Forgiveness Implored

Representative Text

1 How shall a lost sinner in pain,
Recover his forfeited peace?
When brought into bondage again,
What hope of a second release?
Will mercy itself be so kind
To spare such a rebel as me?
And O, can I possibly find
Such plenteous redemption in thee?

2 O Jesus, of thee I require,
If still thou art able to save,
The brand to pluck out of the fire,
And ransom my soul from the grave;
The help of thy spirit restore,
And show me the life-giving blood;
And pardon a sinner once more,
And bring me again unto God.

3 O Jesus, in pity draw near,
Come quickly to help a lost soul,
To comfort a mourner appear,
And make a poor Lazarus whole;
The balm of thy mercy apply,
Thou seest the sore anguish I fell,
Save, Lord, or I perish, I die,
O save, or I sink into hell!

4 I sink if thou longer delay
Thy pardoning mercy to show:
Come quickly, and kindly display
The power of thy passion below:
By all thou hast done for my sake,
One drop of thy blood I implore:
Now, now let it touch me, and make
The sinner a sinner no more.


Source: Hymns, Selected and Original: for public and private worship (1st ed.) #412

Author: Charles Wesley

Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepene… Go to person page >

Text Information

First Line: How shall a lost sinner in pain
Title: Forgiveness Implored
Author: Charles Wesley
Meter: 8.8.8.8 D
Language: English
Copyright: Public Domain

Tune

CONTRAST (German)

The tune most commonly known as CONTRAST is a German folk tune. In American shape-note tradition the tune is known as GREEN FIELDS or GREENFIELDS. J. S. Bach quoted it in his "Peasant Cantata," but he did not compose it. It has also been misattributed to Maria DeFleury and to Lewis Edson. Edson wrot…

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Instances

Instances (1 - 61 of 61)

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The Sacred Lyre #d121

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