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Hymnal, Number:amec1954

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Hymnals

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Published hymn books and other collections

A. M. E. C. Hymnal

Publication Date: 1954 Publisher: The African Methodist Episcopal Church Tune Title: PATER NOSTER

Texts

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The Sinner and the Song

Author: W. L. T. Appears in 64 hymnals Tune Title: [A sinner was wand'ring at eventide] First Line: A sinner was wand'ring at eventide Refrain First Line: Oh, tempter, depart Used With Tune: [A sinner was wand'ring at eventide]

Be Still

Author: A. L. H. Appears in 2 hymnals Tune Title: A SPIRITUAL MEDITATION First Line: Be still, and let the spirit speak Used With Tune: A SPIRITUAL MEDITATION

Hark! the Voice of Love and Mercy

Author: Jonathan Evans Appears in 549 hymnals Tune Title: ADELE Used With Tune: ADELE

Tunes

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Audio

[A sinner was wand'ring at eventide]

Appears in 40 hymnals Composer and/or Arranger: Will L. Thompson Tune Key: F Major Incipit: 53333 33553 34442 Used With Text: The Sinner and the Song

A SPIRITUAL MEDITATION

Appears in 2 hymnals Composer and/or Arranger: Antonio L. Haskell Tune Key: E Flat Major Incipit: 33323 54312 2443 Used With Text: Be Still

ADELE

Appears in 7 hymnals Composer and/or Arranger: J. M. North Tune Key: E Flat Major Incipit: 34513 465 Used With Text: Hark! the Voice of Love and Mercy

Instances

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Published text-tune combinations (hymns) from specific hymnals

The Sinner and the Song

Author: W. L. T. Hymnal: AMEC1954 #291 (1954) Tune Title: [A sinner was wand'ring at eventide] First Line: A sinner was wand'ring at eventide Refrain First Line: Oh, tempter, depart Languages: English

Be Still

Author: A. L. H. Hymnal: AMEC1954 #443 (1954) Tune Title: A SPIRITUAL MEDITATION First Line: Be still, and let the spirit speak Languages: English

Hark! the Voice of Love and Mercy

Author: Jonathan Evans Hymnal: AMEC1954 #123 (1954) Tune Title: ADELE Languages: English

People

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Authors, composers, editors, etc.

Jonathan Evans

1748 - 1809 Tune Title: ADELE Hymnal Number: 123 Author of "Hark! the Voice of Love and Mercy" in A. M. E. C. Hymnal Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns. -- John Julian, Dictionary of Hymnology (1907)

James M. North

b. 1836 Person Name: J. M. North Tune Title: ADELE Hymnal Number: 123 Composer of "ADELE" in A. M. E. C. Hymnal

Frederick Oakeley

1802 - 1880 Tune Title: ADESTE FIDELES. PORTUGESE HYMN. Hymnal Number: 88 Translator of "O Come, All Ye Faithful" in A. M. E. C. Hymnal Frederic Oakeley graduated M.A. at Oxford, and took Orders in the Church of England. He became Prebendary of Lichfield Cathedral, preacher at Whitehall, and incumbent of Margaret Chapel, London. He was active in the "Oxford Movement," and in 1845, called attention to his views for the purpose of seeing if he could continue to hold an Oxford degree, with so great a change in his opinions. The question was tried, and he was perpetually suspended unless he retracted. He then resigned his positions in the Church of England, and entered the Church of Rome, in which he became a Priest, and Canon of the diocese of Westminster. His publications are numerous, and some of them have considerable value. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ================= Oakeley, Frederick, D.D., youngest son of Sir Charles Oakeley, Bart., sometime Governor of Madras, was born at Shrewsbury, Sept. 5, 1802, and educated at Christ Church, Oxford (B.A. 1824). In 1825 he gained a University prize for a Latin Essay; and in 1827 he was elected a Fellow of Balliol. Taking Holy Orders, he was a Prebendary of Lichfield Cathedral, 1832; Preacher at Whitehall, 1837; and Minister of Margaret Chapel, Margaret Street, London, 1839. In 1845 he resigned all his appointments in the Church of England, and was received into the Roman Communion. Subsequently he became a Canon of the Pro-Cathedral in the Roman Catholic ecclesiastical district of Westminster. He died January 29, 1880. Miller (Singers and Songs of the Church, 1869, p. 497), writing from information supplied to him by Canon Oakeley, says:— ”He traces the beginning of his change of view to the lectures of Dr. Charles Lloyd, Regius Professor, delivered at Oxford about the year 1827, on the 'History and Structure of the Anglican Prayer Book.' About that time a great demand arose at Oxford for Missals and Breviaries, and Canon Oakeley, sympathising with the movement, co-operated with the London booksellers in meeting that demand.....He promoted the [Oxford] movement, and continued to move with it till, in 1845, he thought it right to draw attention to his views, to gee if he could continue to hold an Oxford degree in conjunction with so great a change in opinion. The question having been raised, proceedings were taken against him in the Court of Arches, and a sentence given that he was perpetually suspended unless he retracted. He then resigned his Prebendal stall at Lichfield, and went over to the Church of Rome." Canon Oakeley's poetical works included:— (1) Devotions Commemorative of the Most Adorable Passion of Our Lord and Saviour Jesus Christ, 1842; (2) The Catholic Florist; (3) The Youthful Martyrs of Rome, a Christian Drama, 1856; (4) Lyra Liturgica; Reflections in Verse for Holy Days and Seasons, 1865. Canon Oakeley also published several prose works, including a translation of J. M. Horst's Paradise of the Christian Soul, London, Burns, 1850. He is widely known through his translation of the “Adeste fideles.” Several of his original hymns are also in Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907)