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Trinity Hymnal (Rev. ed.)
Publication Date: 1990 Publisher: Great Commission Publications Publication Place: Suwanee, GA
Trinity Hymnal (Rev. ed.)
Just As I Am, without One Plea
Author: Charlotte Elliott Meter: 8.8.8.6 with refrain Appears in 2,112 hymnals Refrain First Line: Just as I am Lyrics: 1 Just as I am, without one plea
but that thy blood was shed for me,
and that thou bidd'st me come to thee,
O Lamb of God, I come.
Refrain:
Just as I am, just as I am, just as I am I come.
2 Just as I am, and waiting not
to rid my soul of one dark blot,
to thee, whose blood can cleanse each spot,
O Lamb of God, I come. [Refrain]
3 Just as I am, though tossed about
with many a conflict, many a doubt,
fightings and fears within, without,
O Lamb of God, I come. [Refrain]
4 Just as I am, poor, wretched, blind;
sight, riches, healing of the mind,
yea, all I need, in thee to find,
O Lamb of God, I come. [Refrain]
5 Just as I am! thou wilt receive,
wilt welcome, pardon, cleanse, relieve;
because thy promise I believe,
O Lamb of God, I come. [Refrain]
6 Just as I am! thy love unknown
has broken ev'ry barrier down;
now, to be thine, yea, thine alone,
O Lamb of God, I come. [Refrain]
Topics: Christ Blood of; Christ Lamb of God; Forgiveness of Sins; Need for Christ of God; Salvation by Grace Scripture: John 1:29 Used With Tune: MAUNDER
Just As I Am, without One Plea
It Is Well with My Soul
Author: Horatio Gates Spafford Meter: 11.8.11.9 with refrain Appears in 477 hymnals First Line: When peace, like a river, attendeth my way Lyrics: 1 When peace, like a river, attendeth my way,
when sorrows like sea billows roll;
whatever my lot, thou hast taught me to say,
"It is well, it is well with my soul."
Refrain:
It is well with my soul;
it is well, it is well with my soul.
2 Though Satan should buffet, though trials should come,
let this blest assurance control,
that Christ has regarded my helpless estate,
and has shed his own blood for my soul. [Refrain]
3 My sin– O the bliss of this glorious thought!–
my sin, not in part, but the whole,
is nailed to the cross and I bear it no more;
praise the Lord, praise the Lord, O my soul! [Refrain]
4 O Lord, haste the day when the faith shall be sight,
the clouds be rolled back as a scroll,
the trump shall resound and the Lord shall descend;
"Even so"– it is well with my soul. [Refrain]
Topics: The Christian Life Assurance; Blessed Hope; Forgiveness of Sins Scripture: Philippians 4:7 Used With Tune: VILLE DU HAVRE
It Is Well with My Soul
Dare to Be a Daniel!
Author: Philip P. Bliss Meter: 7.5.7.6 with refrain Appears in 132 hymnals First Line: Standing by a purpose true Lyrics: 1 Standing by a purpose true,
heeding God's command,
honor them, the faithful few!
All hail to Daniel's band!
Refrain:
Dare to be a Daniel!
Dare to stand alone!
Dare to have a purpose firm!
Dare to make it known!
2 Many mighty men are lost,
daring not to stand,
who for God had been a host
by joining Daniel's band. [Refrain]
3 Many giants, great and tall,
stalking through the land,
headlong to the earth would fall,
if met by Daniel's band. [Refrain]
4 Hold the gospel banner high;
on to vict'ry grand;
Satan and his host defy,
and shout for Daniel's band. [Refrain]
Topics: The Christian Life Christian Warfare; Conflict With Sin Scripture: Daniel 6:13-16 Used With Tune: DANIEL
Dare to Be a Daniel!
ABERYSTWYTH
Meter: 7.7.7.7 D Appears in 255 hymnals Composer and/or Arranger: Joseph Parry Tune Key: d minor Incipit: 11234 53213 21712 Used With Text: Jesus, Lover of My Soul
ABERYSTWYTH
All People That on Earth Do Dwell
Author: William Kethe Hymnal: TH1990 #1 (1990) Meter: 8.8.8.8 Lyrics: 1 All people that on earth do dwell,
sing to the Lord with cheerful voice;
him serve with fear, his praise forth tell,
come ye before him and rejoice.
2 The Lord ye know is God indeed;
without our aid he did us make;
we are his folk, he doth us feed,
and for his sheep he doth us take.
3 O enter then his gates with praise,
approach with joy his courts unto;
praise, laud, and bless his name always,
for it is seemly so to do.
4 For why? The Lord our God is good,
his mercy is forever sure;
his truth at all times firmly stood,
and shall from age to age endure.
Topics: God His perfections; Church Covenant People; Church Lord's House; God Goodness of; God Immutability of; God Praise of; God Truth of; Work of Creation Scripture: Psalm 100 Languages: English Tune Title: OLD HUNDREDTH
All People That on Earth Do Dwell
O Worship the King
Author: Robert Grant Hymnal: TH1990 #2 (1990) Meter: 10.10.11.11 First Line: O Worship the King all glorious above Lyrics: 1 O worship the King all-glorious above,
O gratefully sing his pow'r and his love;
our shield and Defender, the Ancient of Days,
pavilioned in splendor and girded with praise.
2 O tell of his might, O sing of his grace,
whose robe is the light, whose canopy space.
His chariots of wrath the deep thunderclouds form,
and dark is his path on the wings of the storm.
3 The earth with its store of wonders untold,
Almighty, your pow'r has founded of old;
has 'stablished it fast by a changeless decree,
and round it has cast, like a mantle, the sea.
4 Your bountiful care what tongue can recite?
It breathes in the air; it shines in the light;
it streams from the hills; it descends to the plain;
and sweetly distils in the dew and the rain.
5 Frail children of dust, and feeble as frail,
in you do we trust, nor find you to fail;
your mercies how tender, how firm to the end,
our Maker, Defender, Redeemer, and Friend!
6 O measureless Might! Ineffable Love!
While angels delight to hymn you above,
the humbler creation, though feeble their lays,
with true adoration shall lisp to your praise. Topics: God His perfections; God Majesty of; Worship; Church In the Old Dispensation; God Defender; Heaven Worship in ; God in Nature Scripture: Psalm 104 Languages: English Tune Title: LYONS
O Worship the King
Give to Our God Immortal Praise
Author: Isaac Watts Hymnal: TH1990 #3 (1990) Meter: 8.8.8.8 Lyrics: 1 Give to our God immortal praise;
mercy and truth are all his ways:
wonders of grace to God belong;
repeat his mercies in your song.
2 Give to the Lord of lords renown;
the King of kings with glory crown:
his mercies ever shall endure,
when lords and kings are known no more.
3 He built the earth, he spread the sky,
and fixed the starry lights on high:
wonders of grace to God belong;
repeat his mercies in your song.
4 He fills the sun with morning light;
he bids the moon direct the night:
his mercies ever shall endure,
when suns and moons shall shine no more.
5 He sent his Son with pow'r to save
from guilt and darkness and the grave:
wonders of grace to God belong;
repeat his mercies in your song.
6 Through this vain world he guides our feet,
and leads us to his heav'nly seat:
his mercies ever shall endure,
when this vain world shall be no more. Topics: God His perfections; God Mercies of; God in Nature Scripture: Psalm 136 Languages: English Tune Title: WARRINGTON
Give to Our God Immortal Praise
Lewis Hartsough
1828 - 1919 Hymnal Number: 484 Author of "I Hear Thy Welcome Voice" in Trinity Hymnal (Rev. ed.) Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—-
1. I hear Thy welcome voice. The Divine Invitation.
2. In the rifted Rock I'm resting. Safety in Jesus.
3. Lead me to the Rock that's higher. Safety in Jesus.
4. O who'll stand up for Jesus? All for Jesus
Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:—
The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
================
Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work.
"I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use.
Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist.
--Robert G. McCutchan, DNAH Archives
Lewis Hartsough
Hugh Wilson
1766 - 1824 Person Name: Hugh Wilson, 1726-1824 Hymnal Number: 254 Composer of "MARTYRDOM" in Trinity Hymnal (Rev. ed.) Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed.
Bert Polman
Hugh Wilson
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Hymnal Number: 100 Composer of "NICAEA" in Trinity Hymnal (Rev. ed.) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
