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More love to thee, O Christ!

Author: Elizabeth Prentiss Meter: 6.4.6.4.6.6.4.4 Appears in 816 hymnals Topics: Conformity to God's Will Used With Tune: PROPIOR DEO

Author: Horatius Bonar Appears in 558 hymnals Topics: Conformity to Christ Lyrics: 1 I lay my sins on Jesus, The spotless Lamb of God; He bears them all, and frees us From the accursed load. I bring my guilt to Jesus, To wash my crimson stains White in His blood most precious, Till not a spot remains. 2 I lay my wants on Jesus: All fullness dwells in Him; He heals all my diseases, He doth my soul redeem. I lay my griefs on Jesus, My burdens and my cares; He from them all releases, He all my sorrows shares. 3 I long to be like Jesus, Meek, loving, lowly, mild; I long to be like Jesus, The Father's holy child. I long to be with Jesus, Amid the heavenly throng, To sing with saints His praises, To learn the angels' song. Amen. Used With Tune: CRUCIFIX

Go to dark Gethsemane

Author: James Montgomery Appears in 503 hymnals Topics: Conformity to Christ Lyrics: 1 Go to dark Gethsemane, Ye that feel the tempter's power; Your Redeemer's conflict see, Watch with Him one bitter hour; Turn not from His griefs away; Learn of Jesus Christ to pray. 2 Follow to the judgment hall, View the Lord of life arraigned; Oh, the wormwood and the gall! Oh, the pangs His soul sustained! Shun not suffering, shame, or loss; Learn of Him to bear the cross. 3 Calvary's mournful mountain climb; There, adoring at His feet, Mark that miracle of time, God's own sacrifice complete: "It is finished," hear Him cry: Learn of Jesus Christ to die. 4 Early hasten to the tomb Where they laid His breathless clay; All is solitude and gloom; Who hath taken Him away? Christ is risen; He meets our eyes! Saviour, teach us so to rise. Amen. Used With Tune: PILOT

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Tunes

Tune authorities

ATHENS

Appears in 64 hymnals Composer and/or Arranger: fr. F. Giardini Topics: Conformity Tune Key: E Flat Major Incipit: 15432 12156 15441 Used With Text: The name "Jesus"

VOX DILECTI

Appears in 280 hymnals Composer and/or Arranger: J. B. Dykes Topics: Conformity Tune Key: g minor Incipit: 55112 33221 1177 Used With Text: The Words of Jesus

KILMARNOCK

Appears in 77 hymnals Composer and/or Arranger: N. Dougall Topics: Conformity Tune Key: E Flat Major Incipit: 13565 33216 51651 Used With Text: The name of Jesus

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Instances

Published text-tune combinations (hymns) from specific hymnals

"Brother, King!"

Author: Newman Hall Hymnal: Laudes Domini #415 (1890) Topics: Conformity; Conformity First Line: Friend of sinners! Lord of glory! Lyrics: 1 Friend of sinners! Lord of glory! Lowly, mighty! Brother, King! Musing o'er thy wondrous story, Fain would I thy praises sing. 2 Friend to help us, comfort, save us, In whom power and pity blend, Praise we must the grace which gave us Jesus Christ, the sinner's Friend. 3 Oh, to love and serve thee better! From all evil set us free; Break, Lord, every sinful fetter, Be each thought conformed to thee. Languages: English Tune Title: ST. SYLVESTER

The Divine Pattern

Author: Isaac Watts Hymnal: Laudes Domini #151 (1890) Topics: Conformity; Conformity First Line: My dear Redeemer, and my Lord Lyrics: 1 My dear Redeemer, and my Lord, I read my duty in thy word; But in thy life the law appears, Drawn out in living characters. 2 Such was thy truth and such thy zeal, Such deference to thy Father's will, Such love, and meekness so divine, I would transcribe and make them mine. 3 Cold mountains and the midnight air Witnessed the fervor of thy prayer; The desert thy temptations knew, Thy conflict and thy victory too. 4 Be thou my pattern; make me bear More of thy gracious image here; Then God, the Judge, shall own my name Among the followers of the Lamb. Languages: English Tune Title: ROCKINGHAM (MASON'S)

"Holy, harmless"

Author: Arthur C. Coxe Hymnal: Laudes Domini #153 (1890) Topics: Conformity; Conformity First Line: How beauteous were the marks divine Lyrics: 1 How beauteous were the marks divine, That in thy meekness used to shine, That lit thy lonely pathway, trod In wondrous love, O Son of God! 2 Oh, who like thee, so calm, so bright, So pure, so made to live in light? Oh, who like thee did ever go So patient through a world of woe? 3 Oh, who like thee so humbly bore The scorn, the scoffs of men, before? So meek, forgiving, godlike, high, So glorious in humility? 4 Even death, which sets the prisoner free, Was pang, and scoff, and scorn to thee; Yet love through all thy torture glowed, And mercy with thy life-blood flowed. 5 Oh, in thy light be mine to go, Illuming all my way of woe! And give me ever on the road To trace thy footsteps, Son of God. Languages: English

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People

Authors, composers, editors, etc.

Edwin Hatch

1835 - 1889 Topics: Conformity to God's Will Author of "Breathe on me, Breath of God" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Hatch, Edwin, D.D., was born at Derby, Sep. 4, 1835, and educated at Pembroke College, Oxford, B.A., in honours, in 1857. After holding important appointments in Canada, he returned to England and became Vice-Principal of St. Mary Hall, Oxford, 1867; and Rector of Purleigh, 1883. (See also Crockford). He died Nov. 10, 1889. His hymn-writing was limited. One, and that a very spirited lyric, is in Allon's Congregational Psalmist Hymnal, 1886 "Breathe on me, Breath of God." (Whitsuntide.) Dr. Hatch's hymns were published in his posthumous Towards Fields of Light, London 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Charlotte Elliott

1789 - 1871 Topics: Conformity to God's Will Author of "My God, my Father, while I stray" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Samuel Stennett

1727 - 1795 Topics: Conformity Author of ""Altogether Lovely"" in Laudes Domini Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

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