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Anonymous

Composer of "THE LORD IS IN HIS HOLY TEMPLE (Anon.)" in The Christian Hymnary. Bks. 1-4 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William J. Kirkpatrick

1838 - 1921 Person Name: William James Kirkpatrick, 1838-1921 Composer of "THE LORD IS IN HIS HOLY TEMPLE (Kirkpatrick)" in The Christian Hymnary. Bks. 1-4 William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia. Bert Polman

John Stainer

1840 - 1901 Person Name: J. Stainer (1840-) Composer of "[The Lord is in His holy temple let all the earth keep silence before Him]" in Hymns of Worship and Service

William F. Sherwin

1826 - 1888 Person Name: W. F. Sherwin Composer of "[The Lord is in his holy temple]" in Laudes Domini Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:— 1. Grander than ocean's story (1871). The Love of God. 2. Hark, bark, the merry Christmas bells. Christmas Carol. 3. Lo, the day of God is breaking. The Spiritual Warfare. 4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary. 5. Why is thy faith, 0 Child of God, so small. Safety in Jesus. Mr. Sherwin died at Boston, Massachusetts, April 14, 1888. -- John Julian, Dictionary of Hymnology (1907) ================== Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Chas. H. Gabriel

1856 - 1932 Person Name: C. H. G. Composer of "[The Lord is in His holy temple]" in Rodeheaver's Gospel Songs for church, Sunday Schools and evangelistic services Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman

Edmund S. Lorenz

1854 - 1942 Person Name: E. S. L. Composer of "[The Lord is in his holy temple]" in The Voice of Melody Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund, ==================== Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900. Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany. He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889. Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934). For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree. --Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives

E. O. Excell

1851 - 1921 Composer of "[The Lord is in His holy temple]" in Church Hymnal, Mennonite Edwin Othello Excel USA 1851-1921. Born at Uniontown, OH, he started working as a bricklayer and plasterer. He loved music and went to Chicago to study it under George Root. He married Eliza Jane “Jennie” Bell in 1871. They had a son, William, in 1874. A member of the Methodist Episcopal Church, he became a prominent publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings. He founded singing schools at various locations in the country and worked with evangelist, Sam Jones, as his song leader for two decades. He established a music publishing house in Chicago and authored or composed over 2,000 gospel songs. While assisting Gypsy Smith in an evangelistic campaign in Louisville, KY, he became ill, and died in Chicago, IL. He published 15 gospel music books between 1882-1925. He left an estate valued at $300,000. John Perry

Richard Farrant

1525 - 1580 Person Name: R. Farrant (1530-1580) Composer of "[The Lord is in His holy temple let all the earth keep silence before Him]" in Hymns of Worship and Service Like many composers of his day, the early years of Richard Farrant’s (c.1525- November 30, 1580) life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525. Although, that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriar Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named, Richard. As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George’s Chapel at Windsor. For Farrant, the post at at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November of 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theater of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he passed away, having left his house to his wife. Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems "When as we sat in Babylon" and "Call to remembrance" and "Hide not thou thy face." --en.wikipedia.org/wiki/

Richard Langdon

1730 - 1803 Person Name: R. Langdon (1729-1803) Composer of "[The Lord is in His holy temple let all the earth keep silence before Him]" in Hymns of Worship and Service

Calvin Weiss Laufer

1874 - 1938 Person Name: Rev. Calvin W. Laufer Composer of "[The Lord is in His holy temple]" in The Hymnal Presbyterian minister and hymnographer Calvin Weiss Laufer was born today in Brodheadsville, Pennsylvania in 1874. Following his graduation from Union Seminary in 1900 he was ordained into the Presbyterian ministry and led congregations in New York and New Jersey for several years. Laufer had a generally cheerful outlook on his Christian life, and his first two books, Key-Notes of Optimism (1911) and The Incomparable Christ (1914) expressed that viewpoint. A review of the first book spoke of the "crisp and stirring note in these sermonettes which is well calculated to rouse the mind of readers and banish dejection." His books were popular in their time but today are seen as somewhat superficial. He later began to work with the Presbyterian Board of Christian Education and became its editor of musical publications, producing books such as The Junior Church School Hymnal (1927), The Church School Hymnal for Youth (1928) and When the Little Child Wants to Sing (1935). He was also the associate editor of the Presbyterian Hymnal of 1933, a very popular book which was used in many churches for more than fifty years. In 1932, his book Hymn Lore was published, which contained the stories of fifty hymns from The Church School Hymnal for Youth, with information about their writers and composers (much like this blog). He chose a broad range of hymns, some quite modern and others well-known and loved for centuries. Several of them were by his mentor and friend Louis F. Benson, who had edited the Presbyterian Hymnal of 1895 and its 1911 revision (and also wrote The Best Church Hymns). In the preface to Hymn Lore, Laufer wrote: To live with hymns and to make them one's own is the only sure way of appreciating their literary beauty and spiritual power. (...) That the reading and singing of hymns may become less mechanical, more thoughtful and intelligent, and emotionally more effective, this volume is released to the public. Laufer wrote both hymn texts and tunes himself, most of which first appeared in the books he edited but also had some life outside Presbyterian circles. This tune was written while Laufer was attending a conference in Kansas, though with no particular text in mind. Not long after, he hummed it to a friend, William H. Foulkes, who then wrote the text "Take thou our minds, dear Lord." Laufer's tune was originally called STONY BROOK, but he changed it to honor a friend, William Ralph Hall. Little is known about the writer May Pierpont Hoyt. Her text is generally sung to the tune BREAD OF LIFE by William F. Sherwin, but since that tune is more known with "Break thou the Bread of life," this text could use a different one. --conjubilant.blogspot.com/2010/04/