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Thou didst leave Thy throne

Author: Emily E. S. Elliott, 1836-1897 Appears in 416 hymnals Topics: Bethlehem Christ born in Lyrics: 1 Thou didst leave Thy throne And Thy kingly crown When Thou camest to earth for me, But in Bethlehem's home Was there found no room For Thy holy nativity: O come to my heart, Lord Jesus, There is room in my heart for Thee! 2 Heaven's arches rang When the angels sang, Proclaiming Thy royal degree; But of lowly birth Didst Thou come to earth, And in great humility; O come to my heart, Lord Jesus, There is room in my heart for Thee! 3 The foxes found rest, And the birds had their nest In the shade of the forest tree; But Thy couch was the sod, O Thou Son of God, In the deserts of Galilee: O come to my heart, Lord Jesus, There is room in my heart for Thee! 4 Thou camest, O Lord, With the living word, That should set Thy people free; But, with mocking scorn, And with crown of thorn, They bore Thee to Calvary: O come to my heart, Lord Jesus, Thy cross is my only plea! 5 When heaven's arches shall ring, And her choirs shall sing At Thy coming to victory, Let Thy voice call me home, Saying, "Yet there is room There is room at My side for thee!" And my heart shall rejoice, Lord Jesus, When Thou comest and callest for me. Used With Tune: MARGARET
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Angels, from the realms of glory

Author: J. Montgomery, 1771-1854 Appears in 761 hymnals Topics: Shepherds of Bethlehem Lyrics: 1 Angels, from the realms of glory, Wing your flight o'er all the earth; Ye who sang creation's story, Now proclaim Messiah's birth: Come and worship, Worship Christ, the newborn King. 2 Shepherds, in the field abiding, Watching o'er your flocks by night, God with man is now residing; Yonder shines the infant light: Come and worship, Worship Christ, the newborn King. 3 Sages, leave your contemplations, Brighter visions beam afar; Seek the great Desire of nations; Ye have seen His natal star: Come and worship, Worship Christ, the newborn King. 4 Saints, before the altar bending, Watching long in hope and fear, Suddenly the Lord, descending In His temple shall appear: Come and worship, Worship Christ, the newborn King. Used With Tune: REGENT SQUARE

Bethlehem

Author: Marilyn E. Thornton Meter: Irregular with refrain Appears in 2 hymnals Topics: Bethlehem; Bethlehem First Line: Mary, Mary, meek and mild Refrain First Line: Bethlehem, Bethlehem Scripture: Luke 2:6-7 Used With Tune: BETHLEHEM

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MENDELSSOHN

Meter: 7.7.7.7 D with refrain Appears in 618 hymnals Composer and/or Arranger: Mendelssohn; William H. Cummings; David Willcocks Topics: Biblical Names & Places Bethlehem; Biblical Names & Places Bethlehem Tune Key: F Major Incipit: 51171 33255 54323 Used With Text: Hark! The Herald Angels Sing
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ADESTE FIDELES

Meter: Irregular Appears in 1,313 hymnals Composer and/or Arranger: John Francis Wade Topics: Biblical Names & Places Bethlehem; Biblical Names & Places Bethlehem Tune Sources: Hymns Ancient and Modern Revised (desc.) Tune Key: G Major Incipit: 11512 55323 43211 Used With Text: O Come, All Ye Faithful
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NUN KOMM DER HEIDEN HEILAND

Meter: 7.7.7.7 Appears in 118 hymnals Composer and/or Arranger: Seth Calvisius Topics: Biblical Names & Places Bethlehem; Biblical Names & Places Bethlehem Tune Sources: Enchiridion Oder Handbüchlein, Erfurt, 1524 Tune Key: g minor Incipit: 11732 12112 34345 Used With Text: Savior of the Nations, Come

Instances

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Published text-tune combinations (hymns) from specific hymnals

Bethlehem

Author: Marilyn E. Thornton Hymnal: Worship and Song #3053 (2011) Meter: Irregular with refrain Topics: Bethlehem; Bethlehem First Line: Mary, Mary, meek and mild Refrain First Line: Bethlehem, Bethlehem Scripture: Luke 2:6-7 Languages: English Tune Title: BETHLEHEM

In Bethlehem a Newborn Boy

Author: Rosamond E. Herklots Hymnal: Voices United #77 (1996) Meter: 8.8.8.8 Topics: Biblical Places Bethlehem Languages: English Tune Title: IN BETHLEHEM
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O little town of Bethlehem

Author: Bp. Phillips Brooks, 1835-1893 Hymnal: Methodist Hymn and Tune Book #126 (1917) Topics: Bethlehem Christ born in Lyrics: 1 O little town of Bethlehem, How still we see thee lie; Above thy deep and dreamless sleep The silent stars go by: Yet in thy dark streets shineth The everlasting Light; The hopes and fears of all the years Are met in thee to-night. 2 For Christ is born of Mary; And gathered all above, While mortals sleep, the angels keep Their watch of wondering love. O morning stars, together Proclaim the holy birth, And praises sing to God the King, And peace to men on earth! 3 How silently, how silently, The wondrous gift is given! So God imparts to human hearts The blessings of His heaven: No ear may hear His coming; But in this world of sin, Where meek souls will receive Him, still The dear Christ enters in. 4 O holy Child of Bethlehem, Descend to us, we pray; Cast out our sin, and enter in; Be born in us to-day, We hear the heavenly angels The great glad tidings tell; O come to us, abide with us, Our Lord, Immanuel. Languages: English Tune Title: BETHLEHEM

People

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Authors, composers, editors, etc.

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart, 1813-1879 Topics: Shepherds of Bethlehem Composer of "REGENT SQUARE" in Methodist Hymn and Tune Book Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Johann Sebastian Bach

1685 - 1750 Topics: Biblical Places Bethlehem Harmonizer of "SALZBURG (HINTZE)" in Voices United Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Godfrey Thring

1823 - 1903 Person Name: Rev. Godfrey Thring, 1823- Topics: Star of Bethlehem Author of "Light of life that shinest" in The Sunday School Hymnal Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others