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LAUDA SION
Appears in 16 hymnals Matching Instances: 15 Composer and/or Arranger: Gerard Francis Cobb, 1838-1904 Tune Key: F Major Incipit: 12333 43213 45556 Used With Text: Laud, O Sion, thy salvation
LAUDA SION
Come, pure hearts, in sweetest measures
Author: Robert Campbell Meter: 8.8.7.8.8.7 Appears in 54 hymnals Matching Instances: 4 Topics: Advent; Saints' Days and Holy Days St. Matthew; Evangelists; Easter IV The Holy Communion Sequence; Holy Scriptures; St. John Evangelsit The Holy Communion Sequence; St. Luke Morning Prayer Closing; St. Matthias The Communion Opening; Trinity XI The Holy Communion Sequence Used With Tune: COBB Text Sources: Latin, 12th cent.
Come, pure hearts, in sweetest measures
Zion, to Thy Savior Singing
Author: Thomas Aquinas; Alexander R. Thompson Meter: 8.8.7.8.8.7 Appears in 18 hymnals Matching Instances: 3 Lyrics: 1. Zion, to thy Savior singing,
To thy prince and shepherd bringing,
Sweetest hymns of love and praise,
Thou wilt never reach the measure
Of His worth, by all the treasure
Of thy most ecstatic lays.
2. Of all wonders that can thrill thee,
And, with adoration fill thee,
What than this can greater be,
That Himself to thee He giveth?
He that eateth ever liveth,
For the Bread of Life is He.
3. Fill thy lips to overflowing
With sweet praise, His mercy showing
Who this heav’nly table spread:
On this day so glad and holy,
To each longing spirit lowly
Giveth He the living Bread.
4. Here the King hath spread His table,
Whereon eyes of faith are able
Christ our Passover to trace:
Shadows of the law are going,
Light and life and truth inflowing,
Night to day is giving place.
5. Lo, this angels’ food descending
Heavenly love is hither sending,
Hungry lips on earth to feed:
So the paschal lamb was given,
So the manna came from Heaven,
Isaac was His type indeed.
6. O Good Shepherd, Bread life giving,
Us, Thy grace and life receiving,
Feed and shelter evermore;
Thou on earth our weakness guiding,
We in Heav’n with Thee abiding,
With all saints will Thee adore. Used With Tune: COBB
Zion, to Thy Savior Singing
المسيح الملك نالا
Author: سليمان ضومط Appears in 5 hymnals Matching Instances: 2 Lyrics: 1 - المسيح المُلْكَ نالا
لذُرى العرش تعالى
سائدا كلَّ العباد
يا ملوكَ الأرض هيا
مجدوا الإبن العليّا
واعبدوه بارتعاد
2 - كلُّ أجواقِ العلاء
كل قوات السماء
بثناه يهتفون
كل سكان الأراضي
حاضرٍ آتٍ وماضِ
لعلاه يخضعون
3 - أيُّ عرش في العلاء
أو مليك في البهاءِ
حاز أمجاد يسوع
كل عالٍ في البلاد
فاق مجدا فلْينادِ
إنني عبدُ يسوع
4 - فتشوا كل زمانٍ
كل جيل ومكانٍ
وافحصوا عُمقَ الأزل
مَن مجيد كيسوعٍ
مَن بهي في جموع
مَن عظيم كالحملْ
5 - متساو في الجلال
مع أبيه المتعالي
فاق مجدَ الكروبيم
كل مُلكٍ في يديهِ
دُفع الكلُّ إليه
من يد الآب العظيمْ
Used With Tune: EVANGELISTS
المسيح الملك نالا
Zion, to Thy Savior Singing
Author: Thomas Aquinas; Alexander R. Thompson Hymnal: The Cyber Hymnal #7827 Meter: 8.8.7.8.8.7 Lyrics: 1. Zion, to thy Savior singing,
To thy prince and shepherd bringing,
Sweetest hymns of love and praise,
Thou wilt never reach the measure
Of His worth, by all the treasure
Of thy most ecstatic lays.
2. Of all wonders that can thrill thee,
And, with adoration fill thee,
What than this can greater be,
That Himself to thee He giveth?
He that eateth ever liveth,
For the Bread of Life is He.
3. Fill thy lips to overflowing
With sweet praise, His mercy showing
Who this heav’nly table spread:
On this day so glad and holy,
To each longing spirit lowly
Giveth He the living Bread.
4. Here the King hath spread His table,
Whereon eyes of faith are able
Christ our Passover to trace:
Shadows of the law are going,
Light and life and truth inflowing,
Night to day is giving place.
5. Lo, this angels’ food descending
Heavenly love is hither sending,
Hungry lips on earth to feed:
So the paschal lamb was given,
So the manna came from Heaven,
Isaac was His type indeed.
6. O Good Shepherd, Bread life giving,
Us, Thy grace and life receiving,
Feed and shelter evermore;
Thou on earth our weakness guiding,
We in Heav’n with Thee abiding,
With all saints will Thee adore. Languages: English Tune Title: COBB
Zion, to Thy Savior Singing
Come, Pure Hearts
Author: Anonymous; Robert Campbell Hymnal: The Cyber Hymnal #1045 Meter: 8.8.7.8.8.7 First Line: Come, pure hearts, in sweetest measure Lyrics: 1. Come, pure hearts, in sweetest measure,
Sing of those who spread the treasure
In the holy Gospels shrined;
Blessèd tidings of salvation,
Peace on earth their proclamation,
Love from God to lost mankind.
2. See the rivers four that gladden,
With their streams, the better Eden
Planted by our Lord most dear;
Christ the Fountain, these the waters;
Drink, O Zion’s sons and daughters,
Drink, and find salvation here.
3. Here our souls, by Jesus sated,
More and more shall be translated
Earth’s temptations far above;
Freed from sin’s abhorred dominion,
Soaring on an angel pinion,
They shall reach the source of love.
4. Then shall thanks and praise ascending
For Thy mercies without ending
Rise to Thee, O Savior blest,
With Thy gracious aid defend us,
Let Thy guiding light attend us,
Bring us to Thy place of rest.
5. O that we, thy truth confessing,
And Thy holy Word possessing,
Jesus, may Thy love adore;
Unto Thee our voices raising,
Thee with all Thy ransomed praising,
Ever and forevermore. Languages: English Tune Title: COBB
Come, Pure Hearts
Laud, O Sion, thy salvation
Author: St Thomas Aquinas, c. 1225-74 Hymnal: New English Praise #664 (2006) Lyrics: Part 1:
1 Laud, O Sion, thy salvation,
Laud with hymns of exultation
Christ, thy King and Shepherd true:
Spend thyself, his honour raising,
Who surpasseth all thy praising;
Never canst thou reach his due.
2 Sing today, the mystery showing
Of the living, life-bestowing
Bread from heaven before thee set;
E'en the same of old provided,
Where the Twelve, divinely guided.
At the holy Table met.
3 Full and clear ring out thy chanting,
Joy nor sweetest grace be wanting
To thy heart and soul today;
When we gather up the measure
Of that Supper and its treasure,
Keeping feast in glad array.
4 Lo, the new King's Table gracing,
This new Passover of blessing
Hath fulfilled the elder rite:
Now the new the old effaceth,
Truth revealed the shadow chaseth,
Day is breaking on the night.
5 What he did at Supper seated,
Christ ordained to be repeated,
His memorial ne'er to cease:
And, his word for guidance taking,
Bread and wine we hallow, making
Thus our Sacrifice of peace.
6 This the truth to Christians given -
Bread becomes his Flesh from heaven.
Wine becomes his holy Blood.
Doth it pass thy comprehending?
Yet by faith, thy sight transcending,
Wondrous things are understood.
7 Yea, beneath these signs are hidden
Glorious things to sight forbidden:
Look not on the outward sign.
Wine is poured and Bread is broken,
But in either sacred token
Christ is here by power divine.
8 Whoso of this Food partaketh,
Christ divideth not nor breaketh:
He is whole to all that taste.
Thousands are, as one, receivers,
One, as thousands of believers,
Takes the Food that cannot waste.
9 Good and evil men are sharing
One repast, a oom preparing
Varied as the heart of man;
Doom of life or death awarded,
As their days shall be recorded
Which from one beginning ran.
Part 2:
10 When the Sacrament is broken,
Doubt not in each severed token,
Hallowed by the word once spoken,
Resteth all the true content:
Nought the precious Gift divideth,
Breaking but the sign betideth,
He himself the same abideth,
Nothing of his fullness spent.
11 Lo! the Angel's Food is given
To the pilgrim who hath striven:
See the children's Bread from heaven,
Which to dogs may not be cast;
Truth the ancient types fulfilling,
Isaac bound, a victim willing,
Paschal lamb, its life-blood spilling.
Manna sent in ages past.
Part 3:
12 O true Bread, good Shepherd, tend us,
Jesu, of thy love befriend us,
Thou refresh us, thou defend us,
Thine eternal goodness send us
In the land of life to see;
Thou who all things canst and knowest,
Who on earth such Food bestowest,
Grant us with thy Saints, though lowest,
Where the heavenly Feast thou showest,
Fellow-heirs and guests to be.
Amen. Alleluya.
Topics: Corpus Christi Languages: English Tune Title: LAUDA SION
Laud, O Sion, thy salvation
Gerard Francis Cobb
1838 - 1904 Person Name: Gerard F. Cobb, 1838-1904 Composer of "LAUDA SION" in The Hymnal Gerard Francis Cobb was born at Nettlestead (near Maidstone), Kent, on 15 October 1838, the youngest of five children of the Reverend William Francis Cobb (1795-1862) - the rector of Nettlestead - and his wife, Mary Blackburn. The five children were:- 1. Mary (1826-1906), 2. Clement Francis (1821-1896), 3. William Francis (1831-1916), 4. Francis (1834-1920), and 5. Gerard Francis (1838-1904). (The patronymic ‘Francis' occurs in several generations. Gerard's grandfather was Francis Cobb (1759-1831), a brewer and banker of Margate, whose sons were William Francis (Gerard's father), John Francis and Thomas Francis. Gerard's brother Clement also had a son Francis William (1872-1938). The parents were both musical, the mother being a pianist (and latterly organist at Nettlestead) and the father a ’cellist. Gerard early showed an aptitude for music and was able to pick out a tune on the piano while still a child, and without any formal instruction.
Gerard Francis Cobb was educated at Marlborough College from 1849 to 1857. (His brothers William and Clement were also educated there.) He was a bright pupil, reaching the Sixth Form in September 1854 (still aged 15) and winning several prizes - the Divinity Prize (Summer 1853), the Upper Fifth Prize (Summer 1854), the Lower Sixth Prize (Christmas 1854) and the English Essay Prize (1856). He was also appointed a College Prefect and (when he left school) donated a cup as an inter-house singing trophy. (Inter-house singing competitions continue to be popular at Marlborough to this day.) Two concert programmes from Marlborough College (Christmas 1854 and Christmas 1856) show his active involvement as singer, pianist and harmonium player, although in neither programme is there any indication of a composition by him.
From Marlborough Cobb went up to Trinity College, Cambridge, matriculating in 1857. He was elected a Scholar in 1860, and graduated B.A. in 1861 with a double first in the Classical and Moral Science Triposes. He then went to Dresden for a short time, to study music. While there, he perfected his knowledge of German, later providing English translations for three of the texts of his own Lieder und Gesang (1885); he was also proficient in French and Italian, as well as being an excellent classical scholar. (Cobb wrote the words of at least one of his own songs - "Reconciliation" (c.1891) - and inserted a verse of his own into another song - "Drawbacks" (1892), words by Henry S. Leigh.)
It may have been at this time that he decided not to make music his profession: he returned to Cambridge, where he spent the rest of his life. He was elected a Fellow of Trinity in 1863, proceeding M.A. in 1864, and in 1869 was appointed Junior Bursar of his college. This office, which he held for twenty-five years and in which he showed great business capacity, seems to have centered around the day-to-day running of the college, which included looking after the accommodation of some six hundred students (Trinity was the largest of all the Oxbridge colleges) and even making sure that the brewery horse had the correct number of nails in his shoes! (The college had a small brewery).
Cobb's interests were many and varied. There was music, of course, but (appropriately, as the son, brother and uncle of rectors) he was also much interested in Church matters: he was in sympathy with the Tractarian movement (associated with Newman, Pusey, Keble, Forbes and Froude) and at one time contemplated (but finally declined) holy orders. He actively advocated union between the Anglican and Roman communities, and published an elaborate treatise which caused a sensation in ecclesiastical circles. A second edition (with a sequel) followed and this, in turn, was followed by two short tracts. Even as late as the 1860s there was a form of religious intolerance which although not life-threatening (as in the reigns of earlier monarchs) nevertheless ensured that a career in the Church would no longer be an option for Cobb. His appointment at Trinity was timely, and his energies were then directed towards the running of the College and to the pursuit of music.
Cobb was a fine organist, and gave occasional recitals at Trinity. His writings include a history of the organ and an account of the choir which, apparently, he also trained. He was, too, the University’s representative on municipal affairs and produced pamphlets on rather more mundane matters than were normally dealt with in "the olive-grove of Academe".
When Cobb went up to Trinity in 1857 the Professor of Music was the recently appointed (1856) William Sterndale Bennett (1816-1875). Cobb enjoyed Bennett's friendship and was helpful to him in dealing with the Faculty of Music. In the last years of his life, Bennett made use of two bound octavo music note-books in which he jotted down sketches and ideas; these books had been brought to him from Germany by Cobb.
On Bennett's death, the Professorship passed to the blind George Macfarren (1813-1887). Cobb proved equally helpful to the new incumbent, particularly in the reform of the Faculty. He had been elected President of the Cambridge University Musical Society in 1874 and became Chairman of the University Board of Musical Studies in 1877, serving in that capacity for fifteen years.
Aside from his work at Trinity, and his musical, religious, and municipal interests, there is yet one more facet of this Victorian polymath which must command our attention. He was, perhaps surprisingly, a great lover of outdoor activities - swimming, walking, hill climbing, and - above all - cycling. He was one of the founders - and first President (1878) - of the National Cyclists' Union (originally the Bicycle Union) and was also President of the Cambridge University Cycling Club. For the International Health Exhibition (1884) he contributed a chapter on 'Cycling' to the handbook on athletics, part 11.
Cobb thought so much of cycling that his enthusiasm induced not only undergraduates but even many of the Dons to take to it (33). He celebrated his sixtieth birthday by undertaking a cycle run of sixty miles in company with one of his nephews. Cobb was not very tall and was almost equalled in height by his earlier high cycle, although in later years he rode what was then called a 'safety cycle' (which was smaller) and, eventually a 'free wheel bicycle'. (The cycle which features in the accompanying photograph is presumably a 'safety' or 'free wheel' machine.)
Little is known of Cobb's life outside Cambridge. His duties at Trinity would have kept him there for most of the year, and his dealings with his London publishers were probably conducted by letter. His name appears on the invitation lists of several of the Royal Society of Musicians' annual dinners in the 1880s and, although he did not attend any of these, he is recorded as having made several donations to the Society.
In 1893 Cobb married Elizabeth Lucy Parkinson, widow of Stephen Parkinson, Fellow and Tutor of St. John’s College, Cambridge, and (in accordance with the custom of the time) resigned his offices at Trinity. He continued to reside in Cambridge - at The Hermitage Silver Street - and devoted himself mainly to musical composition. From this last period of his life came the second (1893) and third (1897) sets of Barrack-Room Ballads (the first having appeared in 1892) and his delightful Twenty-four Songs for Little People (1897) to words by Norman Gale (d. 1942), as well as works on a larger canvas, including his most ambitious work - A Song of Trafalgar Op. 41, a Ballad for men's voices (solo and chorus) and orchestra (1900), to words by Edith Nesbit (1858-1924) - remembered today as the author of The Railway Children (1906).
Among Cobb's large-scale works is reputed to be a Symphony although no trace of this has yet come to light. What can be stated with certainty, however, is that on 27 November 1902 a concert was held at the Winter Gardens, Bournemouth, given by the Municipal Orchestra under the direction of Dan Godfrey, jun. - later Sir Dan Godfrey (1868-1939) - and Gerard Cobb, who conducted "For the first time in Bournemouth" (and probably the first time anywhere) three of his own works - Introduction and Allegro Giocoso in B flat, Valse Pathétique 'Niobe', and Romanza for Orchestra, in E flat (performed at a Prom in 1901); two of Cobb's earlier songs - "I wish to tune my quivering lyre" (written in 1868) and "Mount, Gallants all!" (published c.1890 were sung by Henry Corner. (An orchestral score and band parts for "Mount, Gallants all!" were available for hire from the publishers, and it must be assumed that both songs were given with orchestral accompaniment.)
Cobb's last-known compositions were three further settings of poems by Kipling - not from the Barrack-Room Ballads this time, but from a similar collection, Service Songs. The three songs. - "M.I." (Mounted Infantry of the Line), "The Married Man" (Reservist of the Line), and "Lichtenberg" (New South Wales Contingent) - had been commissioned by Charles Sheard, who had published his settings of the Barrack-Room Ballads and they were completed just a few days before his death. Sheard published them later that year.
Gerard Francis Cobb died at The Hermitage on 31 March 1904. having succumbed to an attack of pneumonia. He was cremated at Woking on 5 April at 12.00 noon, at which precise time a memorial service was held at Trinity College Chapel; the music was all by Cobb. His ashes were laid to rest on 8 April in the churchyard at Nettlestead, where his widow erected a handsome cross in his memory.
http://www.musicweb-international.com/classrev/2004/oct04
Gerard Francis Cobb
Robert Campbell
1814 - 1868 Translator of "Come, pure hearts, in sweetest measures" in The Hymnal Robert Campbell was an advocate residing in Edinburgh. He is not much known as an author, but some of his hymns have been adopted in several hymnals. He was Roman Catholic. His death occurred in 1868.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
====================
Campbell, Robert. Advocate, of Sherrington, Scotland, was born at Trochmig, Ayrshire, Dec. 19, 1814. When quite a boy he attended the University of Glasgow. Though showing from his earliest years a strong predilection for Theological studies, eventually he fixed upon the Scottish law as a profession. To this end he entered the Law Classes of the University of Edinburgh, and in due course entered upon the duties of an advocate. Originally a Presbyterian, at an early age he joined the Episcopal Church of Scotland. He became a zealous and devoted Churchman, directing his special attention to the education of the children of the poor. His classical attainments were good, and his general reading extensive. In 1848 he began a series of translations of Latin hymns. These he submitted to Dr. Neale, Dr. Mills of Ely, and other competent judges. In 1850, a selection therefrom, together with a few of his original hymns, and a limited number from other writers, was published as Hymns and Anthems for Use in the Holy Services of the Church within the United Diocese of St. Andrews, Dunkeld, and Dunblane. Edinburgh, R. Lendrum & Co.
This collection, known as the St. Andrews Hymnal, received the special sanction of Bishop Torry, and was used throughout the Diocese for some years. Two years after its publication he joined the Roman Catholic Church. During the next sixteen years he devoted much time to the young and poor. He died at Edinburgh, Dec. 29, 1868.
From his collection of 1850, four translations were given in Hymns Ancient & Modern, 1861, "At the Lamb's high feast we sing;" “Come, pure hearts, in sweetest measures;" "Ye Choirs of New Jerusalem;" " Ye servants of a martyr'd God" (altered). Attention was thereby directed to his translations. They are smooth, musical, and well sustained. A large number, not included in his 1850 collection, were left by him in manuscript. From these Mr. O.Shipley has printed several in his Annus Sanctus, 1884. (C. MSS.)
--John Julian, Dictionary of Hymnology (1907)
Robert Campbell
Thomas Aquinas
1225 - 1274 Author of "Zion, to Thy Savior Singing" in The Cyber Hymnal Thomas of Aquino, confessor and doctor, commonly called The Angelical Doctor, “on account of," says Dom Gueranger, "the extraordinary gift of understanding wherewith God had blessed him," was born of noble parents, his father being Landulph, Count of Aquino, and his mother a rich Neapolitan lady, named Theodora. The exact date of his birth is not known, but most trustworthy authorities give it as 1227. At the age of five he was sent to the Benedictine monastery at Monte Cassino to receive his first training, which in the hands of a large-hearted and God-fearing man, resulted in so filling his mind with knowledge and his soul with God, that it is said the monks themselves would often approach by stealth to hear the words of piety and wisdom that fell from the lips of the precocious child when conversing with his companions. After remaining at Monte Cassino for seven years, engaged in study, St. Thomas, "the most saintly of the learned, and the most learned of the saints," returned to his family, in consequence of the sack of the abbey by the Imperial soldiers. From thence he was sent by his parents to the University of Naples then at the height of its prosperity, where, becoming intimate with the Fathers of the Dominican Order, and being struck, probably, by the devotedness and ability of the Dominican Professors in the University, he was induced to petition for admission into that order, though he was at that time not more than seventeen years of age. This step gave such umbrage to his mother that she caused him to be waylaid on the road to Paris (whither he was being hurried to escape from her), and to be kept for more than two years in prison, during which time his brothers, prompted by their mother, used all means, even the most infamous, to seduce him from religion.
At last the Dominicans' influence with the Pope induced the latter to move the Emperor Frederick to order his release, when St. Thomas was at once hurried back to Naples by the delighted members of his order. He was afterwards sent to Rome, then to Paris, and thence to Cologne. At Cologne his studies were continued under the celebrated Albertus Magnus, with whom, in 1245, he was sent by the Dominican Chapter once more to Paris for study, under his direction, at the University. In 1248, when he had completed his three years' curriculum at Paris, St. Thomas was appointed, before he was twenty-three years of age, second professor and “magister studentium,” under Albertus, as regent, at the new Dominican school (on the model of that at Paris), which was established by the Dominicans in that year at Cologne. There he achieved in the schools a great reputation as a teacher, though he by no means confined himself to such work. He preached and wrote; his writings, even at that early age, were remarkable productions and gave promise of the depth and ability which mark his later productions. His sermons also at that time enabled him to attract large congregations into the Dominican church. In 1248 he was directed to take his degree at Paris; and though his modesty and dislike of honour and distinction made the proposal distasteful to him, he set out and begged his way thither; but it was not until October 23rd, 1257, that he took his degree. The interval was filled by such labours in writing, lecturing, and preaching, as to enable him by the time he became a doctor to exercise an influence over the men and ideas of his time which we at this time can scarcely realise. So much was this the case that Louis IX. insisted upon St. Thomas becoming a member of his Council of State, and referred every question that came up for deliberation to him the night before, that he might reflect on it in solitude. At this time he was only thirty-two years of age.
In 1259 he was appointed, by the Dominican Chapter at Valenciennes, a member of a Commission, in company with Albertus Magnus and Pierre de Tarentaise, to establish order and uniformity in all schools of the Dominicans. In 1261 the Pope, Urban IV., immediately upon his election to the Pontifical throne, sent for St. Thomas to aid him in his project for uniting into one the Eastern and Western Churches. St. Thomas in that same year came to Rome, and was at once appointed by the General of his Order to a chair of theology in the Dominican College in that city, where he obtained a like reputation to that which he had secured already at Paris and Cologne. Pope Urban being anxious to reward his services offered him, first the Patriarchate of Jerusalem, and then a Cardinal's hat, but he refused both. After lecturing, at the request of the Pope, with great success at Vitervo, Orvieto, Perugia, and Fondi, he was sent, in 1263, as "Definitor," in the name of the Roman Province, to the Dominican Chapter held in London. Two years later Clement IV., who succeeded Urban as Pope, appointed him, by bull, to the archbishopric of Naples, conferring on him at the same time the revenues of the convent of St. Peter ad Aram. But this appointment he also declined. In 1269 he was summoned to Paris—his last visit— to act as "Definitor" of the Roman Province at the General Chapter of his Order, and he remained there until 1271, when his superiors recalled him to Bologna. In 1272, after visit¬ing Rome on the way, he went to Naples to lecture at the University. His reception in that city was an ovation. All classes came out to welcome him, while the King, Charles I., as a mark of royal favour bestowed on him a pension. He remained at Naples until he was summoned, in 1274, by Pope Gregory X., by special bull, to attend the Second Council of Lyons, but whilst on the journey thither he was called to his rest. His death took place in the Benedictine Abbey of Fossa Nuova in the diocese of Terracina, on the 7th of March 1274, being barely forty-eight years of age.
St. Thomas was a most voluminous writer, his principal work being the celebrated Summa Theologiae, which, although never completed, was accepted as such an authority as to be placed on a table in the council-chamber at the Council of Trent alongside of the Holy Scriptures and the Decrees of the Popes. But it is outside the province of this work to enlarge on his prose works. Though not a prolific writer of hymns, St. Thomas has contributed to the long list of Latin hymns some which have been in use in the services of the Church of Rome from his day to this. They are upon the subject of the Lord's Supper. The best known are:—
Pange lingua gloriosi Corporis Mysterium; Adoro te devote latens Deitas; Sacris sollemniis juncta sint gaudia; Lauda Sion Salvatorem; and Verbum supernum prodiens. The 1st, 3rd, and 5th of these are found in the Roman Breviary, the 2nd, 4th, and 5th in Newman's Hymni Ecclesiae; the 4th in the Roman Missal; all of them appear in Daniel; the 2nd and 4th in Mone; and the 2nd, 4th, and 5th in Königsfeld.
Of these hymns numerous translations have been made from time to time, and amongst the translators are found Caswall, Neale, Woodford, Morgan, and others. [Rev. Digby S. Wrangham, M.A.]
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
Thomas Aquinas
Small Church Music
Editors: Robert Campbell Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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