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A Choice Selection of Hymns and Spiritual Songs
Publication Date: 1829 Publisher: James Gale Publication Place: Haverhill, Mass. Editors: Reuben Peaslee; James Gale
A Choice Selection of Hymns and Spiritual Songs
A few more days of pain and woe
Hymnal: CSHS1829 #d1 (1829) Languages: English
A few more days of pain and woe
A fountain in Jesus, which runs always [always runs] free
Hymnal: CSHS1829 #d2 (1829) Languages: English
A fountain in Jesus, which runs always [always runs] free
For Jesus is my constant friend
Hymnal: CSHS1829 #d3 (1829) First Line: A soldier of the cross am I Languages: English
For Jesus is my constant friend
Thomas Moore
1779 - 1852 Hymnal Number: d112 Author of "This world is all a fleeting show" in A Choice Selection of Hymns and Spiritual Songs Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England.
John Perry
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Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:—
1. As down in the sunless retreats of the ocean. Private Prayer.
2. But who shall see the glorious day. The Final Bliss of Man.
3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c.
4. Fallen is thy throne, O Israel. Israel in Exile.
5. Like morning when her early breeze. Power of Divine Grace.
6. O Thou Who driest the mourner's tear. Lent.
7. Since first Thy word [grace] awaked my heart. God All and in All.
8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel.
9. The bird [dove] let loose in eastern skies. Prayer for Constancy.
10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken.
11. Thou art, O God, the Life and Light. God, the Light and Life of Men.
12. Were not the sinful Mary's tears? Lent.
Of these hymns No. 11 has attained the greatest popularity.
--John Julian, Dictionary of Hymnology (1907)
Thomas Moore
Sarah Flower Adams
1805 - 1848 Person Name: Sarah F. Adams Hymnal Number: d8 Author of "Arise, my soul, to Pisgah's height" in A Choice Selection of Hymns and Spiritual Songs Adams, Sarah, nee Flower. born at Harlow, Essex, Feb. 22nd, 1805; died in London, Aug. 14, 1848, and was buried at Harlow, Aug. 21,1848. She was the younger daughter of Mr. Benjamin Flower, editor and proprietor, of The Cambridge Intelligencer; and was married, in 1834, to William B. Adams, a civil engineer. In 1841 she published Vivia Perpetua, a dramatic poem dealing with the conflict of heathenism and Christianity, in which Vivia Perpetua suffered martyrdom; and in 1845, The Flock at the Fountain; a catechism and hymns for children. As a member of the congregation of the Rev. W. J. Fox, an Unitarian minister in London, she contributed 13 hymns to the Hymns and Anthems, published by C. Fox, Lond., in 1841, for use in his chapel. Of these hymns the most widely known are— "Nearer,my God,to Thee," and "He sendeth sun, He sendeth shower." The remaining eleven, most of which have come into common use, more especially in America, are:—
Creator Spirit! Thou the first. Holy Spirit.
Darkness shrouded Calvary. Good Friday.
Gently fall the dews of eve. Evening.
Go, and watch the Autumn leaves. Autumn.
O hallowed memories of the past. Memories.
O human heart! thou hast a song. Praise.
O I would sing a song of praise. Praise.
O Love! thou makest all things even. Love.
Part in Peace! is day before us? Close of Service.
Sing to the Lord! for His mercies are sure. Praise.
The mourners came at break of day. Easter.
Mrs. Adams also contributed to Novello's musical edition of Songs for the Months, n. d. Nearly all of the above hymns are found in the Unitarian collections of Great Britain, and America. In Martineau's Hymns of Praise & Prayer, 1873, No. 389, there is a rendering by her from Fenelon: —" Living or dying, Lord, I would be Thine." It appeared in the Hymns and Anthems, 1841.
-John Julian, Dictionary of Hymnology (1907)
Sarah Flower Adams
Joseph Swain
1761 - 1796 Hymnal Number: d15 Author of "Brethren, while we sojourn here" in A Choice Selection of Hymns and Spiritual Songs Swain, Joseph, was born at Birmingham in 1761, and after being apprenticed to an engraver, removed to London. After a time he became a decided Christian, and being of an emotional poetic temperament, began to give expression to his new thoughts and feelings in hymns. In 1783 he was baptized by the Rev. Dr. Rippon, and in 1791 became minister of a Baptist congregation in East Street, Walworth. After a short but popular and very useful ministry, he died April 16, 1796 Swain published the following:—
(1) A Collection of Poems on Several Occasions, London, 1781; (2) Redemption, a Poem in five Books, London, 1789; (3) Experimental Essays on Divine Subjects, London, 1791; (4) Walworth Hymns, by J. Swain, Pastor of the Baptist Church Meeting there, London, 1792, 129 hymns; with a Supplement, 1794, 192 hymns; (5) A Pocket Companion and Directory, London, 1794.
In addition to a limited number of Swain's hymns, annotated under their respective first lines, the following, from his Walworth Hymns1792, and the 2nd ed., 1796, are also in common use:—
1. Brethren, while we sojourn here. Mutual Encouragement.
2. Children of the King of grace. Holy Baptism.
3. Christ the Lord will come again. Second Advent.
4. Come, ye souls, by sin afflicted. The Yoke of Christ.
5. How sweet, how heavenly is the sight. Communion of Saints.
6. In expectation sweet. Second Advent.
7. Lift up your heads, ye gates. Ascension.
8. Love is the sweetest bud that blows. A Flower an Emblem of Christ.
9. 0 how the thought that I shall know. Heaven Anticipated. Sometimes it begins with st. ii., "For ever to behold Him shine".
10. On earth the song begins. Heaven Anticipated.
11. On the wings of faith upspringing. Passiontide.
12. Pilgrims we are to Canaan bound. Pilgrimage of Life.
13. Praise ye the Lord, the eternal King. Divinity of Christ.
14. Praise your Redeemer, praise His Name. Praise for Redemption.
15. 'Tis heaven begun below. Heaven Anticipated.
16. What is it for a saint to die? Death and Burial.
17. What must [will] it be to dwell above? Heaven Anticipated.
18. When firm I [we] stand on Zion's hill. Confidence. Sometimes as "I stand on Zion's mount," in American collections.
19. Who can forbear to sing? Praise of Jesus.
From his Redemption, a Poem in Five Books, 1791, the following hymns are also in common use:--
20. 0 Thou in whose presence my soul takes delight. In Affliction.
21. Ye daughters of Zion, declare, have you see? Comfort in Affliction.
Of these hymns the most widely known are Nos. 1, 5, 6, and 20. We may add that several of Swain's hymns appeared in The Theological Miscellany, 1784-1789. [Rev. W. R. Stevenson, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Joseph Swain
