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How Good the Name of Jesus Sounds
Author: John Newton, 1725-1807 Meter: 8.6.8.6 Appears in 1,616 hymnals Topics: Ordinary Time 26, Year B; Pastoral Care of the Sick; Penance; Comfort; Compassion; Courage; Grace; Healing; Jesus Christ; Petition; Praise; Rest; Trust Lyrics: 1 How good the name of Jesus sounds
To all believing ears!
It soothes our sorrows, heals our wounds,
And drives away our fears.
2 It makes the wounded spirit whole,
And calms the troubled mind;
His manna for each hungry soul,
The lost and weary find.
3 Blest Name! the rock on which we build,
Our shield and resting place,
Our never-failing comfort, filled
With blessing of his grace.
4 O Jesus, Shepherd, Guardian, Friend,
Our Prophet, Priest and King,
Our Lord, our Life, our Way, our End,
Accept the praise we bring.
Scripture: Acts 2:12 Used With Tune: ST. PETER
How Good the Name of Jesus Sounds
For All the Saints
Author: William Walsham How Meter: 10.10.10 with refrain Appears in 567 hymnals Topics: A New Heaven and A New Earth Communion of Saints; Adoration and Praise; Assurance; Church Triumphant; Cloud of Witnesses; Comfort/Consolation; Communion of Saints; Conflict and Struggle; Courage; Discipleship and Service; Eternal Life; Faith; Funerals and Memorial Services; Heaven(s)/Paradise; Jesus Christ name; Jesus Christ Rock; Jesus Christ Second Coming; Music and Singing; Music and Singing; Processionals (Opening of Worship); Rest; Resurrection; Second Coming; Service Music Doxologies; Strength; Victory; Vision/Dream; Warfare (Spiritual); Witness; Worship; Proper 4 Year A; All Saints Year A; Proper 27 Year A; All Saints Year B; Ascension Year C; Proper 10 Year C; Proper 26 Year C; All Saints Year C First Line: For all the saints, who from their labours rest Lyrics: 1 For all the saints, who from their labours rest,
all who by faith before the world confessed,
your name, O Jesus, be forever blest.
Hallelujah, hallelujah!
2 You were their rock, their fortress, and their might:
you were their captain in the well-fought fight;
you, in the darkness drear, the one true light.
Hallelujah, hallelujah!
3 O blest communion, fellowship divine!
We feebly struggle, they in glory shine;
yet all are one within your great design.
Hallelujah, hallelujah!
4 The golden evening brightens in the west,
soon, soon to faithful warriors comes their rest;
sweet is the calm of paradise the blest.
Hallelujah, hallelujah!
5 But lo! there breaks a yet more glorious day
the saints triumphant rise in bright array:
as God to glory calls them all away.
Hallelujah, hallelujah!
6 From earth's wide bounds, from ocean's farthest coast,
through gates of pearl streams in the countless host,
singing to Father, Son, and Holy Ghost:
Hallelujah, hallelujah! Used With Tune: SINE NOMINE
For All the Saints
ST PETER
Meter: 8.6.8.6 Appears in 669 hymnals Composer and/or Arranger: Alexander Robert Reinagle Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Blessings; Calmness and Serenity; Comfort/Consolation; Communion with Christ and God; Compassion; God Grace; Healing; Holy Communion; Jesus Christ Friend; Jesus Christ High Priest; Jesus Christ Images of; Jesus Christ Kingship, Conqueror; Jesus Christ name; Jesus Christ Praise; Jesus Christ Presence; Jesus Christ Prophet; Jesus Christ Rock; Jesus Christ Shepherd; Petition; Protection; Rest; Trust; Wholeness; Worship; Easter 5 Year A; Proper 9 Year A; Christmas 2 Year B; Epiphany 4 Year B; Easter 4 Year B; Proper 5 Year B; Proper 21 Year B; Proper 24 Year B; Proper 25 Year B; Proper 26 Year B; Easter 4 Year C; Proper 12 Year C; Monday in Holy Week Year ABC Tune Key: D Major Incipit: 51765 54332 14323 Used With Text: How Sweet the Name of Jesus Sounds
ST PETER
SINE NOMINE
Meter: 10.10.10 with refrain Appears in 217 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: A New Heaven and A New Earth Communion of Saints; Adoration and Praise; Assurance; Church Triumphant; Cloud of Witnesses; Comfort/Consolation; Communion of Saints; Conflict and Struggle; Courage; Discipleship and Service; Eternal Life; Faith; Funerals and Memorial Services; Heaven(s)/Paradise; Jesus Christ name; Jesus Christ Rock; Jesus Christ Second Coming; Music and Singing; Music and Singing; Processionals (Opening of Worship); Rest; Resurrection; Second Coming; Service Music Doxologies; Strength; Victory; Vision/Dream; Warfare (Spiritual); Witness; Worship; Proper 4 Year A; All Saints Year A; Proper 27 Year A; All Saints Year B; Ascension Year C; Proper 10 Year C; Proper 26 Year C; All Saints Year C Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For All the Saints
SINE NOMINE
How Sweet the Name of Jesus Sounds
Author: John Newton Hymnal: Voices United #344 (1996) Meter: 8.6.8.6 Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Blessings; Calmness and Serenity; Comfort/Consolation; Communion with Christ and God; Compassion; God Grace; Healing; Holy Communion; Jesus Christ Friend; Jesus Christ High Priest; Jesus Christ Images of; Jesus Christ Kingship, Conqueror; Jesus Christ name; Jesus Christ Praise; Jesus Christ Presence; Jesus Christ Prophet; Jesus Christ Rock; Jesus Christ Shepherd; Petition; Protection; Rest; Trust; Wholeness; Worship; Easter 5 Year A; Proper 9 Year A; Christmas 2 Year B; Epiphany 4 Year B; Easter 4 Year B; Proper 5 Year B; Proper 21 Year B; Proper 24 Year B; Proper 25 Year B; Proper 26 Year B; Easter 4 Year C; Proper 12 Year C; Monday in Holy Week Year ABC Lyrics: 1 How sweet the Name of Jesus sounds
in a believer's ear!
It soothes the sorrows, heals the wounds,
and drives away all fear.
2 It makes the wounded spirit whole,
and calms the troubled breast;
'tis manna to the hungry soul,
and to the weary, rest.
3 Dear Name! the rock on which I build,
my shield and hiding-place,
my never-failing treasury, filled
with boundless stores of grace.
4 Jesus, my Shepherd, Brother, Friend,
my Prophet, Priest, and King,
my Lord, my Life, my Way, my End,
accept the praise I bring.
5 The effort of my heart is weak,
and cold my warmest thought;
but when I see you whom I seek,
I'll praise you as I ought.
Languages: English Tune Title: ST PETER
How Sweet the Name of Jesus Sounds
How Good the Name of Jesus Sounds
Author: John Newton, 1725-1807 Hymnal: Worship (3rd ed.) #610 (1986) Meter: 8.6.8.6 Topics: Ordinary Time 26, Year B; Pastoral Care of the Sick; Penance; Comfort; Compassion; Courage; Grace; Healing; Jesus Christ; Petition; Praise; Rest; Trust Lyrics: 1 How good the name of Jesus sounds
To all believing ears!
It soothes our sorrows, heals our wounds,
And drives away our fears.
2 It makes the wounded spirit whole,
And calms the troubled mind;
His manna for each hungry soul,
The lost and weary find.
3 Blest Name! the rock on which we build,
Our shield and resting place,
Our never-failing comfort, filled
With blessing of his grace.
4 O Jesus, Shepherd, Guardian, Friend,
Our Prophet, Priest and King,
Our Lord, our Life, our Way, our End,
Accept the praise we bring.
Scripture: Acts 2:12 Languages: English Tune Title: ST. PETER
How Good the Name of Jesus Sounds
For All the Saints
Author: William Walsham How Hymnal: Voices United #705 (1996) Meter: 10.10.10 with refrain Topics: A New Heaven and A New Earth Communion of Saints; Adoration and Praise; Assurance; Church Triumphant; Cloud of Witnesses; Comfort/Consolation; Communion of Saints; Conflict and Struggle; Courage; Discipleship and Service; Eternal Life; Faith; Funerals and Memorial Services; Heaven(s)/Paradise; Jesus Christ name; Jesus Christ Rock; Jesus Christ Second Coming; Music and Singing; Music and Singing; Processionals (Opening of Worship); Rest; Resurrection; Second Coming; Service Music Doxologies; Strength; Victory; Vision/Dream; Warfare (Spiritual); Witness; Worship; Proper 4 Year A; All Saints Year A; Proper 27 Year A; All Saints Year B; Ascension Year C; Proper 10 Year C; Proper 26 Year C; All Saints Year C First Line: For all the saints, who from their labours rest Lyrics: 1 For all the saints, who from their labours rest,
all who by faith before the world confessed,
your name, O Jesus, be forever blest.
Hallelujah, hallelujah!
2 You were their rock, their fortress, and their might:
you were their captain in the well-fought fight;
you, in the darkness drear, the one true light.
Hallelujah, hallelujah!
3 O blest communion, fellowship divine!
We feebly struggle, they in glory shine;
yet all are one within your great design.
Hallelujah, hallelujah!
4 The golden evening brightens in the west,
soon, soon to faithful warriors comes their rest;
sweet is the calm of paradise the blest.
Hallelujah, hallelujah!
5 But lo! there breaks a yet more glorious day
the saints triumphant rise in bright array:
as God to glory calls them all away.
Hallelujah, hallelujah!
6 From earth's wide bounds, from ocean's farthest coast,
through gates of pearl streams in the countless host,
singing to Father, Son, and Holy Ghost:
Hallelujah, hallelujah! Languages: English Tune Title: SINE NOMINE
For All the Saints
John Newton
1725 - 1807 Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Blessings; Calmness and Serenity; Comfort/Consolation; Communion with Christ and God; Compassion; God Grace; Healing; Holy Communion; Jesus Christ Friend; Jesus Christ High Priest; Jesus Christ Images of; Jesus Christ Kingship, Conqueror; Jesus Christ name; Jesus Christ Praise; Jesus Christ Presence; Jesus Christ Prophet; Jesus Christ Rock; Jesus Christ Shepherd; Petition; Protection; Rest; Trust; Wholeness; Worship; Easter 5 Year A; Proper 9 Year A; Christmas 2 Year B; Epiphany 4 Year B; Easter 4 Year B; Proper 5 Year B; Proper 21 Year B; Proper 24 Year B; Proper 25 Year B; Proper 26 Year B; Easter 4 Year C; Proper 12 Year C; Monday in Holy Week Year ABC Author of "How Sweet the Name of Jesus Sounds" in Voices United John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.”
Bert Polman
==================
Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764).
The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.]
A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:—
1. Be still, my heart, these anxious cares. Conflict.
2. Begone, unbelief, my Saviour is near. Trust.
3. By the poor widow's oil and meal. Providence.
4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers.
5. Darkness overspreads us here. Hope.
6. Does the Gospel-word proclaim. Rest in Christ.
7. Fix my heart and eyes on Thine. True Happiness.
8. From Egypt lately freed. The Pilgrim's Song.
9. He Who on earth as man was Known. Christ the Rock.
10. How blest are they to whom the Lord. Gospel Privileges.
11. How blest the righteous are. Death of the Righteous.
12. How lost was my [our] condition. Christ the Physician.
13. How tedious and tasteless the hours. Fellowship with Christ.
14. How welcome to the saints [soul] when pressed. Sunday.
15. Hungry, and faint, and poor. Before Sermon.
16. In mercy, not in wrath, rebuke. Pleading for Mercy.
17. In themselves, as weak as worms. Power of Prayer.
18. Incarnate God, the soul that knows. The Believer's Safety.
19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn.
20. Joy is a [the] fruit that will not grow. Joy.
21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken.
22. Let us adore the grace that seeks. New Year.
23. Mary to her [the] Saviour's tomb. Easter.
24. Mercy, 0 Thou Son of David. Blind Bartimeus.
25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken.
26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go."
27. Now may He Who from the dead. After Sermon.
28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege.
29. O Lord, how vile am I. Lent.
30. On man in His own Image made. Adam.
31. 0 speak that gracious word again. Peace through Pardon.
32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows."
33. Physician of my sin-sick soul. Lent.
34. Pleasing spring again is here. Spring.
35. Poor, weak, and worthless, though I am. Jesus the Friend.
36. Prepare a thankful song. Praise to Jesus.
37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine."
38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance.
39. Salvation, what a glorious plan. Salvation.
40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn.
41. Saviour, visit Thy plantation. Prayer for the Church.
42. See another year [week] is gone. Uncertainty of Life.
43. See the corn again in ear. Harvest.
44. Sinner, art thou still secure? Preparation for the Future.
45. Sinners, hear the [thy] Saviour's call. Invitation.
46. Sovereign grace has power alone. The two Malefactors.
47. Stop, poor sinner, stop and think. Caution and Alarm.
48. Sweeter sounds than music knows. Christmas.
49. Sweet was the time when first I felt. Joy in Believing.
50. Ten thousand talents once I owed. Forgiveness and Peace.
51. The grass and flowers, which clothe the field. Hay-time.
52. The peace which God alone reveals. Close of Service.
53. Thy promise, Lord, and Thy command. Before Sermon.
54. Time, by moments, steals away. The New Year.
55. To Thee our wants are known. Close of Divine Service.
56. We seek a rest beyond the skies. Heaven anticipated.
57. When any turn from Zion's way. Jesus only.
58. When Israel, by divine command. God, the Guide and Sustainer of Life.
59. With Israel's God who can compare? After Sermon.
60. Yes, since God Himself has said it. Confidence.
61. Zion, the city of our God. Journeying Zionward.
-- John Julian, Dictionary of Hymnology (1907)
=================
Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
-----
John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
See also in:
Hymn Writers of the Church
=======================
John Newton
William Walsham How
1823 - 1897 Topics: A New Heaven and A New Earth Communion of Saints; Adoration and Praise; Assurance; Church Triumphant; Cloud of Witnesses; Comfort/Consolation; Communion of Saints; Conflict and Struggle; Courage; Discipleship and Service; Eternal Life; Faith; Funerals and Memorial Services; Heaven(s)/Paradise; Jesus Christ name; Jesus Christ Rock; Jesus Christ Second Coming; Music and Singing; Music and Singing; Processionals (Opening of Worship); Rest; Resurrection; Second Coming; Service Music Doxologies; Strength; Victory; Vision/Dream; Warfare (Spiritual); Witness; Worship; Proper 4 Year A; All Saints Year A; Proper 27 Year A; All Saints Year B; Ascension Year C; Proper 10 Year C; Proper 26 Year C; All Saints Year C Author of "For All the Saints" in Voices United William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886.
Bert Polman
===============
How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty.
Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works.
The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:—
i. From Psalms & Hymns, 1854.
1. Before Thine awful presence, Lord. Confirmation.
2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus .
3. Lord Jesus, when we stand afar. Passiontide.
4. O blessing rich, for sons of men. Members of Christ.
5. 0 Lord of Hosts, the earth is Thine. In time of War.
6. O Lord, Who in Thy wondrous love. Advent.
ii. From Psalms & Hymns, enlarged, 1864.
7. Lord, this day Thy children meet. Sunday School Anniversary.
iii. From Supplement to the Psalms & Hymns, 1867.
8. Hope of hopes and joy of joys. Resurrection.
9. 0 daughters blest of Galilee. For Associations of Women.
10. O happy feet that tread. Public Worship.
11. With trembling awe the chosen three. Transfiguration.
iv. From Parish Magazine, 1871, and Church Hymns, 1871.
12. O Jesu, crucified for man. Friday.
13. Yesterday, with worship blest. Monday.
v. From the S. P. C. K. Church Hymns. 1871.
14. Bowed low in supplication. For the Parish.
15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary.
16. O blest was he, whose earlier skill. St. Luke.
17. O God, enshrined in dazzling light. Omnipresence. Divine Worship .
18. O heavenly Fount of Light and Love. Witsuntide.
19. O Lord, it is a blessed thing. Weekdays.
20. 0 One with God the Father. Epiphany.
21. O Thou through suffering perfect made. Hospitals.
22. Rejoice, ye sons of men. Purification of the B. V. M.
23. Summer suns are glowing. Summer.
24. The year is swiftly waning. Autumn.
25. Thou art the Christ, O Lord. St. Peter.
26. To Thee our God we fly. National Hymn.
27. Upon the holy Mount they stood. Transfiguration and Church Guilds.
28. We praise Thy grace, 0 Saviour. St. Mark.
vi. From the S. P. C. K. Children's Hymns, 1872.
29. Behold a little child. Jesus the Child's Example.
30. Come, praise your Lord and Saviour. Children's Praises.
31. It is a thing most wonderful. Sunday School Anniversary.
32. On wings of living light. Easter.
Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897.
--John Julian, Dictionary of Hymnology (1907)
===================
How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Walsham How
Ralph Vaughan Williams
1872 - 1958 Topics: A New Heaven and A New Earth Communion of Saints; Adoration and Praise; Assurance; Church Triumphant; Cloud of Witnesses; Comfort/Consolation; Communion of Saints; Conflict and Struggle; Courage; Discipleship and Service; Eternal Life; Faith; Funerals and Memorial Services; Heaven(s)/Paradise; Jesus Christ name; Jesus Christ Rock; Jesus Christ Second Coming; Music and Singing; Music and Singing; Processionals (Opening of Worship); Rest; Resurrection; Second Coming; Service Music Doxologies; Strength; Victory; Vision/Dream; Warfare (Spiritual); Witness; Worship; Proper 4 Year A; All Saints Year A; Proper 27 Year A; All Saints Year B; Ascension Year C; Proper 10 Year C; Proper 26 Year C; All Saints Year C Composer of "SINE NOMINE" in Voices United Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
