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STABAT MATER
Meter: 8.8.7 Appears in 63 hymnals Hymnal Title: Together in Song Tune Sources: Later form of melody from the 'Maintzisch Gesangbuch', Mainz and Frankfurt, 1661 Tune Key: F Major Incipit: 12323 54332 17676 Used With Text: At the cross her vigil keeping
STABAT MATER
Stabat Mater Dolorosa
Author: James Quinn, B. 1919 Appears in 1 hymnal Hymnal Title: Catholic Book of Worship III First Line: Jesus on the cross is dying Lyrics: 1 Jesus on the cross is dying
Soon his body will be lying
In the darkness of the tomb.
2 God's own mother, purest maiden,
Sees the sinless One, sin-laden,
Blessed fruit of blessed womb.
3 Mary's heart for him is aching
As she sees her Son's heart breaking
So that love may be revealed.
4 Now at last her heart is feeling
Sorrow's sword, her Son revealing
Thoughts in many hearts concealed.
5 How could pity not awaken
For the Son of God, forsaken
In the loneliness of death?
6 Who would not give consolation
In this Mother's desolation
As he breathes his dying breath?
7 Mary's heart for him is bleeding;
In his blood, for sinners pleading,
God's new law of love is sealed.
8 "It is done", she hears him crying
At the moment of his dying:
Death by death has now been healed.
9 Let me stand beside you, sharing
Grief for Jesus, my sins bearing
On the cross of Calvary.
10 By the cross your vigil keeping,
Let me share your silent weeping,
Pierce my heart with sorrow's sword.
11 Let me, though in humble fashion,
Share with you the bitter passion
Of the Son you brought to birth.
12 Let me bear the wounds of Jesus,
Drink the precious blood that frees us,
Glory only in his cross.
13 Let the cross be my salvation,
Jesus' death my consolation,
In that hour when I must die.
14 Queen of heaven, by the merit
Of your Son let me inherit
Joy with all the saints on high.
Topics: Justice; Mary, Mother of God; Stations of the Cross; Stations of the Cross Used With Tune: STABAT MATER Text Sources: Missale Romanum, Sequence for Our Lady of Sorrows
Stabat Mater Dolorosa
By the Cross, sad vigil keeping
Appears in 5 hymnals Hymnal Title: Church Hymns Topics: Hymns on the Passion; Good Friday; The Seven Words Used With Tune: STABAT MATER
By the Cross, sad vigil keeping
Stabat mater dolorosa
Appears in 54 hymnals Hymnal Title: Columbia University Hymnal Used With Tune: STABAT MATER
Stabat mater dolorosa
At the cross her station keeping
Author: Edward Caswall (1814-1878); Jacopone da Todi (d. 1306) Hymnal: Ancient and Modern #177 (2013) Meter: 8.8.7 D Hymnal Title: Ancient and Modern Lyrics: 1 At the cross her station keeping
stood the mournful Mother weeping,
where he hung, the dying Lord;
for her soul, of joy bereavèd,
bowed with anguish, deeply grieved,
felt the sharp and piercing sword.
2 O how sad and sore distressèd
now was she, that Mother blessèd
of the sole-begotten one!
Deep the woe of her affliction,
when she saw the crucifixion
of her ever-glorious Son.
3 Who, on Christ's dear Mother gazing
pierced by anguish so amazing,
born of woman, would not weep?
Who, on Christ's dear Mother thinking
such a cup of sorrow drinking,
would not share her sorrows deep?
4 For his people's sins chastised,
she beheld her Son despised,
scourged, and crowned with thorns entwined;
saw him then from judgement taken,
and in death by all forsaken,
till his spirit he resigned.
5 O good Jesu, let me borrow
something of thy Mother's sorrow,
fount of love, Redeemer kind,
that my heart fresh ardour gaining,
and a purer love attaining,
may with thee acceptance find. Topics: Church Year Good Friday; Good Friday; Good Friday; Grief; Mary Scripture: Luke 2:34-35 Languages: English Tune Title: STABAT MATER
At the cross her station keeping
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
Author: Jacapone da Todi, 1230-1306; Edward Caswall, 1814-1878 Hymnal: Breaking Bread (Vol. 39) #120 (2019) Meter: 8.8.7 Hymnal Title: Breaking Bread (Vol. 39) Lyrics: 1 At the cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.
2 Through her heart, his sorrow sharing,
All his bitter anguish bearing,
Now at length the sword has passed.
3 O how sad and sore distressed,
Was that Mother highly blest
Of the sole begotten One!
4 Christ above in torment hangs,
She beneath beholds the pangs
Of her dying, glorious Son.
5 Is there one who would not weep,
Whelmed in miseries so deep,
Christ's dear Mother to behold?
6 Can the human heart refrain
From partaking in her pain,
In that Mother's pain untold?
7 Bruised, derided, cursed, defiled,
She beheld her tender Child,
All with bloody scourges rent.
8 For the sins of his own nation
Saw him hang in desolation
Till his spirit forth he sent.
9 O thou Mother! Font of love,
Touch my spirit from above,
Make my heart with thine accord.
10 Make me feel as thou hast felt;
Make my soul to glow and melt
With the love of Christ, my Lord.
11 Holy Mother, pierce me through,
In my heart each wound renew
Of my Savior crucified.
12 Let me share with thee his pain,
Who for all my sins was slain,
Who for me in torment died.
13 Let me mingle tears with thee,
Mourning him who mourned for me,
All the days that I may live.
14 By the cross with thee to stay;
There with thee to weep and pray,
All I ask of thee to give.
15 Virgin of all Virgins best!
Listen to my fond request:
Let me share thy grief divine.
LATIN -
1 Stabat Mater dolorosa
Juxta crucem lacrimosa,
Dum pendebat Filius.
2 Cujus animam gementem,
contristatam et dolentem,
Pertransivit gladius.
3 O quam tristis et afflicta
Fuit illa benedicta,
Mater Unigeniti!
4 Quae maerebat et dolebat,
Pia Mater, dum videbat
Nati poenas inclyti.
5 Quis non posset contristari,
Piam Matrem contemplari
Dolentem cum Filio?
6 Quis est homo qui non fleret,
Matrem Christi si videret
In tanto supplicio?
7 Pro peccatis suae gentis
vidit Iesum in tormentis,
et flagellis subditum.
8 Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.
9 Eia Mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10 Fac ut ardeat cor meum
in amando Christum Deum,
ut sibi complaceam.
11 Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.
12 Tui Nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.
13 Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14 Juxta crucem tecum stare,
Ac me tibi sociare
In planctu desidero.
15 Virgo virginum praeclara,
Mihi jam non sis amara:
Fac me tecum plangere. Topics: Seasonal Music Lent Languages: English; Latin Tune Title: STABAT MATER
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
Madre Llena de Aflicción
Hymnal: Cantos del Pueblo de Dios = Songs of the People of God (2nd ed.) #34 (2001) Hymnal Title: Cantos del Pueblo de Dios = Songs of the People of God (2nd ed.) First Line: Pilato firma contra mi dueño Topics: Cuaresma/Lent Languages: Spanish Tune Title: [Pilato firma contra mi dueño]
Madre Llena de Aflicción
Samuel Webbe
1770 - 1843 Person Name: Samuel Webbe, the younger (c. 1770-1843) Hymnal Title: Ancient and Modern Adapter of "STABAT MATER" in Ancient and Modern Samuel Webbe, Jr. (1770-1843), adapted the tune RICHMOND. He was organist at Paradise Street Unitarian Church, Liverpool (1798). Later he succeeded his father as organist at the Spanish Ambassador’s Chapel, London (1817), and then St. Nicholas’ Church and St. Patrick’s Roman Catholic Chapel, Liverpool.
--The Presbyterian Hymnal Companion, 1993
Samuel Webbe
James Quinn
1919 - 2010 Person Name: James Quinn, B. 1919 Hymnal Title: Catholic Book of Worship III Translator of "Stabat Mater Dolorosa" in Catholic Book of Worship III James Quinn (b. Glasgow, Scotland, April 21, 1919; d. Edinburgh, Scotland, April 8, 2010) was a Roman Catholic Jesuit priest who was ordained in 1950. As a consultant for the International Commission on English in the Liturgy, sparked by Vatican II, he has exerted influence far beyond his native Scotland. A collection of his hymn texts is available from Selah Publishing company.
Sing a New Creation
James Quinn
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe (1740-1816) Hymnal Title: Church Hymnary (4th ed.) Adapter of "STABAT MATER" in Church Hymnary (4th ed.) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Gregory the Great Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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