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Tune Identifier:"^rest_in_god_alone_rest_in_god_batastini$"

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Tune authorities

PSALM 62

Appears in 6 hymnals Matching Instances: 6 Composer and/or Arranger: Robert J. Batastini, 1942- Tune Sources: Tone: source unknwon Tune Key: F Major Incipit: 51111 Used With Text: Rest in God alone

Texts

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Text authorities

Rest in God alone

Appears in 3 hymnals Matching Instances: 2 Topics: Eighth Sunday in Ordinary Time A Scripture: Psalm 62 Used With Tune: [Rest in God alone]

Rest in God alone

Appears in 2 hymnals Matching Instances: 1 Topics: Comfort; Faith; Faithfulness of God; Humility; Inner Peace; Judgment of God; Justice; Longing for God; Protection; Saints Days and Holy Days Any Saint; Saints Days and Holy Days St Peter; Trust in God Scripture: Psalm 62:5-12 Used With Tune: PSALM 62 Text Sources: Tr.: A New Zealand Prayer Book, 1987

Psalm 62

Appears in 1 hymnal Matching Instances: 1 First Line: For God alone my soul waits in silence Refrain First Line: Rest in God alone Scripture: Psalm 62 Used With Tune: [Rest in God alone]

Instances

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Published text-tune combinations (hymns) from specific hymnals

Rest in God alone

Hymnal: Worship (3rd ed.) #886 (1986) Topics: Eighth Sunday in Ordinary Time A Scripture: Psalm 62 Languages: English Tune Title: [Rest in God alone]
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Psalm 62

Hymnal: Voices United #779 (1996) First Line: Rest in God alone Scripture: Psalm 62 Tune Title: [Rest in God alone; rest in God alone]

Psalm 62

Hymnal: Hymns for a Pilgrim People #643 (2007) First Line: For God alone my soul waits in silence Refrain First Line: Rest in God alone Scripture: Psalm 62 Languages: English Tune Title: [Rest in God alone]

People

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Authors, composers, editors, etc.

Robert J. Batastini

b. 1942 Person Name: RJB Composer of "[Rest in God alone]" in Worship (3rd ed.) Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong. In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada. In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI. Nancy Naber, from www.giamusic.com/bios/

Robert Knox Kennedy

Composer (psalm tone) of "[Rest in God alone]" in RitualSong

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Rest in God alone]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com