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Samuel Stennett

1727 - 1795 Person Name: Samuel Stennett, 1727-1795 Hymnal Number: 49 Author of "On Jordan's Stormy Banks" in This Far By Faith Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

George C. Stebbins

1846 - 1945 Person Name: George C. Stebbins, 1846-1945 Hymnal Number: 152 Composer of "ADELAIDE" in This Far By Faith Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)

Fred Kaan

1929 - 2009 Person Name: Fred Kaan, b. 1929 Hymnal Number: 232 Author of "Let Us Talents and Tongues Employ" in This Far By Faith Fred Kaan Hymn writer. His hymns include both original work and translations. He sought to address issues of peace and justice. He was born in Haarlem in the Netherlands in July 1929. He was baptised in St Bavo Cathedral but his family did not attend church regularly. He lived through the Nazi occupation, saw three of his grandparents die of starvation, and witnessed his parents deep involvement in the resistance movement. They took in a number of refugees. He became a pacifist and began attending church in his teens. Having become interested in British Congregationalism (later to become the United Reformed Church) through a friendship, he was attended Western College in Bristol. He was ordained in 1955 at the Windsor Road Congregational Church in Barry, Glamorgan. In 1963 he was called to be minister of the Pilgrim Church in Plymouth. It was in this congregation that he began to write hymns. The first edition of Pilgrim Praise was published in 1968, going into second and third editions in 1972 and 1975. He continued writing many more hymns throughout his life. Dianne Shapiro, from obituary written by Keith Forecast in Independent (http://www.independent.co.uk/news/obituaries/fred-kaan-minister-and-celebrated-hymn-writer-1809481.html)

Communauté de Taizé

Person Name: Taizé Community Hymnal Number: 125 Adapter of "Eat This Bread" in This Far By Faith

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Hymnal Number: 125 Composer of "BERTHIER" in This Far By Faith Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman

Rhea F. Miller

1894 - 1966 Person Name: Rhea Miller Hymnal Number: 233 Author of "I'd Rather Have Jesus" in This Far By Faith Rhea F. Miller was the wife of Dr. H. V. Miller, one of the General Superintendents of the Church Of The Nazarene. After her husband's death Mrs. Miller taught piano and traveled all around the area in her little gray Nash coupe, teaching piano. She had a special mission in life and that was to get into pastors’ homes and teach their kids how to play the piano so they would have something to contribute to the church when they became adults. She would offer to teach these kids for free and hope to make up the difference with her other students. She was a very inspirational woman and made a deep impact upon many lives. She was very positive, always smiling, full of encouragement, and always enthusiastic. Her father, Martin James Ross, such had been no more than a drunk for some time and would actually steal money from his wife’s purse, just to get enough money to buy another drink. Mrs. Ross was a good, solid, faithful Christian, though. And she just kept living her life for Jesus. She would walk to church in any kind of weather- rain, snow, sleet, mud, whatever it was, just to get there to be with God’s people. Eventually her steadfastness broke through the walls her husband had isolated himself with. He surrendered to the wooing of God’s Spirit and was wonderfully delivered from the awful bondage of sin. He stood one night in a service in Brooktondale and began his testimony of how much Jesus meant to him… “I’d rather have Jesus than all the gold or silver in the whole world. I’d rather have Him than anything this world has to offer.” Mrs. Miller sat there and heard the words of her father’s testimony and a new song was born- “I’d Rather Have Jesus”. Bev Shea said he was 23 when he found the song in 1932. Mr. Shea didn’t copyright his version until 1939. Here he describes (from How Sweet the Sound) the impact that this song had on him: “One Sunday morning in the family home by the piano he discovered a poem with the title "I'd Rather Have Jesus." At the age of twenty-three, I was living at home with my parents, continuing to work at Mutual Life Insurance and studying voice. Going to the piano one Sunday morning, I found a poem waiting for me there. I recognized my mother's handwriting. She had copied the words of a poem by Mrs. Rhea F. Miller, knowing that I would read the beautiful message, which speaks of choice. As I read these precious words: "I'd rather have Jesus than men's applause. I'd rather be faithful to His dear cause." I found myself singing the words in a melody that expressed the feelings of my heart." Mrs. Miller wrote some other songs, too. One was for a Missionary Convention, a little chorus based on Psalm 126:6. The words went like this: “He that goeth forth and weepeth, bearing precious seed, shall doubtless come again rejoicing, bringing in the sheaves”- then a repeat of that and close. She also wrote a song called "It Is Worth All It Costs To Be Holy", copyrighted June 15, 1937, Nazarene Publishing House. That was in our hymnals for a while. Ron Kelly (former student and friend)

William M. Runyan

1870 - 1957 Person Name: William M. Runyan, 1870-1957 Hymnal Number: 283 Composer of "FAITHFULNESS" in This Far By Faith Showing early musical promise, William Marion Runyan (b. Marion, NY, 1870; d. Pittsburg, KS, 1957) was a substitute church organist by the age of twelve. He became a Methodist minister in 1891 and served several churches in Kansas but turned to evangelism in 1903; he worked for the Central Methodist Conference for the next twenty years. Following that service, Runyan became pastor at the Federated Church at John Brown University, Sulphur Springs, Arkansas. Editor of Christian Workers Magazine, he also served the Moody Bible Institute and was an editor for Hope Publishing Company until his retirement in 1948. Runyan wrote a number of hymn texts, gospel songs, and hymn tunes. Bert Polman

John Francis Wade

1711 - 1786 Person Name: John Francis Wade, 1711-1786 Hymnal Number: 284 Composer of "ADESTE FIDELES" in This Far By Faith John Francis Wade (b. England, c. 1711; d. Douay, France, 1786) is now generally recognized as both author and composer of the hymn "Adeste fideles," originally written in Latin in four stanzas. The earliest manuscript signed by Wade is dated about 1743. By the early nineteenth century, however, four additional stanzas had been added by other writers. A Roman Catholic, Wade apparently moved to France because of discrimination against Roman Catholics in eighteenth-century England—especially so after the Jacobite Rebellion of 1745. He taught music at an English college in Douay and hand copied and sold chant music for use in the chapels of wealthy families. Wade's copied manuscripts were published as Cantus Diversi pro Dominicis et Festis per annum (1751). Bert Polman

Herbert Brokering

1926 - 2009 Person Name: Herbert F. Brokering, b. 1926 Hymnal Number: 91 Author of "Alleluia! Jesus Is Risen!" in This Far By Faith Herbert F. Brokering (b. Beatrice, Nebraska, May 21, 1926; d. Bloomington, Minnesota, November 7, 2009) was a Lutheran pastor with German roots, an author of more than forty books, and a poet and hymn writer known especially for two hymn texts, “Earth and All Stars” and “Alleluia! Christ Is Risen,” both set to the same tune. He was born in Nebraska, the son of a German Lutheran pastor; earned degrees from Wartburg College in Iowa, University of Iowa, and Trinity Lutheran Seminary in Columbus, OH, and pursued graduate study in Germany at the University of Kiel and the University of Erlangen. He served as a pastor of three Lutheran congregations, in Pennsylvania, New York, and Texas; taught at the Navy Chaplain’s Career School in Newport, Rhode Island, Luther Seminary and Trinity Seminary, and was also active in the Lutheran World Federation services and the World Council of Churches. Emily Brink