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J. Lincoln Hall

1866 - 1930 Composer of "[Brightest and best of the sons of the morning]" in Boundless Love Used pseudonyms Maurice A. Clifton and Arthur Wilton. =============== Joseph Lincoln Hall DMus USA 1866-1930. Born in Philadelphia, PA, to musical parents, he also was musical, having a good tenor voice. He was an organist and music teacher. At age 19 he led a 100 member choir for 10 years. He studied music and graduated with honors from the University of PA, later receiving a Doctor of Music degree from Harriman University, from which he was an alumnus. In 1896 he married Eva Victoria Withington, and they had four children. Three lived to adulthood, Lincoln, Ralph, and Philip. A musician, he was a great song leader and choral conductor, conducting campmeeting choirs in PA, OH, and FL, at the Gainesville Bible Conference as well. He became a gospel song composer, arranger, editor, and publisher. He wrote cantatas, oratorios, choir anthems, and hundreds of gospel songs. He also edited several hymnals. Along with Irvin Mack, he founded the Hall-Mack Publishing Company (later Rodeheaver). They published nine songbooks. He was a member of the 7th Street Methodist Episcopal Church in Philadelphia. He died in Philadelphia. John Perry

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Composer of "[Brightest and best of the sons of the morning]" in Great Songs of the Church Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph Barnby

1838 - 1896 Composer of "[Brightest and best of the sons of the morning]" in Hymn Tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

T. C. O'Kane

1830 - 1912 Composer of "[Brightest and best of the Sons of the morning]" in Morning Stars O'Kane, Tullius Clinton, an American writer, born March 10, 1830, is the author of "O sing of Jesus, Lamb of God" (Redemption); and "Who, who are these beside the chilly wave?" (Triumph in Death), in I. D. Sankey's Sacred Songs and Solos, 1878 and 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =========================== Tullius Clinton O'Kane was born in Fairfield County, Ohio, March 10, 1830. He resided with his parents in this vicinity until the spring of 1849, when he went to Delaware, Ohio, and entered the Ohio Wesleyan University, from which he graduated in 1852, with the degree A. B., and received his A. M. degree three years later from his Alma Mater. Immediately upon his graduation, he was tendered a position in the Faculty as Tutor of Mathematics, which he accepted and successfully filled for five years. The students always called him "Professor," by which title he is known to the present day. His musical abilities were early recognized in the University, and for years he was the musical precentor in the daily chapel devotions. He organized and maintained a Choral Society in the College, and was the first musical instructor in the Ohio Wesleyan Female College, which a few years ago was incorporated into the University. In 1857 he was elected to a principalship in the Cincinnati public schools, and served in that capacity until 1861, when he resigned his position to accept a place in the piano establishment of Philip Phillips & Co. He remained with this house until its removal to New York City in 1867, when, although urged to be transferred with the house to that city, he preferred to remove with his family back to Delaware, Ohio. For the ensuing six years he traveled over the state of Ohio as the general agent for the Smith American Organ Co., of Boston, Mass. During this time he visited conferences, Sunday-school conventions, both State and County, introducing his Sunday-school singing books, and in this way became well known throughout his native state, and quite extensively in some of the adjoining states. His musical compositions were first published in Philip Phillips' Musical Leaves, in 1865, and since then but few Sunday-school singing books have appeared without one or more of his compositions. His first music book, Fresh Leaves, was issued in 1868. This was followed at intervals by Dew Drops, Songs of Worship, Every Sabbath, Jasper and Gold, Redeemer's Praise, Glorious Things and Morning Stars. In connection with his son, Edward T. O'Kane, who is himself a most excellent composer and a very skillful organist, in 1882 he issued Selected Anthems, a book designed for use by the more advanced choirs. In association with J. R. Sweney and "Chaplain" McCabe, he issued Joy to the World, a song book for prayer-meetings, and the same editors, with the addition of W. J. Kirkpatrick, compiled Songs of Redeeming Love, No. 1, in 1882, and No. 2 in 1884. He also issued Songs of Praises, Unfading Treasures and Forward Songs. Some of Professor O'Kane's best known songs are Glorious Fountain, The Home Over There, On Jordan's Stormy Banks, Say, are You Ready? and many others. With Mr. O'Kane, music and musical composition have ever been a recreation, rather than a profession. He is an excellent leader of choirs, but his forte seems to be in leading large congregations, Sunday-schools and social religious meetings in sacred song. He sings "with the spirit and the understanding also " — with a due appreciation of both words and music — and very naturally infuses his enthusiasm into his audiences so that they cannot "keep from singing." In his music he endeavors to catch the spirit of the hymn, and then give it expression in the music he composes for it. This sometimes seems to have been almost an inspiration, and could be illustrated by a reference to the circumstances under which many of his compositions have been made. One of his earlier and more widely known pieces is that entitled, Over There. He says he cut this hymn out of some newspaper and put it with others in his portfolio, intending some time when he felt like it to give it a musical setting. One Sunday afternoon, after studying his lesson for the next session of his Sunday-school, he opened his portfolio, and turning over the selections, found these words, and something seemed to say, "Now's your time." He sat down at the organ, studied the hymn intently for a few moments, and then, as his fingers touched the keys of the instrument, melody and harmony were in every movement, and when the stanza was ended, melody and harmony found their expression in the chorus, and Over There was finished. Another of his well known songs is Sweeping Through the Gates. One cold, blustery day he had occasion to go from his residence to the railroad depot, about a mile distant, and in his route had to cross the river on a suspension foot-bridge. As he came down to the bridge, he thought of the "river of death," so cold, with no bridge, and then the words of the dying Cookman came to his mind, and he exclaimed to himself: 'Who, who are these beside the chilly wave? " Words, melody and refrain seemed to come all at once and all together, so that by the time he arrived back at his home, the composition was complete. Professor O'Kane is a genial, modest Christian gentleman, who carries sunshine wherever he goes. His greatest joy comes from the consciousness that his music has cheered and comforted the hearts of Christian people all over the world, and has been the means of winning thousands from the pleasures of the world to the higher enjoyments of the Christian religion. His song, Sweeping Through the Gates, will be sung till all the ransomed are gathered Over There. -Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company. ======================== O'Kane, Tullius Clinton. Died 10 February 1912, Delaware, Ohio. Buried in Oak Grove Cemetery, Delaware, Ohio. --DNAH Archives

Charles F. Gounod

1818 - 1893 Person Name: C. Gounod Composer of "ORIENT" in The Church Hymnal Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman

John J. Hood

b. 1847 Person Name: J. J. H. Arranger of "[Brightest and best of the sons of the morning]" in Hymn-Songs Born: 1847, Scotland. Died: After 1929 (he was in the 1930 census). Hood ran a Gospel music publishing business in Philadelphia, Pennsylvania, from as early as 1875 to at least 1913. --www.hymntime.com/tch

Joseph Francis Thrupp

1827 - 1867 Person Name: Joseph Francis Thrupp, 1827-1867 Composer of "EPIPHANY" in The Hymnary of the United Church of Canada Thrupp, Joseph. Francis, M.A., son of a solicitor, was born May 20,1827, and educated at Winchester School and Trinity College, Cambridge. At Winchester he gained the Heathcote and Duncan prizes, and the Queen's gold medal for an English poem, and was Head Prefect during his last year. He graduated in 1849 as 7th Wrangler, and 11th in the 1st class of the Classical Tripos. In 1850 he was elected a Fellow of his college. Taking Holy Orders in 1852, he was appointed Vicar of Barrington, Cambridge, in 1852, and Select Preacher before the University in 1865. He was also for some time a member of the Board of Theological Studies, and was associated with the Society for Promoting Christian Knowledge some 20 years. He died at Surbiton, Sept. 24, 1867. His published works include An Introduction to the Study and the Use of the Psalms; A Revised Translation of the Song of Songs; Ancient Jerusalem; and Psalms and Hymns (Cambridge, Macmillan), 1853. This last contains prefaces, indices, with authors’ names, 93 psalms, 236 hymns, 16 doxologies. Of these 28 psalms and 18 hymns are by Mr. Thrupp. The best known of his hymns are, "Awhile in spirit, Lord, to Thee"; "Hail, that head, all torn and wounded"; "O Son of Man, Thyself once crossed." Mr. Thrupp's versions of individual psalms have not come into common use beyond his own collection. They are therein signed with his initials, "J. F.T.," but are not separately annotated in this Dictionary. His hymns are mainly on the special Festivals of the Church, and, in addition to those annotated elsewhere are:— 1. Abide with us, 0 Saviour dear. Evening. 2. Eternal Word! Incarnate Light. Christ our All. 3. Eternal Word! Who ever wast. Annunciation. 4. How beauteous are their peaceful feet. Ordination. 5. Lord of majesty and might. School Festival. 6. Master, the Son of God art Thou. St. Bartholomew. 7. 0 Saviour of our earthly race. St. Luke. 8. 0 Thou, Whom upward to the sky. Ascension. 9. 0, where shall we deliverance seek. Lent. 10. Ope, Salem, ope thy temple gates. The Presentation. 11. Saviour of men, Almighty Lord. St. Mark. 12. Thou Who didst Thy brethren twain. Saints Simon and Jude. 13. Thou Whose voice upon the border. St. Andrew. 14. To David's Son hosannas sing. Palm Sunday. 15. Two and two, Thy servants, Lord. SS. Philip and James. 16. What, though the ground all good at first. Lent. Mr. Thrupp contributed several articles to Smith's Dictionary of the Bible, and was one of the selected writers on the staff of the Speaker's Commentary. -- John Julian, Dictionary of Hymnology (1907)

I. H. Meredith

1872 - 1962 Composer of "[Brightest and best of the sons of the morning]" in Sunday School Hymns No. 2 Pseudonyms Charles C. Ackley (taken from his wife’s name, Clarissa Ackley Cowan) Broughton Edwards Floyd Engle (from his address on Floyd Street in Englewood Cliffs, New Jersey) Arthur Grantley Bruce Kennedy See also Ackley, Chas. C. 1872-1962 See also Edwards, Broughton

James P. Harding

1850 - 1911 Person Name: James Proctor Harding Composer of "MORNING STAR" in The Presbyterian Hymnal Born: May 19, 1850, Clerkenwell, London, England. Died: February 21, 1911, London, England. James Proctor Harding, whose names is sometimes given as John, and whose birth date is uncertain, appearing as 1850, 1859, and 1861, was for 35 years the organist and choirmaster of St. Andrew's Church, Islington, London. He also worked for many years in the English civil service. His musical compositions include anthems, part-songs, etc., many of which were written for the children's festivals of the Gifford Hall Mission in Islington. --The Hymnal 1940 Companion

Michael Costa

1808 - 1884 Person Name: Sir Michael Costa (1816-1884) Composer of "LEILA" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes [Michaele Andrea Agniello Costa] Born: February 14, 1808, Naples, Italy. Died: 1884, Hove, East Sussex, England. Buried: Kensal Green Cemetery, London, England. Costa learned the rudiments of music from his maternal grandfather, Giacomo Tritto; he was placed at the Real Collegio di Musica in Naples, and after a public exam received a scholarship from Ferdinand I, King of the Two Sicilies. He composed his first cantata at age 15, and went on to write symphonies, oratorios, operas, and quartets. He eventually moved to London, where he was knighted in 1869. In 1871, he became "director of the music, composer, and conductor" at Her Majesty’s opera. --www.hymntime.com/tch/