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Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel, 1856-1932 Composer of "ARLES" in Psalter Hymnal (Gray) Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Calvin Seerveld

b. 1930 Versifier of "Give Glory to God, All You Heavenly Creatures" in Psalter Hymnal (Gray) Calvin Seerveld (b. 1930) was professor of aesthetics at the Institute for Christian Studies in Toronto from 1972 until he retired in 1995. Educated at Calvin College, Grand Rapids, Michigan; the University of Michigan; and the Free University of Amsterdam (Ph.D.), he also studied at Basel University in Switzerland, the University of Rome, and the University of Heidelberg. Seerveld began his career by teaching at Bellhaven College in Jackson, Mississippi (1958-1959), and at Trinity Christian College in Palos Heights, Illinois (1959-1972). A fine Christian scholar, fluent in various biblical and modern languages, he is published widely in aesthetics, biblical studies, and philosophy. His books include Take Hold of God and Pull (1966), The Greatest Song: In Critique of Solomon (1967), For God's Sake, Run with Joy (1972), Rainbows for the Fallen World: Aesthetic Life and Artistic Task (1980), and On Being Human (1988). He credits the Dutch musician Ina Lohr for influencing his compositions of hymn tunes. Most of his Bible versifications and hymns were written for the Psalter Hymnal (1987), on whose revision committee he ably served. Bert Polman

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