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Tune Identifier:"^come_come_to_jesus_main$"

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WEISSINGER

Appears in 51 hymnals Matching Instances: 51 Composer and/or Arranger: Hupert Platt Main Tune Key: G Major Incipit: 13152 33123 23421 Used With Text: Come, Come to Jesus

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Come, Come to Jesus

Author: Geo. B. Peck Appears in 88 hymnals Matching Instances: 35 First Line: Come, come to Jesus! Scripture: Matthew 11:28 Used With Tune: [Come, come to Jesus!]
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¡Oh Padre eterno!

Author: Desconocido Meter: 5.5.5.5 Appears in 8 hymnals Matching Instances: 2 Lyrics: 1 ¡Oh Padre eterno! ¡Oh Padre amado! Perdón te pido Por mis pecados. 2 Todos mis días He malgastado, Mas hoy mis ruegos A Ti levanto. 3 Sé que merezco Tu desagrado, Porque en tus sendas Ni un paso he dado. 4 Mas ¡oh Dios mío!, Ve que soy malo; Dame tu gracia, Dame tu amparo. 5 ¡Oh! no permitas, Dios soberano, Que en adelante More en pecado. 6 Hazme en tu gracia Odiar lo malo, Y en tu camino Guía mis pasos. Amén. Topics: La Vida Cristiana Arrepentimiento y Confesión; The Christian Life Repentance and Confession Used With Tune: MEXICO
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Komm, komm zu Jesu

Author: Rev. Geo. B. Peck Appears in 5 hymnals Matching Instances: 2 First Line: Komm, komm zu Jesu! Used With Tune: [Komm, komm zu Jesu!]

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come, Come to Jesus

Author: George B. Peck Hymnal: The Cyber Hymnal #937 Lyrics: Come, come to Jesus! He waits to welcome thee O wand’rer, eagerly; Come, come to Jesus! Come, come to Jesus! He waits to ransom thee O slave! so willingly; Come, come to Jesus! Come, come to Jesus! He waits to lighten thee O burdened! trustingly Come, come to Jesus! Come, come to Jesus! He waits to give to thee O blind! a vision free; Come, come to Jesus! Come, come to Jesus! He waits to shelter thee O weary! blessedly Come, come to Jesus! Come, come to Jesus! He waits to carry thee O lamb! so lovingly, Come, come to Jesus! Languages: English Tune Title: WEISSINGER
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Come, come to Jesus!

Hymnal: The Tribute of Praise #621 (1874) Tune Title: JESUS WAITS FOR THEE
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Come, come to Jesus!

Hymnal: The Tribute of Praise and Methodist Protestant Hymn Book #621 (1882) Languages: English Tune Title: JESUS WAITS FOR THEE

People

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Authors, composers, editors, etc.

Hubert P. Main

1839 - 1925 Composer of "PHILLIPS" in Hallowed Hymns, New and Old Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ. John Perry

George B. Peck

Author of "Come, Come to Jesus!" in Hallowed Hymns, New and Old

Anonymous

Person Name: Desconocido Author of "¡Oh Padre eterno!" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.