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Joseph A. Seiss

1823 - 1904 Person Name: Jos. A. Seiss Translator of "Our thanks and praise to Thee be given" in Sunday-School Book Joseph A. Seiss was born and raised in a Moravian home with the original family name of Seuss. After studying at Pennsylvania College in Gettysburg and completing his theological education with tutors and through private study, Seiss became a Lutheran pastor in 1842. He served several Lutheran congregations in Virginia and Maryland and then became pastor of St. John's Lutheran Church (1858-1874) and the Church of the Holy Communion (1874-1904), both in Philadelphia. Known as an eloquent and popular preacher, Seiss was also a prolific author and editor of some eighty volumes, which include The Last Times (1856), The Evangelical Psalmist (1859), Ecclesia Lutherana (1868), Lectures on the Gospels (1868-1872), and Lectures on the Epistles (1885). He contributed to and compiled several hymnals. Bert Polman
Joseph A. Seiss

Robert Schumann

1810 - 1856 Person Name: R. Schumann Arr. of "[Our thanks and praise to Thee be given]" in The Lutheran Hymnary Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry
Robert Schumann

Clement Cotterill Scholefield

1839 - 1904 Person Name: C. C. Scholfield Composer of "ST. CLEMENT" in Sunday-School Book Rev. Clement C. Scholefield (b. Edgbaston, near Birmingham, Warwickshire, England, 1839; d. Goldalming, Surrey, England, 1904) Educated at St. John's College, Cambridge, he was ordained in the Church of England in 1867. He served at Hove, Brighton, St. Peter's in Kensington (1869-1879), and briefly at St. Luke's in Chelsea. From 1880 to 1890 he was chaplain at Eton College and from 1890 to 1895 vicar of Holy Trinity in Knightsbridge. Mainly self-taught as a musician, Scholefield became an accomplished pianist and composed some songs and hymn tunes. Bert Polman
Clement Cotterill Scholefield

Paul Eber

1511 - 1569 Person Name: P. Eber Translator of "Our thanks and praise to Thee be given" in The Lutheran Hymnary Eber, Paul, son of Johannes Eber, master tailor at Kitzingen, Bavaria, was born at Kitzingen, Nov. 8, 1511. He was sent in 1523 to the Gymnasium at Ansbach, but being forced by illness to return home, was on his way thrown from horseback and dragged more than a mile, remaining as a consequence deformed ever after. In 1525 he entered the St. Lorentz school at Nürnberg, under Joachim Camerarius, and in 1532 went to the University of Wittenberg, where he graduated 1536, and thereafter became tutor in the Philosophical Faculty. He was appointed Professor of Latin in 1544, then in 1557 Professor of Hebrew and Castle preacher, and in 1558 Town preacher and General Superintendent of the Electorate, receiving in 1559 the degree D.D. from the University. He died at Wittenberg, Dec. 10, 1569 (Koch, i. 271-278; Allgemeines Deutsche Biog., v. 529). At Wittenberg he was a close friend of Melanchthon, was privy to all his plans, and conducted the greater part of his correspondence. After Melanchthon's death in 1560, he became leader of his party, and had to engage in various controversies with the Crypto-Calvinists, &c.; the seeds of his fatal illness being sown on his return journey from the fruitless conference held at Altenburg with the theologians of Jena, which lasted from Oct. 20, 1568, to March 9, 1569. Eber was, next to Luther, the best poet of the Wittenberg school. His hymns, some of them written for his own children to sing to Luther's melodies, are distinguished for their child-like spirit and beautiful simplicity. Seventeen hymns have been attributed to him, four of which are certainly his, and probably two others. Of these six, five have been translated into English, one of which is noted under "Dicimus grates," and the others are:— i. Herr Jesu Christ, wahr Mensch und Gott. For the Dying. The first hymnbook in which this simple and beautiful hymn has been found is the Low German Enchiridion, published at Hamburg, 1565, where it is in 8 stanzas of 6 lines., entitled "A prayer to Christ for a happy departure from this troublous life," and marked as "D. Paulus Eberus Filiolis suis faciebat MDLVII. Wackernagel, iv. p. 4, gives this and a second form in High German from the Psalmen, Geystliche Lieder und Gesänge, Strassburg, 1569. In his Bibliographie, 1855, p. 233, Wackernagel describes an undated broadsheet, which he would date 1550, and at p. 279 says it forms the first of Neun Schöne Geistliche Lieder, Nürnberg N.D., c. 1556. G. Döring, in his Choralkunde, Danzig, 1865, p. 434, says it appeared as "Panie Jezu ty's czlowiek i Bog" in the Polish Cantional, edited by Pastor Seklucyan, and published at Königsberg, 1559. Lauxmann, in Koch, viii, 591-594, adds that it comforted Eber himself while he lay a-dying, Dec. 10, 1569; was repeated by Hugo Grotius a few minutes before his death, Aug. 28, 1645; and was a favourite hymn of Prince Wolfgang of Anhalt (d. 1566), Christian I., Elector of Saxony (d. 1591), of the Margrave Georg Friedrieh of Brandenburg-Kulmbach (d. 1603), &c. Included as No. 820 in the Unv. L. S., 1851. The translations in common use are:— 1. Lord Jesus Christ, true Man and God, Who borest. Good and full, by Miss Winkworth in the first Ser. of her Lyra Germanica, 1855, p. 239. Of this stanzas i.-iv. appear in the Psalms & Hymns., Bedford, 1859; i., ii., viii. in the Harrow School Hymn Book, 1866 ; and i.-iii., v., viii. in the Pennsylvania Lutheran Church Book,1868. A cento from stanza ii., line 3-6, iii., 11. 1-4, vii., 1line 3-6, beginning, "When from my sight all fades away," is No. 1181 in the American Sabbath Hymn Book, 1858. 2. Lord Jesus Christ, true Man and God, Thou Who. A translation by E. Cronenwett, in nine stanzas of L.M., based on stanzas i., ii., iv.-viii., as No. 434, in the Ohio Lutheran Hymnal 1880. Other translations are, (1) "0 God, support me, death is near," by Dr. G. Walker, 1860, p. 103. (2) "Lord Jesus Christ, true Man and God, who hast”, by E. Massie, 1867, p. 10. ii. Wenn wir in höchsten Nöthen sein. In Trouble. Founded on a hymn by Joachim Camerarius, his former master at Nürnberg [b. at Bamberg, April 12, 1500, d. as Professor of Greek and Latin at Leipzig, April 17, 1574], which in Wackernagel, i. p. 324, runs thus:— "In tenebris nostrae et densa caligine mentis, Cum nihil est toto pectore consilii, Turbati erigimus, Deus, ad Te lumina cordis Nostra, tuamque fides solius erat opem. Tu rege consiliis actus, Pater optime, nostros, Nostrum opus ut laudi serviat omne Tuae." These lines comforted Melanchthon in 1546; and Lauxmann, in Koch, viii. 161-165, thinks probably Eber also. He relates that on Ascension Day, 1547, after the battle of Mühlberg, the Wittenbergers having received a message from the captive Elector to deliver their city to the Emperor Charles V. assembled for prayer in church; and quotes a portion of the prayer by Bugenhagen which greatly resembles Eber's hymn. But that the hymn was written then we have no proof, and the earliest source quoted by Wackernagel, iv. p. 6, is the Naw Betbüchlein, Dresden 1566, in 7 stanza of 4 line., though in his Bibliographie, 1855, p. 312, he describes a broadsheet printed at Nürnberg, N.D., c. 1560. In M. Moller's Meditationes sanctorum Patrum, Görlitz, 1584, it is entitled "A beautiful prayer of the venerable Dr. Paul Eber, which he composed on the beautiful words of King Jehoshaphat, 2 Chron. xx. 12." Included as No. 583 in the Unv. L. S., 1851. A "Cry from the depths," though not in despair but in trustful confidence in God, it is one of the finest and most widely used hymns of the Reformation period. Lauxmann relates how the singing of this hymn and the prayers of Martin Rinkart (q.v.), Archidiaconus of Eulenburg near Leipzig, prevailed to move the heart of the Swedish Lieutenant-Colonel, who on Feb. 21, 1635, had demanded from the inhabitants a ransom of £4500, but eventually accepted 2000 florins; says that in commemoration of a similar deliverance from the Swedish army in 1642 the hymn was long sung at the end of the Sunday afternoon service at Pegau, near Leipzig, and adds other incidents regarding its use. The only translation in common use is :— When in the hour of utmost need. A full and very good translation by Miss Winkworth in the 2nd Ser. of her Lyra Germanica, 1858, p. 180, and thence as No. 141 in her Chorale Book for England, 1863. Included in full in the American Presbyterian Hymnal 1874, and the Ohio Lutheran Hymnal, 1880. In full, though slightly altered, as No. 233, in Hymns Ancient & Modern, 1861, but omitted in the revised edition, 1875. In the Hymnary, 1871, Psalmist, 1878, J. L. Porter's Collection, 1876, Thring's Collection, 1882, and the Evangelical Hymna, N. Y., 1880, st. v. is omitted. Other translations are, (1) "When we are under great distress," by J. C. Jacobi, 1720, p. 19 (1722, p. 119; 1732, p. 184, altered, and thence as No. 140 in p. i. of the Moravian Hymn Book, 1754). (2) "When neither help nor counsel's nigh," by Dr. G. Walker, 1860, p. 89. (3) "When all our way is hedged around," by N. L. Frothingham, 1870. His hymns not in English common use are:— iii. Helft mir Gottes Güte preisen. [New Year.] Written on the name Helena, borne both by his wife and his daughter, the initial letters of each stanza composing it. Wackernagel, iv. p. 6, quotes it from Eichorn's Geistliche Lieder, Frankfurt a. Oder, c. 1580, in 6 st. of 8 l., entitled, "A Thanksgiving and Prayer for the New Year, in remembrance of God's goodness, for the Children." Older but less correct forms are noted by Mützell, p. 486, as in the Copenhagen GesangBuch,1511, and the Stettin, 1576. Included as No. 68 in the Unv. L. S., 1851. It is translation as, "Ye Christians in this nation," by J. C. Jacobi, 1722, p. 11 (1732, p. 10, altered and beginning, "Come, let us all, with Fervour.") iv. In Christi Wunden schlaf ich ein. [For the Dying.] Appears in Jeremias Weber's Gesang-Buch, Leipzig, 1638, p. 797, marked as "Another" (the hymn immediately preceding is ascribed to Eber), in 3 st. of 4 1. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 1468, the text is slightly varied, and arranged in 2 st. of 6 1. It was first ascribed to Eber in the Nürnberg Gesang-Buch, 1676. Lauxmann, in Koch, viii. 595-601, says of it, "That the hymn is much older than the date of its appearance [i.e. than 1638] seems obvious; that it breathes the childlike spirit of Eber is certain. More than this we cannot say." St. i., 11. 3-6, "Ja Christi Blut und Gerechtigkeit," has been adopted by many pious Germans, young and old, as a prayer in life and death, and Lauxmann relates many interesting incidents regarding its use by A. G. Spangenberg, by Wilhelm Hey, and others. These four lines were adopted by N. L. von Zinzendorf, as the first stanza of his well-known hymn, "Christi Blut und Gerechtigkeit" (q. v.). It is translation as, "I fall asleep in Jesus' arms," by Miss Winkworth, i860, p. 121. [Rev .James Mearns] -- John Julian, Dictionary of Hymnology (1907)
Paul Eber

Phillip Melanchthon

1497 - 1560 Person Name: Philip Melanchton Author of "Our thanks and praise to Thee be given" in The Lutheran Hymnary Melanchthon, Philipp, son of Georg Schwarzert, armourer to the Elector Philipp of the Palatinate, was born at Bretten, near Carlsruhe, Feb. 16, 1497. From 1507 to 1509 he attended the Latin school at Pforzheim, and here he was already, by Johann Reuchlin, called Melanchthon (the Greek form of "Black Earth," his German surname). In October, 1509, he entered the University of Heidelberg (B.A. 1511), and on Sept. 17, 1512, matriculated at Tubingen, where he graduated M.A., Jan. 25, 1514, and where he remained till 1518 as private lecturer in the philosophical faculty. On Aug. 29, 1518, he was appointed professor of Greek at the University of Wittenberg, and in January, 1526, also Professor of theology. He died at Wittenberg, April 19, 1560 (Allgemeine Deutsche Biographie, xxi. 268, &c). Melanchthon is best known as one of the leaders of the German Reforma¬tion; as a theologian (Loci communes, 1521, &c.); and as the framer of the famous Confession presented to the Diet of Augsburg in 1530, and still accepted as a standard by all the sections of Lutheranism in Germany, America, and elsewhere. His poems and hymns were written in Latin, and exercised no appreciable influence on the development of German hymnody. They were edited by Grathusen in 1560, Vincent 1563, Major 1575, &c.; the most complete edition being that by O. G. Bretschneider, at Halle, 1842 (Corpus Reformatorum, vol. x.). A number of his hymns are translated by Miss Fry in her Echoes of Eternity, 1859. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)
Phillip Melanchthon

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