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Singing the Faith
Publication Date: 2011 Publisher: Hymns Ancient & Modern for the Methodist Church Publication Place: London Editors: Peter Brophy
Singing the Faith
All creatures of our God and King
Author: St. Francis of Assisi, 1182-1226; William Henry Draper, 1855-1933 Appears in 265 hymnals Topics: The Glory of God In Creation and Providence Scripture: 1 Peter 5:7 Used With Tune: LASST UNS ERFREUEN
All creatures of our God and King
Thine be the glory
Author: Edmond Budry, 1854-1932; Richard Birch Hoyle, 1875-1939 Meter: 5.5.6.5.6.5.6.5 with refrain Appears in 110 hymnals Topics: Jesus Christ: Risen and Ascended Scripture: 1 Corinthians 15:55-56 Used With Tune: MACCABEUS
Thine be the glory
Yes, I'll sing the wondrous story
Author: Francis Harold Rowley, 1854-1952 Appears in 287 hymnals First Line: I will sing the wondrous story Topics: Jesus Christ: Prophet, Priest and King Scripture: 1 Thessalonians 5:24 Used With Tune: HYFRYDOL
Yes, I'll sing the wondrous story
LUCERNA LAUDONIAE
Meter: 7.7.7.7 with refrain Appears in 22 hymnals Composer and/or Arranger: David Evans, 1874-1948 Tune Key: G Major Incipit: 55312 36514 31 Used With Text: Gracious God, to you we raise
LUCERNA LAUDONIAE
All people that on earth do dwell
Author: William Kethe, d. 1594 Hymnal: STF2011 #1 (2011) Meter: 8.8.8.8 Topics: The Nature and Mystery of God The Holy Trinity Scripture: Luke 15:1-7 Languages: English Tune Title: OLD 100TH
All people that on earth do dwell
Come, let us sing to the One
Author: Keith Getty, b. 1974; Kristyn Getty, b. 1980 Hymnal: STF2011 #2 (2011) Topics: The Nature and Mystery of God The Holy Trinity Scripture: 1 John 3:5 Languages: English Tune Title: [Come, let us sing to the One]
Come, let us sing to the One
Eternal God, your love's tremendous glory
Author: Alan Gaunt. b. 1935 Hymnal: STF2011 #3 (2011) Meter: 11.10.11.10 Topics: The Nature and Mystery of God The Holy Trinity Scripture: 1 John 4 Languages: English Tune Title: HIGHWOOD
Eternal God, your love's tremendous glory
James Edmeston
1791 - 1867 Person Name: James Edmeston, 1791-1867 Hymnal Number: 238 Author of "Lead us, heavenly Father, lead us" in Singing the Faith Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:—
(1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847.
In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:—
1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered.
2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing."
3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines.
4. Eternal God, before thy throne, Three nations. National Fast.
5. For Thee we pray and wait. Second Advent.
6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used.
7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source.
8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered.
9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines.
10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?"
11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008.
12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847.
13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America.
14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening."
15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening."
16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847.
17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections.
18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c.
19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines.
-- John Julian, Dictionary of Hymnology (1907)
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Edmeston, James, p. 321, ii. Other hymns are:—
1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844.
2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep."
3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided."
4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
James Edmeston
Anna Letitia Waring
1823 - 1910 Person Name: Anna Laetitia Waring, 1823-1910 Hymnal Number: 736 Author of "In heavenly love abiding" in Singing the Faith See also in:
Hymn Writers of the Church
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Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:—
1. Dear Saviour of a dying world. Resurrection. (1854.)
2. In heavenly love abiding. Safety in God. (1850.)
3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.)
4. Lord, a happy child of Thine. Evening. (1850.)
5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately.
6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.)
7. O Thou Lord of heaven above. The Resurrection.
8. Source of my life's refreshing springs. Rest in God. (1850.)
9. Sunlight of the heavenly day. New Year (1854.)
10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.)
11. Tender mercies on my way. Praise of Divine Mercies. (1850.)
12. Thanksgiving and the voice of melody. New Year (1854).
13. Though some good things of lower worth. Love of God in Christ, (1860.)
These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
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Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848:
1. Father, I know that all my life, p. 367, ii.
2. Sweet is the solace of Thy love, p. 1233, ii. 10.
3. Though some good things of, &c., p. 1233, ii. 13.
The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Anna Letitia Waring
Jane M. Campbell
1817 - 1878 Person Name: Jane Montgomery Campbell, 1817-1878 Hymnal Number: 130 Translator of "All good gifts around us" in Singing the Faith Campbell, Jane Montgomery, daughter of the Rev. A. Montgomery Campbell, born in London, 1817, died at Bovey Tracey, Nov. 15, 1878. Miss Campbell contributed in 1861, a number of translations from the German to the Rev. C. S. Bere's Garland of Songs; or, an English Liederkranz, 1862; and also to his Children’s Choral Book, 1869. The best known and most widely used of these translations is a portion of "Im Anfang war's auf Erden," as the harvest hymn, "We plough the fields and scatter.” Miss Campbell also published A Handbook for Singers, Lond., Society for Promoting Christian Knowledge, n.d. This small work contains the musical exercises which she taught in her father's parish school.
--John Julian, Dictionary of Hymnology (1907)
Jane M. Campbell
