From the Parent’s Heart, the Firstborn

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Source: Voices Together #418
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Author: Aurelius Clemens Prudentius

Marcus Aurelius Clemens Prudentius, "The Christian Pindar" was born in northern Spain, a magistrate whose religious convictions came late in life. His subsequent sacred poems were literary and personal, not, like those of St. Ambrose, designed for singing. Selections from them soon entered the Mozarabic rite, however, and have since remained exquisite treasures of the Western churches. His Cathemerinon liber, Peristephanon, and Psychomachia were among the most widely read books of the Middle Ages. A concordance to his works was published by the Medieval Academy of America in 1932. There is a considerable literature on his works. --The Hymnal 1940 Companion… Go to person page >

Translator: Carl P. Daw Jr.

Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New… Go to person page >

Text Information

First Line: From the Parent’s heart, the firstborn
Title: From the Parent’s Heart, the Firstborn
Latin Title: Corde natus ex parentis
Author: Aurelius Clemens Prudentius
Translator: Carl P. Daw Jr.
Meter: Irregular
Source: “Corde natus ex parentis,” 4th–5th c.
Language: English
Copyright: Trans. © 2019 Hope Publishing Co.

Tune

DIVINUM MYSTERIUM

DIVINUM MYSTERIUM is a plainsong, or chant, associated with the “Divinum mysterium” text in manuscripts dating from the twelfth to fifteenth centuries. The tune was published in triple meter in Theodoricis Petri's Piae Cantiones (1582). Some hymnals retain the dance-like triple meter, while othe…

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Voices Together #418

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