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Horatio Nelson

1823 - 1913 Hymnal Number: 315 Author of "From all Thy saints in warfare" in The Hymnal of Praise Earl Nelson was born in 1823. He was educated at Eton, and Trinity College, Cambridge. He is a relative of England's greatest naval hero. An active layman, he has been of service to the Church in many of her religious and benevolent enterprises. In hymnology he has taken a prominent position; his own hymns are most creditable, and he has been foremost in compiling the Sarum Hymnal, a work of the best character. This hymnal was compiled in 1857, with the assistance of John Keble, at the request of the Bishop of Salisbury. Its first title was The Salisbury Hymn Book. Its popularity was very great. In 1868 it was revised and is now known as The Sarum Hymnal. Earl Nelson has also published a few other works, mostly of a devotional character. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 Nelson, Horatio, 3rd Earl Nelson, son of Mr. Thomas Bolton, of Burnham, Norfolk (nephew of the celebrated Admiral Viscount Nelson, whose name he assumed on succeeding to the title as 2nd Earl); was born Aug. 7, 1823, and educated at Eton, and at Trinity College, Cambridge. He succeeded to the title Nov. 1, 1835. In 1857 he edited the Salisbury Hymn-Book. In this work he was assisted by J. Keble, who re-wrote some of the older hymns and translated others from the Latin. This collection was remodelled and published as the Sarum Hymnal in 1868. In the preparation of this work Earl Nelson was assisted by the Revs. J. R. Woodford (afterwards Bishop of Ely) and E. A. Dayman. In 1864 he published his Hymn for Saint’s Day, and other Hymns. In this appeared the hymn by which he is most widely known, “From all Thy saints in warfare, for all Thy saints at rest" (p. 398, ii.). He has also published A Form of Family Prayer, with Special Offices for the Seasons, 1852; and A Calendar of Lessons for Every Day in the Year, 1857. He was also an active member of the Home Reunion Society, and wrote extensively on the subject. --John Julian, Dictionary of Hymnology (1907)

Spencer Lane

1843 - 1903 Person Name: S. Lane Hymnal Number: 185 Composer of "PENITENCE" in The Hymnal of Praise Spencer Lane USA 1843-1903. Born at Tilton, NH, he served in the 8th NH Infantry during the American Civil War. After the war, he studied at the New England Conservatory and taught vocal and instrumental music at Oneida and Utica, NY. He married Isabel F. (no information on children was found). He later moved to Woonsocket, RI, where he ran a music store and served as organist and directed the choir for the St. James Episcopal Church for 13 years. He moved to Monson, MA, then to Richmond, VA, and in 1896 to Baltimore, MD. In Baltimore he worked for the music firm of Sanders & Stayman and was music director at the All Saints Protestant Episcopal Church. While at Woonsocket, his pastor gave him the hymns for an evening service, one of whose tune he didn’t care for, so he composed another tune for it, ‘Penitence’. That is his only hymn contribution. He was an author and music composer: “My beloved, I’ll think of thee”, “A dream – grand march”, others. He died at Reedville, VA. John Perry

James Turle

1802 - 1882 Hymnal Number: 401 Composer of "WESTMINSTER" in The Hymnal of Praise TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral. Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer. His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer. --en.wikisource.org/

Alfred Tennyson, Baron Tennyson

1809 - 1892 Person Name: Alfred Tennyson Hymnal Number: 200 Author of "Strong Son of God, immortal Love" in The Hymnal of Praise Tennyson, Alfred, Lord, son of the Rev. G. C. Tennyson, Rector of Somersby, Lincolnshire, was born at Somersby, Aug. 6, 1809; educated at Trinity College, Cambridge; appointed Poet Laureate in 1850, and raised to the Peerage in 1884. Although Lord Tennyson has not written any hymns, extracts from his poems are sometimes used as such, as "Strong Son of God, immortal Love" (Faith in the Son of God), from the Introduction to his In Memoriam, 1850; the well-known "Too late, too late, ye cannot enter now," and others. The former is sometimes given as "Spirit of immortal Love," and again as "Eternal God, immortal Love." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Louis M. Gottschalk

1829 - 1869 Person Name: L. M. Gottschalk Hymnal Number: 129 Composer of "MERCY" in The Hymnal of Praise Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists. John Perry

Arthur Henry Messiter

1834 - 1916 Person Name: A. H. Messiter Hymnal Number: 1 Composer of "MARION" in The Hymnal of Praise Arthur H. Messiter (b. Frome, Somersetshire, England, 1834; d. New York, NY, 1916) Educated by private tutors in England, he, immigrated to the United States in 1863 and had an active musical career in Philadelphia, which included an organist position at St. James the Less. At Trinity Church in New York City, he modeled with distinction the British cathedral tradition of music. Messiter was an editor of the Episcopal Hymnal (1893), compiled the Psalter (1889) and Choir Office Book (1891), and wrote a musical history of Trinity Episcopal Church, New York (1906). Bert Polman

Franz Xaver Gruber

1787 - 1863 Person Name: Franz Gruber Hymnal Number: 140b Composer of "STILLE NACHT" in The Hymnal of Praise Franz Xaver Gruber (1787-1863) was born into a linen weaver's family and studied violin and organ even though his father wanted him to work in the family business. In addition to serving as parish organist for St. Nicholas Church in Obendorf, he taught school in nearby Arnsdorf (1807-1829) and Berndorf (1829-1833). He spent the balance of his career as organist and choir director in Hallein, where he founded the famous Hallein Choral Society. Bert Polman

James John Cummins

1795 - 1867 Person Name: James J. Cummins Hymnal Number: 188 Author of "Jesus, Lord of life and glory" in The Hymnal of Praise Cummins, James John, son of a merchant in Cork, Ireland, was born in Cork, May 5, 1795. In 1834 he removed to London, and was for many years a Director of the Union Bank of Australia. He died at Wildecroft, Buckland, Surrey, Nov. 23, 1867. He devoted much time to the study of Hebrew and Theology. He prepared for the use of his children in their preparation for Confirmation, Seals of the Covenant Opened in the Sacraments. This work, including several hymns and poems, was published in 1839. The hymns and other poetical pieces were also published in 1839 as Poetical Meditations and Hymns by the Author of The Seals of the Covenant Opened. In 1849 this work was republished with additions as Hymns, Meditations, and other Poems. The title on the cover of this work is Lyra Evangelica, and by this title it is usually known. The hymns, "Jesus, Lord of life and glory," 1839, (A Litany); "Shall hymns of grateful love," 1839, (The New Song), and others are from this work. -- John Julian, Dictionary of Hymnology (1907) ================== Cummins, James John, p. 273, i. This author’s hymn, "Jesus, Lord of life and glory," is given in a few hymnals as, "Jesus, Lord, we kneel before Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Page Hopps

1834 - 1911 Person Name: John P. Hopps Hymnal Number: 417 Author of "Father, let Thy Kingdom come" in The Hymnal of Praise Hopps, John Page, was born in London, Nov. 6, 1834, and educated at the G. Baptist College, Leicester. Commencing public work in 1856, after a brief ministry at Hugglescote and Ibstock, in Leicestershire, he became colleague with George Dawson at the Church of the Saviour, Birmingham. From 1860 to 1876 he ministered to Unitarian congregations at Sheffield, Dukinfield, and Glasgow. Since 1876 he has preached in Leicester. Mr. Hopps has published many books and pamphlets, chiefly volumes of Sermons and Lectures. Most of his smaller works are controversial. In 1863 he commenced a monthly periodical called The Truthseeker. He has compiled the following hymnbooks for Congregational, Mission, or School purposes:— (1) Hymns for Public Worship and the Home, 1858; (2) Hymns of Faith and Progress, c. 1865; (3) Hymns for Public Worship, 1873; (4) One hundred Hymns for Sunday Schools, 1873; (5) Hymns, Chants and Anthems for Public Worship, 1877; (6) The Children's Hymn Book, 1879; (7) The Young People's Book of Hymns, 1881; (8) and six different editions of Hymns for Special Services (for Sunday afternoon and evening gatherings in the Temperance Hall and Floral Hall, Leicester). Mr. Hopps has himself written various hymns, some of considerable merit. Several have appeared in Congregational, Baptist, Unitarian and other collections. Among the best known are the following:— 1. Cold and cheerless, dark and drear. Winter. 2. Father, lead me day by day. Child's Prayer for Divine Guidance. 3. Father, let Thy kingdom come. God's Kingdom desired. 4. God bless the little children. Prayer for Children. 5. We praise Thee oft for hours of bliss. The blessings of Sorrow. These hymns are from his Hymns, Chants, and Anthems, &c. 1877, and the Hymns for Special Services. The most popular is No. 2. [Rev. W. R .Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

B. H. Draper

1775 - 1843 Person Name: Bourne H. Draper Hymnal Number: 429 Author of "Ye Christian heralds, go proclaim" in The Hymnal of Praise Draper, Bourne Hall, born at Cumnor, near Oxford, in 1775, and educated for the Baptist Ministry at the Bristol Academy, under the Rev. Dr. J. Rylands. He was pastor of the Baptist Church at Chipping Norton 1804, and subsequently at Southampton, where he d. Oct. 12, 1843. See note on his hymn," Ye Christian heroes, go, proclaim," p. 1296, ii. --John Julian, Dictionary of Hymnology, New Supplement (1907)