The Saint's Trial and Safety

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Unshaken as the sacred hill

Author: Isaac Watts
Published in 147 hymnals

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Representative Text

1. Unshaken as the sacred hills,
And fix'd as mountains stand;
Firm as a rock the soul shall rest
That trusts th' Almighty hand.

2. Not walls nor hills could guard so well
Fair Salem's happy ground,
As these eternal arms of love
That ev'ry saint surround.

3. Do good, O Lord, do good to those
Who cleave to thee in heart,
Who on thy truth alone repose,
Nor from thy law depart.

Source: Christ in Song: for all religious services nearly one thousand best gospel hymns, new and old with responsive scripture readings (Rev. and Enl.) #789

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Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

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First Line:	Unshaken as the sacred hill
Title:	The Saint's Trial and Safety
Author:	Isaac Watts
Meter:	8.6.8.6
Language:	English
Copyright:	Public Domain

Psalm 125
(hymns)

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Tune

DUNDEE (Ravenscroft)

DUNDEE first appeared in the 1615 edition of the Scottish Psalter published in Edinburgh by Andro Hart. Called a "French" tune (thus it also goes by the name of FRENCH), DUNDEE was one of that hymnal's twelve "common tunes"; that is, it was not associated with a specific psalm. In the Psalter Hymnal…

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ST. MAGNUS (Clarke)

ST. MAGNUS first appeared in Henry Playford's Divine Companion (1707 ed.) as an anonymous tune with soprano and bass parts. The tune was later credited to Jeremiah Clark (b. London, England, c. 1670; d. London, 1707), who was a chorister in the Chapel Royal and sang at the coronation of James II in…

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