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Caleb Jarvis Taylor

1763 - 1817 Hymnal Number: 125 Author of "Oh, Jesus, my Savior, I know Thou art mine" in The Sacred Harp Caleb Jarvis Taylor was a Methodist minister, songwriter, author, and schoolteacher in Kentucky. Born Roman Catholic he converted before the age of 20. He organized early Methodist congregations in northeast Kentucky and supplied camp meeting songs during the Great Revival. He was born June 20, 1763, in St. Mary’s County, Maryland, and died June 6, 1816 in Maysville, Kentucky. Chris Hoh, from "The Early Camp Meeting Song Writers," Methodist Quarterly Review, 1859, Vol. XLI, Fourth Series, XI, April, p 401-413; The History of Methodism in Kentucky by a. H. Redford, p 128-134; Mt. Gilead Methodist Meeting House," Hopewell Museum website (www.hopewellmuseum.org)

J. F. Wade

Hymnal Number: 70b Composer of "SAVE, MIGHTY LORD" in The Sacred Harp

F. Price

Hymnal Number: 57 Composer of "CHRISTIAN SOLDIER" in The Sacred Harp

John Blain

1795 - 1879 Hymnal Number: 62 Author of "My Christian friends, in bonds of love" in The Sacred Harp Blain, John. (Fishkill, New York, February 14, 1795--December 26, 1879, Mansfield, Massachusetts). Baptist. Studied at Fairfield (New York) and Middlebury (New York) academies. Pastored for nearly sixty years in : Auburn, New York City, York, and Syracuse, New York; Pawtucket and Central Falls, Rhode Island; New London, Connecticut; Charlestown and Mansfield, Massachusetts. He was also an evangelist and baptized about three thousand persons. He gave large sums to missions while living, and willed his property to home and foreign missions. The one hymn for which Blain is remembered is a parting hymn written in 1818, and published in the Original and Selected Reformation Hymns and Spiritual Songs (1829). Comprising twelve stanzas, the hymn begins: My Christian friends in bonds of love, Whose hearts in sweetest union prove; Your friendship's like a drawing band, Yet we must take the parting hand. A part of this hymn, altered by Rev. H.L. Hastings, later appeared in Songs of Pilgrimage (1886). Paul R. Powell (?), DNAH Archives

Harriet Auber

1773 - 1862 Hymnal Number: 431 Author of "Ere mountains reared their forms sublime" in The Sacred Harp Auber, Harriet, daughter of Mr. James Auber, b. in London, Oct. 4, 1773. During the greater part of her quiet and secluded life she resided at Broxbourne and Hoddesdon, Herts, and died at the latter place on the 20th Jan., 1862. Miss Auber wrote devotional and other poetry, but only a portion of the former was published in her Spirit of the Psalms, in 1829. This collection is mainly her work, and from it some useful versions of the Psalms have been taken and included in modern hymn-books, about 20 appearing in Spurgeon's Our Own Hymn Book, 1866. Miss Auber's name is widely known, but it is principally through her exquisite lyric, "Our blest Redeemer, ere He breathed," and the Epiphany hymn, "Bright was the guiding star that led." (For criticism of her work, see English Psalters, §. 17.) In addition to these and other hymns by Miss Auber, which are annotated under their respective first lines, the following are also in C. V., but principally in America:— 1. Arise, ye people, and adore. Easter. 2. As Thy chosen people, Lord. Ps. lxciii. 3. Can guilty man indeed believe? Ps. xciv. 4. Delightful is the task to sing. Ps. cxlvii. 5. Father of Spirits, Nature's God. Ps. cxxxi. 6. Hail, gracious Source of every good. Ps. Ixv. 7. Hasten, Lord, the glorious time. Ps. lxxii. 8. Jehovah reigns, O earth, rejoice. Ps. xccii. 9. Join, all ye servants of the Lord. H. Scriptures. 10. Jesus, Lord, to Thee we sing. Ps. cx. 11. O all ye lands, rejoice in God. Ps. lxvi. 12. O God our Strength, to Thee the song. Ps. lIxxxi. 13. O praise our great and gracious Lord. Ps. lxxviii. 14. On thy church, O power divine. Ps. lxvii. 15. Sweet is the work, O Lord. Sunday. 16. That Thou, O Lord, art ever nigh. Ps. lxxv. 17. The Lord, Who hath redeemed our souls. Ps. xxxi. 18. When all bespeaks a Father's love. Ps. set. 19. When dangers press and fears invade. Ps. lxii. 20. Who, O Lord, when life is o'er. Ps. xv. 21. Whom have we Lord, in heaven, but Thee. Ps. lxxiii. 22. Wide, ye heavenly gates, unfold. Ascension. 23. With hearts in love abounding. Ps. xlv. 24. With joy we hail the sacred day. Sunday. 25. Vainly through the night the ranger. Ps. cxvii. All these psalm-versions and hymns are from her Spirit of the Psalms, London, 1829. - John Julian, Dictionary of Hymnology (1907) ========================= Auber, Harriet, p. 90, ii. The following versions of psalms from her Spirit of the Psalms, 1829, are also in common use:- 1. Great God, wert Thou extreme to mark. Ps. cxxx. "Thy servants in the temple watched," begins with stanza ii. of this. 2. How blest are they who daily prove. Ps. xli. 3. How blest the children of the Lord. Altered from Ps. cxii. 4. Jehovah, great and awful name. Part of Ps. Ixxviii. 5. 0 Thou Whom heaven's bright host revere. Ps. Ixxxiv. 6. Praise the Lord, our mighty King. Ps. cxxxv. 7. Spirit of peace, Who as a [celestial] Dove. Ps. cxxxiii. 8. Thou by Whose strength the mountains stand. Ps. Ixv. 9. To heaven our longing eyes we raise. Ps. cxxi. 10. Vainly through night's weary hours. Ps. cxxvii. Sometimes "Vainly through the night the ranger." 11. While all the golden harps above. Easter. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in:Hymn Writers of the Church

Benjamin Francis

1734 - 1799 Hymnal Number: 123a Author of "Ye objects of sense and enjoyments of time" in The Sacred Harp Francis, Benjamin , M.A., was born in Wales in 1734. He was baptized at the age of 15, and began to preach at 19. He studied at the Bristol Baptist College, and commenced his ministry at Sodbury. In 1757 he removed to Horsley (afterwards called Shortwood), in Gloucestershire. There he remained, through a happy and very successful ministry of 42 years, until his death in 1799. He was the author of many poetical compositions :— (1) Conflagration, a Poem in Four Parts, (1770); (2) Elegies on the Deaths of the Revs. George Whitefield , Caleb Evans, Robert Day, and Joshua Thomas; (3) The Association, a Poem (1790); (4) a Poetical Address to the Stockbridge Indians (5) two satirical pieces on the Baptismal controversy; The Salopian Zealot; and The Oracle, the former passing through several editions and being reprinted in America. Francis was the author of five hymns in Rippon's Selections, 1787, all of which are still in common use :— 1. Before Thy throne, eternal King . Meetings of Ministers: or Church Conferences. 2. Glory to the eternal King. Majesty of God. In Snepp's Songs of Grace & Glory for Private, Family and Public Worship, 1872. 3. In tweet [loud] exalted strains . Opening of a Place of Worship . This was given in Rippon, No. 338, in 6 st. of 6 1. with the note:—“Sung on opening the Meeting House at Horsley, Gloucestershire, [his Chapel,] September 18, 1774; and also at the opening of the New Meeting House, at Downend, near Bristol, October 4, 1786."This hymn is abbreviated in the Baptist Hymnal, 1879, to 4 stanzas, and begins with st. iii. which is altered to "Come, King of glory, come." No. 1020 in Spurgeon's Our Own Hymnbook is the same arrangement of stanzas altered by Mr. Spurgeon to "Great King of Zion, now." In several American hymnals it reads: "Great King of glory, come." 4. My gracious Redeemer, I love. The love of Christ to Men. In various collections. 5. Praise the Saviour, all ye nations . Offertory. In Snepp's Songs of Grace & Glory, 1872, No. 739, "With my substance I will honour," is a cento from this hymn. 6. Ye objects of sense and enjoyments of time . Death. A long hymn of 16 st. of 4 l. given in the new and improved edition of Rippon, 1837, No. 553, Pt. ii. with the heading, "The dying Christian bidding adieu to the world." This hymn had previously appeared in the Baptist Register, 1795. It was as a writer of Welsh hymns, however, that Francis excelled. In 1774 he published his Alleluia, neu Hymnau perthynol i Addoliad Cyhoeddus (Hymns pertaining to Public Worship) To this he contributed 103 hymns. A second volume appeared in 1786, to which he contributed 91 hymns, being a total of 194 in all [D. Sedgwick’s Manuscript]. Of these many are still in common use in Wales, the most popular being:— 1. Clod i'r bendigedig Oen—-a oddefodd. 2. Deffro 'nghalon, deffro 'nghan—-i ddyrchafu. 3. Gwyn fyd y dyn a gred yn Nuw. 4. Arglwydd grasol, clyw fy nghri—-a'm griddfanau. 5. Wele gadarn sylfaen Sion. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

T. W. Carter

Hymnal Number: 229 Arranger of "IRWINTON" in The Sacred Harp

J. A. Wade

Hymnal Number: 70b Composer of "SAVE, MIGHTY LORD" in The Sacred Harp Lived in South Carolina

John Gambold

1711 - 1771 Hymnal Number: 369 Author of "Oh, tell me no more of this world's vain stare" in The Sacred Harp Gambold, John, M.A., was b. April 10, 1711, at Puncheston, Pembrokeshire, where his father was vicar. Educated at Christ Church, Oxford, where he graduated B.A. in 1730, M.A. in 1734. Taking Holy Orders, he became, about 1739, Vicar of Stanton Harcourt, Oxfordshire, but resigned his living in Oct. 1742, and joined the United Brethren [Moravians], by whom lie was chosen one of their bishops in 1754. He d. at Haverfordwest, Sept. 13, 1771. He published an edition of the Greek Testament; Maxims and Theological Ideas; Sermons, and a dramatic poem called Ignatius. About 26 translations and 18 original hymns in the Moravian Hymn Books are assigned to him. One or two of his hymns, which were published by the Wesleys, have been claimed for them, but the evidence is in favour of Gambold. A collected ed. of his works was published at Bath in 1789, and afterwards reprinted. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)

Maria De Fleury

? - 1794 Person Name: Maria DeFleury Hymnal Number: 384 Author of "Oh, when will the period appear" in The Sacred Harp De Fleury, Maria (died circa 1794), was an intimate friend of Dr. John Ryland (1753-1815), and resided at one time at 31 Jewin Street, Cripplegate, London. She entered very earnestly into the religious controversies of her day, and wrote several works thereon, including Unrighteous Abuses Detected and Chastised, &c, 1781, Antinomianism Unmasked, &c, 1791, and others. Several of her hymns were published in the Protestant Magazine, 1781-3: 5 in Joseph Middleton's Hymns, 1793; and 2 in Dr. Collyer's Collection, 1812. Her Divine Poems, and Essays on Various Subjects, is dated 1791. From this are taken, (1) "Thou soft flowing Kedron, by thy silver stream" (Sufferings and Glory of Christ), from which hymn the cento "O garden of Olivet, dear honour'd spot" is derived; and (2) "Ye angels who [that] stand round the throne," (Heaven Desired). These hymns have passed into modern use through Collyer's Collection, 1812. The cento "Come, saints, and adore Him, come bow at His feet" (Praise to Christ), in Bickersteth's Christian Psalmody, 1833: Spurgeon's Our Own Hymn Book, &c, is composed of (st. i.) the chorus of her hymn, "Thou soft flowing Kedron, by thy silver stream," as above in her Divine Poems, 1791, and (st. ii.) a stanza from an unknown source. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)