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O Master, Let Me Walk with Thee
Author: Washington Gladden Meter: 8.8.8.8 Appears in 573 hymnals Topics: Personal Peace Lyrics: 1 O Master, let me walk with thee
in lowly paths of service free;
tell me thy secret; help me bear
the strain of toil, the fret of care.
2 Help me the slow of heart to move
by some clear, winning word of love;
teach me the wayward feet to stay,
and guide them in the homeward way.
3 Teach me thy patience, still with thee
in closer, dearer company,
in work that keeps faith sweet and strong,
in trust that triumphs over wrong.
4 In hope that sends a shining ray
far down the future's broadening way;
in peace that only thou canst give,
with thee, O Master, let me live. Scripture: Genesis 8:22 Used With Tune: MARYTON
O Master, Let Me Walk with Thee
Why Should I Feel Discouraged? (His Eye Is on the Sparrow)
Author: Civilla Durfee Martin Meter: Irregular Appears in 99 hymnals Topics: Personal Peace First Line: Why should I feel discouraged? Refrain First Line: I sing because I'm happy Lyrics: 1 Why should I feel discouraged?
Why should the shadows come?
Why should my heart be lonely
and long for heaven and home,
when Jesus is my portion?
My constant friend is he:
his eye is on the sparrow,
and I know he watches me;
his eye is on the sparrow,
and I know he watches me.
Refrain:
I sing because I’m happy,
I sing because I’m free,
for his eye is on the sparrow,
and I know he watches me.
2 “Let not your heart be troubled,”
his tender word I hear,
and resting on his goodness,
I lose my doubts and fears;
though by the path he leadeth
but one step I may see:
his eye is on the sparrow,
and I know he watches me;
his eye is on the sparrow,
and I know he watches me. [Refrain]
3 Whenever I am tempted,
whenever clouds arise,
when song gives place to sighing,
when hope within me dies,
I draw the closer to him,
from care he sets me free:
his eye is on the sparrow,
and I know he watches me;
his eye is on the sparrow,
and I know he watches me. [Refrain]
Scripture: Psalm 27:1 Used With Tune: SPARROW
Why Should I Feel Discouraged? (His Eye Is on the Sparrow)
I heard the voice of Jesus say
Meter: 8.6.8.6 D Appears in 1,228 hymnals Topics: Peace Personal Lyrics: 1 I heard the voice of Jesus say,
“Come unto Me and rest;
Lay down, thou weary one, lay down
Thy head upon My breast!”
I came to Jesus as I was,
Weary, and worn, and sad;
I found in Him a resting-place,
And He has made me glad.
2 I heard the voice of Jesus say,
“Behold, I freely give
The living water; thirsty one,
Stoop down, and drink, and live!”
I came to Jesus, and I drank
Of that life-giving stream;
My thirst was quench'd, my soul revived,
And now I live in Him.
3 I heard the voice of Jesus say,
“I am this dark world’s Light;
Look unto Me, thy morn shall rise,
And all thy day be bright!”
I looked to Jesus, and I found
In Him my Star, my Sun;
And in that Light of life I’ll walk,
Till all my journey's done.
I heard the voice of Jesus say
REPTON
Meter: 8.6.8.8.6 Appears in 83 hymnals Composer and/or Arranger: Charles Hubert Hastings Parry, 1848-1918 Topics: Forgiveness; God's Love to Us; Healing; Inner Peace; Jesus Christ Humanity; Meditation; Personal Petition; Personal Response to Jesus; Purity; Repentance; Saints Days and Holy Days Apostles; Trust in God Tune Key: E Flat Major Incipit: 15565 34551 14517 Used With Text: Dear Father, Lord of humankind
REPTON
We Wait the Peaceful Kingdom
Author: Kathleen R. Moore Hymnal: Glory to God #378 (2013) Meter: 7.6.7.6 D Topics: Personal Peace Lyrics: 1 We wait the peaceful kingdom,
when wolf and lamb shall lie
in gentleness and friendship
without a fear or sigh,
when lion shall be grazing,
when snake shall never strike;
a little child shall lead us
both strong and weak alike.
2 Where is the peaceful kingdom?
When will this new day start?
We long for peace and comfort
to reign within each heart.
Yet not in our lives only,
nor simply in our home:
we pray that all creation
will one day find shalom.
3 When wars of desolation
and hate come to an end,
when nation meets with nation
and calls the other "friend,"
still peace in all its fullness
will only have begun:
shalom for all creation
begins with justice done.
4 That little child shall lead us
to walk the chosen way,
to share the peaceful kingdom,
to greet God's newborn day.
The child born in a stable
is sent to break our chains,
to bring through word and table
the day when justice reigns. Scripture: Isaiah 2:2-4 Languages: English Tune Title: MERLE’S TUNE
We Wait the Peaceful Kingdom
I've Got Peace like a River
Hymnal: Glory to God #623 (2013) Meter: 7.7.10 Topics: Personal Peace Lyrics: 1 I’ve got peace like a river;
I’ve got peace like a river;
I’ve got peace like a river, in my soul.
I’ve got peace like a river;
I’ve got peace like a river;
I’ve got peace like a river, in my soul.
2 I’ve got joy like a fountain;
I’ve got joy like a fountain;
I’ve got joy like a fountain, in my soul.
I’ve got joy like a fountain;
I’ve got joy like a fountain;
I’ve got joy like a fountain, in my soul.
3 I’ve got love like an ocean;
I’ve got love like an ocean;
I’ve got love like an ocean, in my soul.
I’ve got love like an ocean;
I’ve got love like an ocean;
I’ve got love like an ocean, in my soul.
Scripture: Isaiah 48:18 Languages: English Tune Title: PEACE LIKE A RIVER
I've Got Peace like a River
Peace of God Be with You (As-salaamu lakum)
Hymnal: Glory to God #448 (2013) Meter: 6.6.4.6 Topics: Personal Peace Lyrics: ENGLISH:
Peace of God be with you.
Peace of God be with you.
Salaam, salaam.
Peace of God be with you.
ARABIC:
Assalaamu lakum.
Assalaamu lakum.
Salaam, salaam.
Assalaamu lakum.
السـلامُ لكم
السـلامُ لكم
سـلام ، سـلام
السـلامُ لكم Scripture: John 14:27 Languages: Arabic; English Tune Title: AS-SALAAMU LAKUM
Peace of God Be with You (As-salaamu lakum)
Johann Sebastian Bach
1685 - 1750 Topics: Personal Peace Harmonizer of "JESU, MEINE FREUDE" in Glory to God Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Henry Thomas Smart
1813 - 1879 Topics: Personal Peace Composer of "LANCASHIRE" in Glory to God Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Edward Caswall
1814 - 1878 Topics: Personal Peace Translator of "Jesus, the Very Thought of Thee" in Glory to God Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
=====================
Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:—
(1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others.
(2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858.
(3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865.
(4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907)
======================
Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:—
1. Christian soul, dost thou desire. After Holy Communion.
2. Come, let me for a moment cast. Holy Communion.
3. O Jesu Christ [Lord], remember. Holy Communion.
4. Oft, my soul, thyself remind. Man's Chief End.
5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep."
6. The glory of summer. Autumn.
7. This is the image of the queen. B. V. M.
His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:—
1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii.
2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i.
3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158.
4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i.
5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii.
6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii.
7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i.
The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:—
IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865.
As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Caswall
