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Henry J. Gauntlett
1805 - 1876 Person Name: Henry John Gauntlett Composer of "IRBY" in The Cyber Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
John Brownlie
1857 - 1925 Translator of "Christ Is Born, Go Forth To Meet Him" in The Cyber Hymnal Brownlie, John, was born at Glasgow, Aug. 6, 1857, and was educated at Glasgow University, and at the Free Church College in the same city. In 1884 he was licensed by the Presbytery of Glasgow; in 1885 he became Assistant Minister of the Free Church, Portpatrick, and on the death of the Senior Minister in 1890 he entered upon the full charge of the Church there. He has interested himself in educational matters, became a Member of the local School Board in 1888, a governor of Stranraer High School in 1897, and Chairman of the governors in 1901. His hymnological works are:—
1. The Hymns and Hymnwriters of the [Scottish] Church Hymnary, 1899. This is a biographical, historical, and critical companion to that hymnal, and is well done and accurate.
2. Hymns of Our Pilgrimage, 1889; Zionward; Hymns of the Pilgrim Life, 1890; and Pilgrim Songs, 1892. These are original hymns. The Rest of God, 1894, a poem in three parts.
3. Hymns of the Early Church, Being Translations from the Poetry of the Latin Church, arranged in the Order of the Christian Year . . . 1896.
4. Hymns from East and West, Being Translations from the Poetry of the Latin and Greek Churches . . . 1898.
5. Hymns of the Greek Church, Translated with Introduction and Notes, 1900. Second Series: Hymns of the Holy Eastern Church, Translated from the Service Books, with Introductory Chapters on the History, Doctrine and Worship of the Church, 1902. Third Series: Hymns from the Greek Office Books, Together with Centos and Suggestions, 1904. Fourth Series: Hymns from the East, Being Centos and Suggestions from the Office Books of the Holy Eastern Church, 1906.
Of Mr. Brownlie's original hymns the following have come into common use:—
1. Ever onward, ever upward. Aspiration. From Pilgrim Songs, 3rd Series, 1892, p. 11.
2. Girt with heavenly armour. The Armour of God. Pilgrim Songs, 3rd Series, 1892, p. 49.
3. Hark! the voice of angels. Praise. Pilgrim Songs, 3rd Series, 1892, p. 57.
4. O bind me with Thy bonds, my Lord. The Divine Yoke. From Hymns of our Pilgrimage, 1889, p. 27.
5. O God, Thy glory gilds the sun. Adoration. From Zionward, &c, 1890, p. 33.
6. Spake my heart by sorrow smitten. Seeking God. From Pilgrim Songs, 3rd series, 1892, p. 25.
7. The flowers have closed their eyes. Evening Pilgrim Songs, 3rd series, 1892, p. 6tf.
8. There is a song which the angels sing. The Angels' Song. A cento from the poem The Best of God, 1894, p. 36.
9. Thou art my Portion, saith my soul. God, the Portion of His People. From Pilgrim Songs, 1892, p. 45.
10. Close beside the heart that loves me. Resting in God. This is one of the author's "Suggestions " based upon the spirit rather than the words of portions of the Greek Offices. It was given in Hymns of the Holy Eastern Church, 1902, p. 128.
Mr. Brownlie's translations from the Latin have been adopted in the hymnals to a limited extent only, mainly because the ground had been so extensively and successfully covered by former translators. With the translations from the Greek the case was different, as for popular use few translations were available in addition to the well known and widely used renderings by Dr. Neale. Mr. Brownlie's translations have all the beauty, simplicity, earnestness, and elevation of thought and feeling which characterise the originals. Their suitability for general use is evidenced in the fact that the number found in the most recently published hymn-books, including Church Hymns, 1903, The New Office Hymn Book, 1905, and The English Hymnal, 1906, almost equal in number those by Dr. Neale.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
John Brownlie
Cosmas, the Melodist
706 - 760 Person Name: Cosmas the Melodist Author of "Christ Is Born, Go Forth To Meet Him" in The Cyber Hymnal Cosmas, St., The Melodist. (Died circ. A.D. 760.) The second among the Greek ecclesiastical poets. He was adopted by the father of St. John of Damascus, and educated with him by a Sicilian monk also named Cosmas, who had been redeemed from slavery by his adopted father. The two foster-brothers retired together to St. Sabas, and there stimulated, assisted and vied witii one another in the composition of hymns. It is not certain whether some of the Canons, Triodia, and Idiomela under the name of Cosmas may not be the work of the elder Cosmas. He was elected Bishop of Maiuma in A.D. 743, and is commemorated in the Greek Calendar on Oct. 14. The story of Cosmas the elder is beautifully told in Milman's Lat. Christ., vol. ii. 364. Daniel, vol. iii., gives 12 pieces by him, and Dr. Neale has translated in his Hymns of the Eastern Church, 1862, the Canon for Christmas Day, and a cento from that for the Transfiguration. To English readers he is known through the translation of this cento, "The choirs of ransom'd Israel," and its abbreviated form, "In days of old on Sinai." [Rev. H. Leigh Bennett, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Cosmas, the Melodist
