My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
UNIVERSAL PRAISE
Meter: 10.4.6.6.6.6.10.4 Appears in 6 hymnals Composer and/or Arranger: W. G. Whinfield Hymnal Title: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Tune Key: D Major Incipit: 11234 55671 32554 Used With Text: Let all the world in ev'ry corner sing
UNIVERSAL PRAISE
Let all the world in ev'ry corner sing
Author: Geroge Herbert Meter: 10.4.6.6.6.6.10.4 Appears in 169 hymnals Hymnal Title: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Topics: 2nd after Christmas Morning Prayer Opening; Praise; The Praise of God In himself; The Transfiguration Evening Prayer Closing Used With Tune: UNIVERSAL PRAISE
Let all the world in ev'ry corner sing
Let all the world in ev'ry corner sing
Author: George Herbert Hymnal: Hymns for Children and Grownups to Use Together #113 (1953) Hymnal Title: Hymns for Children and Grownups to Use Together Languages: English Tune Title: UNIVERSAL PRAISE
Let all the world in ev'ry corner sing
Let All the World in Every Corner Sing
Author: George Herbert Hymnal: The Cyber Hymnal #3648 Hymnal Title: The Cyber Hymnal First Line: Let all the world in every corner sing, my God and King Lyrics: 1. Let all the world in every corner sing, my God and King!
The heavens are not too high, His praise may thither fly,
The earth is not too low, His praises there may grow.
Let all the world in every corner sing, my God and King!
2. Let all the world in every corner sing, my God and King!
The church with psalms must shout, no door can keep them out;
But, above all, the heart must bear the longest part.
Let all the world in every corner sing, my God and King! Languages: English Tune Title: UNIVERSAL PRAISE
Let All the World in Every Corner Sing
Let all the world in every corner sing
Author: George Herbert Hymnal: The English Hymnal #427 (1906) Hymnal Title: The English Hymnal Languages: English Tune Title: UNIVERSAL PRAISE
Let all the world in every corner sing
Walter G. Whinfield
1865 - 1919 Person Name: Walter G. Whinfield, 1865-1919 Hymnal Title: The Cyber Hymnal Composer of "UNIVERSAL PRAISE" in The Cyber Hymnal
Walter G. Whinfield
George Herbert
1593 - 1633 Person Name: Geroge Herbert Hymnal Title: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Author of "Let all the world in ev'ry corner sing" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632."
His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse.
The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke]
--John Julian, Dictionary of Hymnology (1907)
George Herbert
Small Church Music
Editors: George Herbert Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
Home/Music(smallchurchmusic.com)
List SongsAlphabetically
List Songsby Meter
List Songs byTune Name
About
Small Church Music
