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Hark! Ten Thousand Harps and Voices

Author: Thomas Kelly, 1768-1854 Appears in 669 hymnals Topics: Christ's Ascension and Reign Lyrics: 1 Hark! ten thousand harps and voices Sound the note of praise above; Jesus reigns and heaven rejoices, Jesus reigns, the God of love: See, He sits on yonder throne; Jesus rules the world alone, Alleluia! Alleluia! Alleluia! Amen. 2 King of Glory, reign for ever, Thine an everlasting crown; Nothing from Thy love shall sever Those whom Thou hast made Thine own: Happy objects of Thy grace, Destined to behold Thy face. Alleluia! Alleluia! Alleluia! Amen. 3 Saviour, hasten Thine appearing; Bring, O bring the glorious day, When, the awful summons hearing, Heaven and earth shall pass away; Then, with golden harps we’ll sing, “Glory, glory to our King!” Alleluia! Alleluia! Alleluia! Amen. Used With Tune: HARWELL

Look, Ye Saints, the Sight Is Glorious

Author: Thomas Kelly, 1769-1854 Appears in 539 hymnals Topics: Ascension and Reign Used With Tune: CWM RHONDDA
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Majestic Sweetness Sits Enthroned

Author: Samuel Stennett Appears in 888 hymnals Topics: Jesus Christ Ascension and Reign Used With Tune: ORTONVILLE

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DUKE STREET

Meter: 8.8.8.8 Appears in 1,427 hymnals Composer and/or Arranger: John Hatton, c. 1710-1793 Topics: Jesus Christ His Ascension and Reign Tune Key: C Major Incipit: 13456 71765 55565 Used With Text: Jesus Shall Reign
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LLANFAIR

Meter: 7.7.7.7 with alleluias Appears in 229 hymnals Composer and/or Arranger: R. Williams (1781-1821) Topics: God, Saviour Ascended and Reigning; The Ascension of Christ Tune Key: G Major Incipit: 11335 43254 34321 Used With Text: Hail the day that sees him rise
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DIADEMATA

Meter: 6.6.8.6 D Appears in 689 hymnals Composer and/or Arranger: George J. Elvey; William David Young Topics: Christ Ascension and Reign Tune Key: D Major Incipit: 11133 66514 32235 Used With Text: Crown Him with Many Crowns

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Crown Him with Many Crowns

Author: Godfrey Thring; Matthew Bridges Hymnal: Voices United #211 (1996) Meter: 6.6.8.6 D Topics: Jesus Christ Ascension and Reign Lyrics: 1 Crown him with many crowns, the Lamb upon his throne; hark! how the heavenly anthem drowns all music but its own! Awake, my soul, and sing of him who died for thee, and hail him as thy matchless King through all eternity. 2 Crown him the Lord of life, who triumphed o'er the grave, and rose victorious in the strife for those he came to save. His glories now we sing, who died and rose on high, who died eternal life to bring, and lives that death may die. 3 Crown him the Lord of peace, whose power a sceptre sways from pole to pole, that wars may cease, absorbed in prayer and praise. His reign shall know no end; and round his piercèd feet fair flowers of Paradise extend their fragrance ever sweet. 4 Crown him the Lord of love; behold his hands and side, rich wounds yet visible above, in beauty glorified. All hail, Redeemer, hail! for thou hast died for me: thy praise shall never, never fail throughout eternity. Languages: English Tune Title: DIADEMATA
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Jesus Shall Reign

Author: Isaac Watts Hymnal: Voices United #330 (1996) Meter: 8.8.8.8 Topics: Jesus Christ Ascension and Reign First Line: Jesus shall reign where'er the sun Lyrics: 1 Jesus shall reign where e'er the sun does its successive journeys run; his kingdom stretch from shore to shore, till moons shall wax and wane no more. 2 People and realms of every tongue dwell on his love with sweetest song, and infant voices shall proclaim their early blessings on his name. 3 Blessings abound wheree'er he reigns: and prisoners leap to lose their chains; the weary find eternal rest, and all who suffer want are blest. 4 Let every creature rise and bring peculiar honours to our King, angels descend with songs again, and earth repeat the loud Amen! Languages: English Tune Title: DUKE STREET
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All Hail the Power of Jesus' Name

Author: Edward Perronet Hymnal: Voices United #334 (1996) Meter: 8.6.8 with refrain Topics: Jesus Christ Ascension and Reign First Line: All hail the power of Jesus' name! Lyrics: 1 All hail the power of Jesus' name! Let angels prostrate fall; bring forth the royal diadem, [Refrain:] and crown him, crown him, crown him, crown him Lord of all. 2 O seed of Israel's chosen race now ransomed from the fall, hail him who saves you by his grace [Refrain] 3 Crown him, you martyrs of your God, who from his altar call: praise him whose way of pain you trod, [Refrain] 4 Let every tongue and every tribe, responsive to the call, to him all majesty ascribe, [Refrain] 5 O that, with all the sacred throng, we at his feet may fall; join in the everlasting song, [Refrain] Languages: English Tune Title: MILES LANE

People

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Authors, composers, editors, etc.

Felice Giardini

1716 - 1796 Person Name: Felice de Giardini Topics: Our Lord Jesus Christ His Ascension and Reign Composer of "ITALIAN HYMN" in The Hymnal of Praise Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry

Thomas Haweis

1734 - 1820 Topics: Jesus Christ Ascension and Reign Composer of "RICHMOND" in Glory to God Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808). Bert Polman ============================ Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar." The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:— 1. Dark was the night and cold the ground. Gethsemane. 2. From the cross uplifted high. Christ in Glory. 3. Great Spirit, by Whose mighty power. Whitsuntide. 4. Submissive to Thy will, my God. Resignation. 5. The happy morn is come. Easter. 6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn. 7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption. --John Julian, Dictionary of Hymnology (1907)

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Topics: Our Lord Jesus Christ His Ascension and Reign Composer of "ST. THERESA" in Hymns and Tunes for Schools Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman