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Tune Identifier:"^christ_lag_in_todesbanden$"

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CHRIST LAG IN TODESBANDEN

Meter: 8.7.8.7.7.8.7.4 Appears in 55 hymnals Matching Instances: 52 Tune Sources: Geystliche gesangk Buchleyn, Wittenberg, 1524, ed. Johann Walter; Lutheran Book of Worship, 1978 (Setting) Tune Key: d minor or modal Incipit: 54571 76553 45432 Used With Text: Christ Jesus Lay in Death's Strong Bands

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Christ Jesus lay

Author: Martin Luther; Richard Massie Appears in 55 hymnals Matching Instances: 38 First Line: Christ Jesus lay in death's strong bands Used With Tune: CHRIST LAG IN TODESBANDEN Text Sources: Christ lag in Todesbanden, Eyn Enchiridion, 1524; Martin Luther's Spiritual Songs, 1854, alt.

Christ lag in Todesbanden

Author: Martin Luther Appears in 52 hymnals Matching Instances: 2 Used With Tune: CHRIST LAG IN TODESBANDEN
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In Death's Strong Grasp The Savior Lay

Author: Martin Luther Meter: 8.7.8.7.7.8.7.4 Appears in 21 hymnals Matching Instances: 1 Lyrics: 1 In death's strong grasp the Savior lay, For our offences given; But, rising from the grave today, He brings us life from heaven. O let us all with one accord Sing praises to our God and Lord And shout glad hallelujahs. Hallelujah! 2 No human pow'r could conquer death, Such mischief sin had wrought us. We were condemned to yield our breath, To thraldom death had bro't us. Our enemy both strong and bold, Had fettered us in days of old And held us all in bondage. Hallelujah! 3 But Jesus, God's eternal Son, The Source of our salvation, For us the mighty battle won And saved us from damnation. Now death on us has lost his claim, Christ Jesus bore our sin and blame, The sting of death removing. Hallelujah! 4 In Christ the Paschal Lamb we see, Which God so freely gave us; In ardent love upon the tree He suffered death to save us. The blood of Christ doth mark our door; Faith points to it, and nevermore Can death alarm or claim us. Hallelujah! 5 So let us keep this festal day With heartfelt joy and gladness; Christ is the Sun that drives away The clouds of grief and sadness. The brightness of His saving grace Within our hearts has found a place; The night of sin is banished. Hallelujah! 6 Then let us of that Bread partake, Come down to us from heaven. With Christ arise, your sins forsake, Purge out the evil leaven. On Christ alone our souls will feed, He is the meat and drink we need; Our faith demands no other. Hallelujah! Topics: The Church Year Easter Used With Tune: TORGAU Text Sources: Tr. Composite

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Christ Lag In Todesbanden

Author: Martin Luther Hymnal: The Cyber Hymnal #13480 Lyrics: 1 Christ lag in Todesbanden, Für unsre Sünd’ gegeben, Der ist wieder erstanden Und hat uns bracht das Leben. Des wir sollen froehlich sein, Gott loben und dankbar sein Und singen: Halleluja! Halleluja! 2 Es war ein wunderlicher Krieg, Da Tod und Leben rungen; Das Leben, das behielt den Sieg, Es hat den Tod verschlungen. Die Schrift hat verkündet das, Wie ein Tod den andern frass, Ein Spott der Tod ist worden. Halleluja! 3 Hier ist das rechte Osterlamm, Davon Gott hat geboten, Das ist dort an des Kreuzes Stamm In heisser Lieb’ gebraten; Des Blut zeichnet unsre Tür, Das haelt der Glaub’ dem Tod für, Der Würger kann nicht würgen. Halleluja! 4 So feiern wir dies hohe Fest Mit Herzensfreud’ und Wonne, Das uns der Herre scheinen lässt; Er ist selber die Sonne, Der durch seiner Gnaden Glanz Erleucht’t unsre Herzen ganz, Der Sünd’ Nacht ist vergangen. Halleluja! 5 Wir essen nun und leben wohl In rechten Osterfladen; Der alte Sauerteig nicht soll Sein bei dem Wort der Gnaden. Christus will die Koste sein Und speisen die Seel’ allein; Der Glaub’ kein’s andern lebet. Halleluja! Languages: German Tune Title: CHRIST LAG IN TODESBANDEN
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Christ In The Bands Of Death Was Laid

Author: Martin Luther ; Arthur T. Russell Hymnal: The Cyber Hymnal #9701 Lyrics: 1 Christ in the bands of death was laid, For our transgressions given: He rose: the way He open made To life, the life of Heaven. Therefore we will now rejoice, And praise our God with thankful voice, And raise our hallelujah! Hallelujah! 2 By none of all the sons of men Could death’s dark realm be shaken: Sin made our strength all weak and vain: All have of guilt partaken. Thus came death upon us all, And bound the fallen world in thrall Beneath his dread dominion. Hallelujah! 3 But Jesus Christ, God’s only Son, Hath in our stead descended: O’er death our Lord the victory won, When He transgression ended. He destroyed death’s power and claim, And left to death an empty name: Away his sting has taken. Hallelujah! Languages: English Tune Title: CHRIST LAG IN TODES BANDEN
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Christ Jesus Lay in Death's Strong Bands

Author: Martin Luther; Richard Massie Hymnal: The Cyber Hymnal #882 Lyrics: 1. Christ Jesus lay in death’s strong bands, For our offenses given; But now at God’s right hand He stands, And brings us life from Heaven. Wherefore let us joyful be, And sing to God right thankfully Loud songs of Alleluia! Alleluia! 2. No son of man could conquer Death, Such mischief sin had wrought us, For innocence dwelt not on earth, And therefore Death had brought us Into thralldom from of old And ever grew more strong and bold And kept us in his bondage. Alleluia! 3. But Jesus Christ, God’s only Son, To our low state descended, The cause of Death He has undone, His power forever ended, Ruined all his right and claim And left him nothing but the name, His sting is lost forever. Alleluia! 4. It was a strange and dreadful strife When life and death contended; The victory remained with life; The reign of death was ended. Stripped of power, no more it reigns, An empty form alone remains Death’s sting is lost forever! Alleluia! 5. Here the true Paschal Lamb we see, Whom God so freely gave us; He died on the accursed tree— So strong His love!—to save us. See, His blood doth mark our door; Faith points to it, Death passes over, And Satan cannot harm us. Alleluia! 6. So let us keep the festival Where to the Lord invites us; Christ is Himself the joy of all, The Sun that warms and lights us. By His grace He doth impart Eternal sunshine to the heart; The night of sin is ended! Alleluia! 7. Then let us feast this Easter day On the true Bread of Heaven; The Word of grace hath purged away The old and wicked leaven. Christ alone our souls will feed; He is our Meat and Drink indeed; Faith lives upon no other! Alleluia! Languages: English Tune Title: CHRIST LAG IN TODESBANDEN

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Martin Luther

1483 - 1546 Person Name: Martin Luther 1483-1546 Author of "Christ lag in Todesbanden" in The Australian Hymn Book with Catholic Supplement Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Richard Massie

1800 - 1887 Person Name: Richard Massie 1800-87 Translator of "Christ lag in Todesbanden" in The Australian Hymn Book with Catholic Supplement Massie, Richard, eldest son of the Rev. R. Massie, of Goddington, Cheshire, and Rector of Eccleston, was born at Chester, June 18, 1800, and resides at Pulford Hall, Coddington. Mr. Massie published a translation of Martin Luther’s Spiritual Songs, London, 1854. His Lyra Domestica, 1st series, London, 1860, contains translations of the 1st Series of Spitta's Psalter und Harfe. In 1864 he published vol. ii., containing translations of Spitta's 2nd Series, together with an Appendix of translations of German hymns by various authors. He also contributed many translations of German hymns to Mercer's Church Psalter & Hymn Book; to Reid's British Herald; to the Day of Rest, &c. He died Mar. 11,1887. -- John Julian, Dictionary of Hymnology (1907)

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Harmonizer of "CHRIST LAG IN TODESBANDEN" in Voices Together Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Hymnals

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Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

Small Church Music

Editors: Martin Luther Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Llyfr Tonau Cynulleidfaol

Publication Date: 1868 Publisher: H. J. Hughes Publication Place: New York