bridegroom Used With Tune: AURELIA
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Built on the Rock

Author: Nikolai F. S. Grundtvig; Carl Döving Meter: 8.8.8.8.8.8.8 Appears in 73 hymnals Scripture: Matthew 16:18 First Line: Built on the Rock, the church shall stand Lyrics: 1 Built on the Rock, the church shall stand even when steeples are falling; Christ builds his church in every land; bells still are chiming and calling, calling the young and old to rest, calling the souls of those distressed, longing for life everlasting. 2 Not in a temple made with hands God the Almighty is dwelling; high in the heavens his temple stands, all earthly temples excelling. Yet he who dwells in heaven above chooses to live with us in love, making our bodies his temple. 3 We are God's house of living stones, built for his own habitation; he fills our hearts, his humble thrones, granting us life and salvation. Yet to this place, an earthly frame, we come with thanks to praise his name; God grants his people true blessing. Topics: Anniversaries; Love God's Love to Us; Church and Mission; Anniversaries; Assurance; Church; Heritage; Love God's Love to Us Used With Tune: KIRKEN

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ST. GERTRUDE

Meter: 6.5.6.5 D with refrain Appears in 1,010 hymnals Composer and/or Arranger: Arthur S. Sullivan Scripture: Matthew 16:18 Tune Key: E Flat Major Incipit: 55555 65221 23135 Used With Text: Onward, Christian Soldiers
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AURELIA

Meter: 7.6.7.6 D Appears in 1,039 hymnals Composer and/or Arranger: Samuel S. Wesley Scripture: Matthew 16:18 Tune Key: E Flat Major Incipit: 33343 32116 54345 Used With Text: The Church's One Foundation
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KIRKEN

Meter: 8.8.8.8.8.8.8 Appears in 64 hymnals Composer and/or Arranger: Ludwig M. Lindeman Scripture: Matthew 16:18 Tune Key: c minor Incipit: 11531 34556 75342 Used With Text: Built on the Rock

Instances

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Just as I Am

Author: Charlotte Elliott (1789-1871) Hymnal: The Christian Hymnary. Bks. 1-4 #820 (1972) Meter: 8.8.8.6 Scripture: Matthew 16:16 First Line: Just as I am, without one plea Lyrics: 1 Just as I am, without one plea, But that Thy blood was shed for me, And that Thou bid'st me come to Thee, O Lamb of God, I come! I come! 2 Just as I am, and waiting not To rid my soul of one dark blot, To Thee whose blood can cleanse each spot, O Lamb of God, I come! I come! 3 Just as I am, though tossed about With many a conflict, many a doubt, Fightings and fears within, without, O Lamb of God, I come! I come! 4 Just as I am, poor, wretched, blind, Sight, riches, healing of the mind, Yea, all I need, in Thee to find, O Lamb of God, I come! I come! 5 Just as I am, Thou wilt receive, Wilt welcome, pardon, cleanse, relieve; Because Thy promise I believe, O Lamb of God, I come! I come! 6 Just as I am, Thy love unknown Has broken ev'ry barrier down; Now, to be Thine, yea, Thine alone, O Lamb of God, I come! I come! Topics: Salvation Repentance, Faith; Book Four: Occasional Selections, Gospel Songs and Hymns Languages: English Tune Title: SO WIE ICH BIN

Am I a Soldier of the Cross?

Author: Isaac Watts Hymnal: Psalter Hymnal (Blue) #465 (1976) Meter: 8.6.8.6 Scripture: Matthew 16:18 First Line: Am I a soldier of the cross Topics: Ashamed Of Christ; Following Christ; Forsaking the World; Suffering With Christ; Warfare, Christian Languages: English Tune Title: ARLINGTON
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Onward, Christian Soldiers

Author: Sabine Baring-Gould Hymnal: The Hymnal of The Evangelical United Brethren Church #250 (1957) Meter: 6.5.6.5 D with refrain Scripture: Matthew 16:18 Refrain First Line: Onward Christian soldiers Lyrics: 1 Onward, Christian soldiers, Marching as to war, With the cross of Jesus Going on before; Christ the royal Master Leads against the foe; Forward into battle, See His banners go. Refrain: Onward, Christian soldiers, Marching as to war, With the cross of Jesus Going on before. 2 Like a mighty army Moves the Church of God; Brothers, we are treading Where the saints have trod; We are not divided, All one body we, One in hope and doctrine, One in charity. [Refrain] 3 Crowns and thrones may perish, Kingdoms rise and wane, But the Church of Jesus Constant will remain; Gates of hell can never Gainst that Church prevail; We have Christ's own promise, And that cannot fail. [Refrain] 4 Onward, then, ye people, Join our happy throng, Blend with ours your voices In the triumph song; Glory, laud, and honor Unto Christ the King; This through countless ages Men and angels sing. [Refrain] Amen. Tune Title: ST. GERTRUDE

People

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Authors, composers, editors, etc.

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Scripture: Matthew 16:18 Composer of "ST. GERTRUDE" in Psalter Hymnal (Gray) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

S. Baring-Gould

1834 - 1924 Person Name: Sabine Baring-Gould Scripture: Matthew 16:18 Author of "Onward, Christian Soldiers" in Psalter Hymnal (Gray) Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning." His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs. --John Julian, Dictionary of Hymnology (1907) ================== Baring-Gould, S., p. 114, i. Other hymns in common use are:— 1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874. 2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881. 3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

N. F. S. Grundtvig

1783 - 1872 Person Name: Nikolai F. S. Grundtvig Scripture: Matthew 16:18 Author of "Built on the Rock" in Psalter Hymnal (Gray) Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)